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Equipment
Board provided for discussions about equipment
9,562 topics in this forum
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- 2 followers
- 9 replies
- 924 views
Hi Guys, what do you think about this antenna? I am searching for a omni antenna in combination of my Wisy LFA for inside use to help with multi path reflections. I am for now running a pair of LFA. I am hesitating beetween the BETSO Bowtie (more filtered and compact) and the A1031U from Sennheiser. I have 0,5Db Loss from the RF cable i use. I will not do long runs with this omni. Thanks
Last reply by LuisT, -
Case for CL12
by OB1- 1 follower
- 2 replies
- 376 views
I'm traveling with the CL12 more than before. Is there a case folks are using that fits snugly? Skinny hardcase prefered as it'll be riding with other equipment in a larger case. So many options but nothing seems to be off the shelf. I know this is hitting a small sample size...
Last reply by OB1, -
- 0 replies
- 243 views
A new model, the "Zoom H4essential" just got released today for US$199. Supports timecode, but only via the Atomos (formerly TCS Ltd) Ultrasync BLUE. The new Zoom H6essential (for US$299) also supports timecode via the same manner as well. Is interesting seeing even these very low end consumer products are now kinda supporting timecode too. https://www.newsshooter.com/2024/01/25/zoom-adds-three-new-models-to-its-lineup/
Last reply by IronFilm, -
- 1 follower
- 4 replies
- 546 views
I'm sitting here trying to figure out why the newish Hollyland and DJI wireless systems provide both recording and transmitting simultaneously, while our wireless systems that cost thousands more are still held back by a 'Zaxcom patent'. Is it because they operate on the 2.4ghz spectrum? Zaxcom becoming lenient with lawsuits? DJI and Hollyland willing to fight off lawsuits to take market share? Don't see a ton of info on this so any thoughts are appreciated. From a biz perspective, wouldn't it be smarter for the pro level comapnies we use to provide more low cost prosumer options to keep market share? I have been hearing from too many producers and cam ops abo…
Last reply by Paul F, -
- 2 followers
- 3 replies
- 296 views
Atmos has some very reasonably priced TC boxes that can talk to (they say) cameras, phones, monitor-recorders etc on blutooth, without cables. They also have a TC box with "mini DIN" connectors for TC (Yay! Yet another esoteric TC-camera cable type!). Has anyone worked with their system? It includes video recorders that automatically upload to the cloud on stop, and editing app, etc etc. Impressive to me if it all works...!
Last reply by Blocktek, -
- 2 followers
- 2 replies
- 706 views
I am about to design sound cart kits. It would require some user assembly, but be less costly. I would like to hear from sound mixers what features you would like. I am planning a narrow cart about 18" wide, and one for rack mount. It will come standard with Split handles, front locking casters, and 2 boom pole holders. Planned options include slide out shelves, cable hooks, folding wings, retractable headphone holder, Pelican LiFE Battery brackets, and monitor mount. Areas I could use input: 1) The size of the T-slot profiles. I am currently using 2550 (1x2") vertical member, & 2525 (1x1") for horizontal frames. 2) Black or Clear anodized finish (as seen i…
Last reply by Matt Bacon AMPS, -
- 3 followers
- 22 replies
- 2.5k views
I like the minimalist lightweight look of the Rycote nanoshields but how are they comparing in the field? I read that early models had a handling noise issue that was possibly sorted out by new fabric? NAB 2023 seems to be showing them with the new fabric as standard. Or maybe that’s another new fabric? The Cinela piano works great but is heavy ands bit over-engineered if you ask me. The original Rycote Modular system still seems to work great… the cyclone looks ridiculous and heavy to me but I haven’t tried it so who knows. So where does this Nanoshield fit in? Does it offer the same amount of wind protection as the traditional modular system? …
Last reply by GHammer, -
- 0 replies
- 180 views
This is a weird one hope i am explaining correctly. Using a cedar DNS 2 with digital i/o in the same config i have been for quite a while. Today suddenly i am experiencing +10dB at the digital output only on left channel output. All levels at digital input are equal dual mono levels and processing on screen of the dns 2 is showing equal level processing. Currently set to stereo mode “D1= / =D2”. Very odd as just used the other day with no issues. Started today upon firing it up. Wondering if anyone has an ideas.
