Recording Direct to Computer
posts regarding production recording where the computer is the main device
217 topics in this forum
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- 1 reply
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Interesting item that could be the simplest way to hook up a microphone directly to the computer (Mac and Windows) http://centrance.com/products/mp/ "At home or on the road, MicPort's compact, USB-powered design offers maximum audio fidelity and minimal system configuration. Protected by a rugged chassis, MicPort's low-noise circuitry preserves high-quality audio. The onboard headphone jack delivers zero-latency monitoring via direct circuit. Mic gain and headphone volume adjustment couldn't be easier with MicPort's two conveniently located rotary controls." Regards, Jeff Wexler
Last reply by TVPostSound, -
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- 618 views
I'm looking for an Android app that will at the very least show waveform and will play polyphonic wav files (from Zaxcom or Sound Devices recorders). It would be nice if it could also edit, but not necessary. Has anyone found one?
Last reply by PMC, -
PC, Reaper?
by Matti- 1 reply
- 2.1k views
What would be the simplest program for location recording with the needed timecode etc features Reaper is getting mature if not simple to use I use Nuendo for post Matti
Last reply by Sergio Sanmiguel, -
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I recently purchased a 15" Macbook Pro (Version 8 with Thunderbolt, etc.). It has OS X 10.6.7 installed, and I haven't been able to get MLAN Auto Connect to work. Any ideas? I'm also using a FW800 to 400 cable to plug into the MY16 card.
Last reply by Richard Lightstone, CAS, -
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YAMAHA 01V96 AND BEHRINGER ADA 8200 SETUP. THE MIXER HAS MY8 CARD THE INTERFACE TO THE COMPUTER IS A BEHRINGER FCA1616. ALL THE INTERFACES HAVE ADAT AND I WANT TO CONNECT ALL INPUTS AND OUTPUTS TO THE DESKS BUT IM BIT CONFUSED CAN ANYONE HELP WITH THE SETUP FOR THE 01V96 SO I CAN AT LEASE GET SOUND WITH OUT CRACKLING
Last reply by RLightstone, -
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I have to record a voiceover remotely to my timeline from a professional speaker. He should be able to see my timeline video with timecode, hear (and maybe see) me, and be able record a local backup while I ju Can anyone recommend some software or cloud solution? Its ony a one time recording right now, so it shouldnt be too expensive. I read about Source Connect, which is 35 dollars a mont and 75 dollar for setup. And SessionLinkPro Recording, which is 26 dollars and doesnt seem to have a one time fee. There used to be VST Connect as well but se website is down. Any experience with those or any other recommendations would b…
Last reply by TVPostSound, -
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I'm having a bit of a re-jig of the TV/sound system and using some active monitors for a surround setup. In order to get all the decoding done without a computer I'm going to need a surround preamp/decoder box. In order to play back things from the computer it'll need to go in over HDMI. I'm wondering whether anyone's run multichannel outputs from their HDMI port on their computer and how well the drivers talk to DAW software? Any latency issues (although I expect I'll only use it for playback)
Last reply by Richard Thomas, -
Hi All, Did a live to "tape" sports shoot gig the other day feeding mono mix audio from MixPre-10T into a PC laptop running "V-Mix" video studio software. Just wondering if anyone else has used V-Mix and has any experience about optimizing the audio workflow. We sent an analog mono mix out of the MixPre 10T via single TA3/XLR output into a basic Roland USB interface into laptop and on into V-Mix software. The results were clean but final levels in the laptop seemed a little low for my liking. Need to get more familiar with gain staging into and inside V-Mix, I think. I was impressed with V-Mix generally for it's capabilities and features - too b…
Last reply by Philip Perkins, -
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Just got back from NAMM...the brain is spinning about having an Apogee D/A available for an iPad... The Duet is a nice little box nonetheless... http://www.apogeedigital.com/products/duet.php
Last reply by dkgross, -
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I'm retiring and selling my Production recording and playback cart. For the last 10 years I have recorded directly to computer.....at last. It has proven to be extremely high quality, stable and very flexible. I used my highly modified Neve 5422 mixing console with Waves L2 hardware Ultramaximizers for digital recording for a number of years, initially to DAT for digital storage. The Waves Ultramaximizers A to D hardware converters and processors allowed me to exceed the best quality recordings I had made using modified Nagras, providing better dynamic range and fidelity and, of course, no print through or HF headroom distortion. After years of following the developm…
Last reply by soundidea, -
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I read about Take's work on Mirage recorder but was wondering about just getting a video monitor feed in BR and not worry about recording it. The PSC Miranda prototype http://www.professionalsound.com/Catalog/miranda%20cart%20closeup.htm has a cool screen layout, is there a way to incorporate video monitoring in BR without hogging resources? And/or are there any progs being used to monitor on the mac? Just trying to shrink the cart whenever possible
Last reply by Hugh Holesome, -
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This topic has been moved to Equipment section because I posted in "recording to computer" by accidentEquipment. [iurl]http://www.jwsound.net/SMF/index.php?topic=3416.0[/iurl]
Last reply by Aaron Murphy, -
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Is anyone using BR 8 with the Antelope "Orion" interface? Working well? p
Last reply by Philip Perkins, -
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192kHz/32 bit 8 channels ?? http://www.intel.com/design/chipsets/hdaudio.htm .... discuss...
Last reply by studiomprd, -
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Anyone had a MOTU interface box fixed? A friend has a Traveler w/ dead phantom power on one input. What sort of turnaround does MOTU have with this stuff? I've never seen a service manual for this gear so I wonder if an indie tech would be able to do anything w/ it. Philip Perkins
Last reply by Philip Perkins, -
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Without meaning to, I topped my Metacorder "time-in-record" record last night at an HBO multicam shoot (SF Opera House, "Youth Speaks Poetry Slam" finals). 16 tr 24/48: 2 hrs 40 min. I didn't really want files that big but at the show start/roll-everything time there was still a line of people waiting to get in that ran all the way around the block, so people kept popping on stage and almost starting the show, riffing--you know the scene. All went well except for a DJ who decided to bust his sound-check feed levels by about 30db when the show started--the PA guy and I scrambled for the first few minutes but things settled down after that. The SF Opera House has a Scho…
Last reply by Philip Perkins, -
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http://techzium.com/product_info.php?products_id=51
Last reply by larry long,
