Recording Direct to Computer
posts regarding production recording where the computer is the main device
217 topics in this forum
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- 2 followers
- 101 replies
- 29.3k views
I mostly posted this so I dont have to see "recording audio for a wedding" on the right every time I log on to the forums. Seems this sub forum has been quiet for some time.
Last reply by mono, -
- 1 follower
- 70 replies
- 12.1k views
So I'm wondering are Avid skipping the .x steps (as in PT 7.3) and releasing a new version every couple of months so they can make more money? Has anyone tried this new version, is it that different/better tha PT 9?
Last reply by Jesper Magnusson, -
- 2 followers
- 62 replies
- 11.3k views
<p>Sound devices,<br /> <br /> So I was doing a corporate gig and it was an interview with a woman, simple setup boom and lav.<br /> We shot around 8 hours and we did 10 scenes, the 744 was recording as usual until scene 5, what I mean is that the files on the hdd where perfect and from scene 5 on, all the files are between 3mb and. 20 mb. While the first takes where around 150mb.<br /> The recorder indicated I was recording on the hdd but it was slow on the CF, I couldn't stop the take, so we kept rolling with the 744 indicating recording on the hdd<br /> My surprise came when I handed the files, the editor called me in stati…
Last reply by Strei, -
Word Clock 1 2 3
by S Harber- 52 replies
- 159.2k views
This is a spill over from another discussion but I was wondering where folks are taking their word clock from? I usually make my mixer, in this case an 01v96, the master and lock all the other machines, MOUT 828 MK2 to it as slaves. MLan is breaking this style of build as it requires the computer attached to be the word clock master. Here I am experimenting w/ Boomcorder via mLan and it doesn't seem to me that my powerbook would be the best source for sync but it is required to be the master in the world of mLan. Hopefully this will change. Darren Brisker has posted about running TC into a MOTU traveler and then having word sync/line up to that so that TC is bascial…
Last reply by curleysound, -
- 46 replies
- 6.4k views
Greetings everyone, I had a Catastrophic fail on my Boom Recorder and Yamaha 01v96i fail last week, and I can't even begin to diagnose the troubles. First hour on set for the day, no troubles, no issues, everything working fine. Hour 3 now, and I noticed the Time Code on BR, going on and off once. So, I check the ISOs, and there is some distortion on the files. By Hour 5, I noticed the TC now just completely off and not being read by BR. So, I check the ISOs, and there's a lot more distortion now.. degrading as time goes by. I had to crap can the whole RB set up, and scramble to get a 788 put in place instead. Here's a sample file. I edited and sa…
Last reply by studiomprd, -
- 44 replies
- 8.1k views
Hello everyone, I have just made Boom Recorder 7.24 available for limited distribution. It is limited because I do not yet know if this version works on all the equipment out there. I currently only have Snow Leopard, but it should still work on Tiger and Leopard as well. And although I've tested it, there may be some new bugs introduced between 7.22 and this version. This version solves the problem with sound reports not being generated on Snow Leopard. This had to do with a new version of the xslt library which no longer allows whitespace in certain parts of the .xsl files. For anyone who is still interested after what you know now, you can download it fr…
Last reply by John Blankenship, -
- 5 followers
- 42 replies
- 17.1k views
I'm in the market for an audio interface to record to, and play from, a current model 15" MacBook Pro (via USB 3.0 or Thunderbolt) and, in the nice but not essential category, a current model iPad (via an independent power source for the interface and the iPad camera connector kit). I already use a Sound Devices 7 series recorder. For the interface, I need only two mic inputs, and output to headphones and two speakers, so the obvious choice is a USBPre 2. However, there appear to be credible alternatives at similar or lower prices - for example, RME's Babyface, Universal Audio's new Apollo Twin (although it requires AC power, i.e. cannot be powered by the comput…