Last reply by osa, -
- 4 replies
- 397 views
Would a passive antenna setup, something like the betso bow ties work well in a big with lectro DSR4 and a SRc if you’re using multiple blocks?
Last reply by Matt Geldof, -
- 6 followers
- 67 replies
- 6.9k views
I would like to hear from any members who have worked with or have experience with the Sound Devices Nexus.
Last reply by Tim Norris, -
- 3 followers
- 41 replies
- 7.2k views
I’m having a hard time finding info on real-world lithium battery life in the Lectro wide band Tx’s. Anyone using an SMWB and care to report in? Is it much less than an SMv? thank you! max
Last reply by soundtown, -
- 2 followers
- 5 replies
- 403 views
I’m in a scenario where I’m going to have to power a lectrosonics SRc without a sled. What would the downsides be to powering with AA battery box terminated for a SRc receiver?
Last reply by osa, -
- 4 followers
- 27 replies
- 1.8k views
Hello everybody, since december Aaton released a new firmware for X3 (Cantar X3 and Mini) to record in 32 Bits. 24 bits is usually plenty enough but it means a greater headrooms for screams maybe. What are your thoughts on 32 bit recording? Anybody already tried it on a full feature/series workflow ? I wonder if picture editors are ready to receive 32 bits Audio. It's no problem with Pro tools though. Thanks and happy new year to everybody. …
Last reply by Dejan Ceko, -
- 2 followers
- 13 replies
- 863 views
I have a Nagra IV-SJ and a Nagra IV-D that operate normally mechanically and play back OK, but neither of them record. Input signals and Reference tone show on the meter. They were fully operational last time they were used but they have not been turned on for some years. I don't have the equipment or skills to troubleshoot. I do have the Instruction and Service Manuals, Schematic Drawings and Technical Specifications. Any suggestion for someone who would repair these recorders? I am in the Los Angeles/Ventura area.
Last reply by Philip Perkins, -
- 1 follower
- 3 replies
- 479 views
Hi, I'm looking for solution. I was trying to find it in manual but not sure. I need to A20-T to start record automatically after boot. OR (maybe) Is a way how to use Nexlink to trigger record (A20 receive) My goal is to record everything after the talent is miced. It's a documentary shoot and there is a part, when only cameraman and talent is shooting. And my goal is to have all audio in 32bit in post. I was using a Zaxcom setup in past, where I was able to trigger record with timecode (RECrun) connected to receiver. Thanks for advice.
Last reply by locationsoundvie, -
- 8 followers
- 23 replies
- 2k views
Like the topic says: What chair do you use? I am looking for a chair that is easy to transport while pushing the cart. Comfortable.
Last reply by Nick Ray Harris, -
- 1 follower
- 6 replies
- 734 views
I did some testing regarding the latency of my Wisycom MCR54 wireless system and discovered an issue on a different topic. The phase position of my miks is not coherent. My DPA 4040 and 6060 deliver an inverted phase. When I align all my microphones with same distance to the sound sorce ( I used a clapperboard ) all my Sennheiser MKH, my VT506 (lavaliers) show the same phase position , but the DPAs are inversed. Is that commmon knowledge I missed till today ? - Seems pretty important to me. Can anyone confirm my findings ? Regarding the latency That's what I found regarding my Wisycom MCR54 based wireless system: 1.6ms for the MTP40 and MTP41 transmitters (…
Last reply by The Documentary Sound Guy, -
- 0 replies
- 134 views
These 2 Zoom buttons above the jog wheel are not working. Everything else seems to work fine. They just turn red when I press them but no function. I can't map them either in my 833 menu. I saw this in the guide Sel and HP (Zoom) Buttons The jog wheel has two mutually exclusive modes determined by the two buttons above it. SEL (LEFT ZOOM ) BUTTON jog wheel’s rotate and press functions emulate Scorpio’s Select encoder. HP (RIGHT ZOOM) BUTTON jog wheel’s rotate and press functions emulate Scorpio’s HP encoder. Firmware is up to date. Any other things I can do to fi…