Last reply by RadoStefanov, -
- 41 replies
- 5k views
Yes.. I've been operating with BR v7.25.1 the last 4 weeks after Take made a revision for an issue I had, massive help he was . Anyways... I'm having some problems with sync and some pretty bad drift between files recorded on the 702T and BR, let me quickly explain the set-up: 702T is the master TC clock outputting the TC signal and word clock to a Motu Traveler which in turn is connected to a MacBook Pro running BR v7.25.1. BR's sample rate and bit depth are set identical to what the 702T is, and BR is recognizing the TC signal and clocking perfectly to what the 702T is outputting. This should all ensure that files created from BR would sync to those created on t…
Last reply by Tom Visser, -
- 40 replies
- 16.9k views
saw this on my twitter feed this morning. usb only? any luck with boom recorder going usb? i see a lot of board mixers nowadays only being usb. Yamaha Launches New 01V96i http://www.prosoundweb.com/article/yamaha_launches_new_01v96i_digital_mixer/?utm_source=twitterfeed&utm_medium=twitter#When:13:08:40Z
Last reply by S Harber, -
- 1 follower
- 40 replies
- 5.6k views
8x8 I/O http://www.avid.com/US/products/Pro-Tools-Mbox-Pro
Last reply by jozzafunk, -
- 2 followers
- 38 replies
- 12.7k views
Has anyone tried feeding Boom Recorder via Dante Virtual sound card ? It uses the Apple core audio so theoretically it should work ? Just wondering if anyone has tried it. Thanks.
Last reply by Todd Weaver, -
- 35 replies
- 6k views
I've been quite productive these last few weeks. Anyway, I have been testing the sample and frame rate changes as best as I could. I had recorded a 24 fps timecode and played it back using my iPhone into my MOTU 828 MkII. This way I could slave it in such a way that I could test a "word clock" rate of 48000 Hz and 48048 Hz (by setting the MOTU to read time code at 23.98). Then I recorded several files with different sample and frame rate settings and compared the timestamp in the audio file with a separate utility. I've also tested free running at a 48048 sample rate compared to the MOTU free running timecode, after an hour there was no visual deviation. So…
Last reply by Eric Lamontagne, -
- 2 followers
- 35 replies
- 10.4k views
Just a plug from a satisfied customer for Reaper, as a basic but pretty deep computer audio editor etc for location work. I just got a new location mac laptop, and didn't want to spend the $ for ProTools 12 for it (req. for El Cap). Reaper is $60 for the lowbudg license, works pretty much exactly the same PC vs Mac, and I was able to figure most basic things out pretty fast without a manual. Cockos improves it all the time and there is a huge community of users, forums, videos etc to help you. The "higher" functions of a DAW like PT (surround, heavy mix auto, conforms etc ) are probably possible in Reaper but I'm not likely to go there. I just needed a multitrack rep…
Last reply by Wandering Ear, -
- 33 replies
- 9.3k views
i am interested in boomrecorder setups. i will be doing a show soon and am thinking of this for main recorder. If you use a macbook(not the pro) what is the setup since i think there is only the 1 firewire port( do you use a usb harddrive for backup?). i know that firewire external drive takes the load off the computer, but how are you plugging in the mixer? Also, whats the benefit of a mixer to something like a motu traveler as opposed to a mixer with firewire like the mackie onyx series, if there is a benefit. I will not have the budget for a cooper or any other top end mixer. How reliable is the system if you use the computer as dedicated recorder? any crashes? i…
Last reply by Noah Timan, -
- 1 follower
- 33 replies
- 6.3k views
http://www.sounddevices.com/products/usbpre2.htm Sorry about the double post, but thought it was probably more appropriate in here.
Last reply by Matt Mayer, -
Mac and DVDs 1 2
by larry long- 32 replies
- 5k views
Being new to Mac I'm curios about writing the DVD's for film break and such. Is there a way to incrementally write to the DVD and close the session at break? Ron, How were you doing this with BoomRecorder? Larry
Last reply by Ramsay, -
- 1 follower
- 32 replies
- 8.2k views
Hi, I am seriously thinking about doing some major development for Boom Recorder and start working toward version 9. I am thinking of getting rid of the patch bay and creating a better user interface for this function; routing inputs to outputs and files. There are several reasons for getting rid of the patch-bay and maybe what is shown on the main window: The current interface is cumbersome when working with over a hundred channels. The storage of the patch-bay data is large and is hampering the possibility of having multiple configuration files. I want to increase the number of channels above and beyond 256. The CPU usage is higher than it needs to be (even though i…
Last reply by sonic_reducer, -
- 1 follower
- 30 replies
- 3.9k views
Hey! new to the site with a couple interesting question (that might interest both music producers and direct sound audiovisual recorders) As my love and effort also goes to music, it'd be ideal to use this equipment in a music context too, to be able to manage this pre-amps from a computer. (1st question: Do you know any mixer/recorder that is also an audio interface? doubt that exists but you never know..) / 2nd question: Do you know any audio interface that has 8 digital inputs?) Another choice would be to do some A/D . D/A (from mic to ZAXCOM) and then again A/D (from ZAXCOM to audio interface) thinking that might mean some quality loss.. 3rd and most important quest…
Last reply by Wandering Ear, -
- 30 replies
- 6.7k views
So I've decided to switch to Boom Recorder and trade in my DV824. There are a number of factors which made me want to do this, but now I'm looking for the best interface. I like the Apogee Ensemble, for the pure reason of Apogee's great AD/DA quality and their built in "soft limiters" which are supposed to be quite good. Mackie is coming out with the Onyx 1200F, but it has been delayed so long it makes me wonder. That unit has LOTS of analog inputs, which would be good for those obnoxious times that you have every mic out of the box and need to lay down playback and such. It also has gain control for all the inputs, which seems handy. Any thoughts? Robert S…
Last reply by Noah Timan, -
- 1 follower
- 30 replies
- 9.1k views
Just wondering, as I'm not really an apple fanboy.
Last reply by IronFilm, -
- 30 replies
- 10.2k views
Hi there, I am looking to create a Fireface 800 rig for use with Boom Recorder that can either be used on location using a 2.66ghz, 4gb ram dual core Macbook Pro 15" (no express card) + two Focusrite Octopre's for up to 26 Analogue inputs. I would also like to be able to chain a Lacie Rugged drive via FW 800 to this setup. MBP FW800 port > Fireface 800 (2X Octopre's connected via adat) > Lacie Rugged Drive - bus powered I would also like to be able to expand this system to 52 inputs, by using two FF800's + four Octopre's connecting the FF800's via separate firewire cables to a Mac Pro (quad or 8 core, depends on my budget). Mac Pro Firewire 800 po…
Last reply by takev, -
- 29 replies
- 6.1k views
I'm looking for a software that runs on a mac and offers what is called "O-Ton-Modus" or "cue mode" on Samplitude. One splits a track into several clips and when hit the space bar it plays one clip, pauses at the beginning of the next clip until one hits space again. And so on. Its just what I want for prerecorded phone conversations. I don't wanna use those cartridge-type software. Just not flexible enough. I need to rearrange the clips on the fly. Any ideas?
Last reply by Matthias Richter, -
- 29 replies
- 6.1k views
It is obvious now that personal computers can be used as the main recording device, even in the professional setting of location field recording for picture. This is the place where we can discuss all the ramifications, exchange ideas and real world experiences, and share speculation about what the future will bring to our workplace. Regards, Jeff Wexler
Last reply by miker71, -
- 29 replies
- 10.9k views
Boom recorder is a lot cheaper? Coffey Sound only sells MetaCorder. Anyone got a list of features vs. cost vs. usability? Thanks
Last reply by takev, -
- 2 followers
- 27 replies
- 10.3k views
Hi guys, Just been wondering about how to do timecode with Pro tools 9 and my 003. I have lost several gigs lately because I don't have a recorder that does time code. I have a Tascam DR-680 and a SD442. I know from the studio that I can stamp the tracks with timecode by basically recording a track with a spmte file, but how then to sync cameras? I probably just need to break down and get a 788t, but cant quite afford it yet. Any thoughts on recording or doing playback straight out of pro tools with timecode(without owning SD or Zaxcom)? Some one mention to me that JLaudio makes a box that converts word clock in to smpte...Don't sound reliable to me?? Thanks …
Last reply by Brandon Pert,