Last reply by Nathan B, -
- 3 followers
- 14 replies
- 2.6k views
Hey all, I'm currently using a Sennheiser EW-D SK Transmitter as a camera hop in my sound bag. I want to leave it tethered to power via the BDS in my bag -- as opposed to using AA's or rechargeable AA's, or the BA70 batteries. So my question is: Is there a battery eliminator that would be compatible with this Transmitter that I can leaved plugged in to my BDS? There's also an open USB slot, if it's possible to go that route as well (USB AA Battery eliminator?) I've found this Bucky-Duo one, but that's about it. https://www.ebay.com/itm/193467068503 Not looking to make one myself either. Remote A…
Last reply by rich, -
- 5 followers
- 7 replies
- 691 views
I’m thinking on jumping on the ship of the A-20 nexus and replace my SRcs/SMWDBs. I’m wondering what transmitters to go with. I would like to have your opinion on it. now that the A20-tx is out, is it a better option overall? The A20-TX seems to have a better battery life and more functions. The mini is smaller but battery life seems to be an issue. Do people hide the A20-TX on talents without problem? Is the size comparable to a SMWDB? Thank you, Nathan
Last reply by locationsoundvie, -
- 2 followers
- 19 replies
- 1.3k views
I own a bunch of Sony UWP series transmitters and receivers that I use with my FX6/FX3 cameras. I do a lot of commercial and corporate work, so most of my lavs are Sanken COS-11Ds mounted for Sony. I also have a HIXMAN CA117 adapter that allows me to run my Sony mounted COS-11Ds to Tentacle Sync TRACK E's for those occasional times where I run into interference issues. I love the sound of my COS-11Ds and find that they are far better than the Sony stock lavs or even the lavs that come with the Tentacle Sync TRACK E's (which I believe are essentially Sennheiser ME 2 mics), as they should be since they are pro level mics. In addition to my commercial/corporate w…
Last reply by IronFilm, -
- 1 follower
- 3 replies
- 312 views
Hello, anyone know what brand this windshield is? thanks
Last reply by rosa, -
- 2 followers
- 4 replies
- 1.2k views
Hi all - I have the new Deity Theos wireless kit and generally find it to be an improvement in every way over my old Sennheiser G3 units. However when I use a DPA 4061 there is a faint but constant ticking sound, in rhythm like a heartbeat. The unit works fine w/2 other mics (Sennheiser MKE2 and Countryman B3) and then the DPA works fine with the Sennheiser wireless. Has anyone encountered this problem? I'm thinking it might be a power issue, but I have the Deity set to provide 5 volts, which DPA says is the minimum required. I can hear the pulsing when I plug headphones directly into the transmitter so it's not being introduced later in the signal chain.
Last reply by D Clay Audio, -
- 2 followers
- 7 replies
- 569 views
I did a search and dug up some pretty old threads about painting lav mics, but I wanted to see if there are any new or improved methods today. I have several Sanken COS-11Ds in black, white and beige and am wanting to have two in brown. Sanken doesn’t offer this color whereas DPA and Countryman do. I wish they did as I would buy two instantly! Ad such, I’m thinking of painting two of my beige mics to be brown. I’m wanting this to be permanent if possible and was wanting to paint the wire, the mic capsule, the windscreen, and the alligator clip. Do any of you have suggestions on a permanent paint for this? I’m assuming it would have to be somewhat o…
Last reply by Jim Feeley, -
- 9 replies
- 3.7k views
Has anyone had luck modifying the new version of the Rode Blimp (with the rycote lyres) to fit the Rode NT4? I'm trying to find a windshield solution that won't cost more than the mic :| Based on the pictures, it seems like it should be easy to simply unscrew the current lyres and replace them with the 30mm upgrade sold by Rycote (https://www.bhphotovideo.com/c/product/629616-REG/Rycote_042218_042218_30mm_Lyre_Upgrade.html/mode/edu) I'd love to hear if anyone has any other ideas or knows if my solution will work or not. Thanks! mike
Last reply by Throwback,
