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JWSOUND Gallery


Albums

  1. Show Me Your Bag

    • Album created by Jeff Wexler
    • Updated
    • 92 images
    • 13 image comments
    • 92 images
    • 13 image comments
  2. Gallery of Sound Carts

    • Album created by Jeff Wexler
    • Updated
    • 201 images
    • 8 image comments
    • 201 images
    • 8 image comments
  3. SD 664 Carbon Fiber Setup

    My new carbon fiber setup for the SD 664.

    For more info: info@soluson.nl
    • Album created by SoluSon
    • Updated
    • 10 images
    • 4 image comments
    • 10 images
    • 4 image comments
  4. NAGRA 4.2 Replacing preamps module

    Here are some tips for changing or replacing the preamp modules on the NAGRA 4.2.
    On the photo you see the module on the right is the standard XoYo, with nagra input transformer, for dynamic mike 200ohms (great with a MD21), on the left (mike 1) is the QPAUT, the preamp with Dyn 200ohm, 48v, 12v phantom and 12v Tpower mike selector.
     
    • Album created by Fred Salles
    • Updated
    • 7 images
    • 2 image comments
    • 7 images
    • 2 image comments
  5. JSW Gallery

    • Album created by Jeff Wexler
    • Updated
    • 2 images
    • 1 image comment
    • 2 images
    • 1 image comment
  6. Steve Miller photos

    Various Photos from Steve Miller
    • Album created by Steve Miller
    • Updated
    • 10 images
    • 1 image comment
    • 10 images
    • 1 image comment
  7. Factory Photos

    • Album created by karlw
    • Updated
    • 1 image
    • 1 image comment
    • 1 image
    • 1 image comment
  8. Boombox/Caddy

    • Album created by chrismparker
    • Updated
    • 1 image
    • 1 image comment
    • 1 image
    • 1 image comment
  9. ERX Case

    ERX Case
    • 1 image
    • 1 image comment
  10. vidman

    DIY_BDS
    • Album created by vidman
    • Updated
    • 6 images
    • 1 image comment
    • 6 images
    • 1 image comment
  11. audiofp

    MM-1 Canada Shipping
    • Album created by audiofp
    • Updated
    • 3 images
    • 3 images
  12. dissertation writing

     I am working as a writer for an best dissertation proposal writing company. Our company can help students to make their admission essay writing procedure an easy one.we should also have qualified writers in the student's area of research. Make your career a bright one with us...
    • 0 images
  13. RAMPS/JWSOUND NAB - 2019

    RAMPS/JWSOUND Party at NAB - 2019
    • Album created by Jeff Wexler
    • Updated
    • 57 images
    • 57 images
  14. Location sound Brazil

    • 0 images
  15. BRAZIL- LOCATION SOUND

    SOME PHOTOS OF SOUND CART ANGEAR USED IN BRAZIL
    • 0 images
  16. Sound cart Fred Salles - Vuta N'Kuvute - Zanzibar 2019

    Sound cart used for tanzanian feature film Vuta N'Kuvute.
    Gear:
    preamp= SQN 4s - recorder= Sound Devices 688+SL6+CL12 - SL6 hosts 3x Wysicom MCR42 - power manager= DCA Mentor
    • Album created by Fred Salles
    • Updated
    • 5 images
    • 5 images
  17. Nick Flowers

    • Album created by Nick Flowers
    • Updated
    • 8 images
    • 8 images
  18. The Beast

    • 3 images
  19. Racing Gloves

    Hello Everyone.
    I m working on this site
    Racing Gloves
    • Album created by billsmartin
    • Updated
    • 1 image
    • 1 image
  20. Todd Pics

    • Album created by Toddsound
    • Updated
    • 1 image
    • 1 image
  21. Sound Cart

    • Album created by jeoh
    • Updated
    • 4 images
    • 4 images
  22. Film Pictures

    Pics of me at work
    • 4 images
  23. Chris At Work

    • 3 images
  24. Nelson Stoll Mix Cart August 2012

    This is the Production Mix cart I used on the Woody Allen San Francisco Film 2012. It was my first time recording a film on a computer. Boom Recorder v8, using a RME Fireface800 interface into a MacMini i7 with SSD boot drive and a 7200 Baracuda media drive.

    Boom Recorder was stable and I had no serious issues. The recording and patchbay interface were very easy to use, clever and laid out logically. Playback is limited, but Take, the developer, is working on that. This is practical, efficient recording software that I can recommend.

    The cart has a gigabit Ethernet switch, firewire 800 hub and USB-2 hub to allow flexible I/O. I used a thunderbolt adapter so I could Image/Backup the MacMini drives as needed. Connecting to another computer via the GBE provides very fast transfers as well.

    On the Woody Allen film we delivered on Compact Flash cards, using a permanently mounted FW800 CF reader. We didn't mirror in real time, since the CF transfers are fast, about 1GB/Minute. Having used Nagras running NagraMaster and changing with every camera roll for many years, this was, of course, very much easier.

    The front end is the same as I have been using for many years. Modified Neve 5422 console with custom direct outs built by Stephen Balliet of Reflection Audio, feeding Waves L2 hardware maximizers for ADC and the fantastic limiters.

    AES out to an RME ADI-4DD to convert AES digital to Toslink to feed the FF800.

    I use a studio Rosendahl Nanosyncs word clock to feed everything needing WC. And a Denecke GR-1 to feed TimeCode to one of the channels of Boom Recorder, which embeds the TC in the metadata of the BWF perfectly. On the show we used a sample rate of 48048, being fed by the word clock. Time Code was 30 FPS. This was all coordinated with post WAY before production started.

    Denecke T-1 and T-2 transmitters for wireless monitoring.

    This is the first show I have not used my Audio Ltd. radios for the wireless booms. These have been fantastic, but illegal in the US (780mHz). The quad box is up for sale and would be great for the UK and Asia.

    Anticipating having to sell my AL radios, a few years ago I did comparative tests of Lectros, AL and Shure UHF-R radios comparing DPA 4060 lavs against a hard wire. Surprisingly, the Shure radios were essentially equal to the AL and these were closer to a hard wire than the Lectros, which did not have the same low level detail or overall fidelity. The Shure receivers are not that practical for a portable cart, being only rack mount AC and having internal fans that needed to be addressed! But they sound VERY good and have good RF capability. They are a good value as well. I use an ethernet switch to connect the receivers together for integrated RF analysis and auto-setup. Now that I have a computer on the cart, I have installed Wireless Workbench which will allow me to save Frequency stack presets for different locations. A Shure RF distro feeds all the receivers from a pair of active antennas.

    The cart is AC only, usually not a problem. But I have a Honda EU2000 when needed. FYI...this is very clean power and pretty quiet. 100 feet away and behind something usually does it most of the time. The cart uses a Cyberpower PR1500LCDRT2U pure sine wave power conditioner and UPS.

    All this new stuff added some weight to the cart and I had to make some mods for the additional equipment. I do my own design and AutoCad work. My son Gustavo Stoll did the latest TIG welding. Most of the other fab work was done in my shop. The extensive wiring work was done this time by Dalton Patterson, including all RF, audio and power. We do some custom design/fab work for others when needed as well.

    Probably due mostly to the playback DACs in the Fireface800, the overall sound quality at the cart was improved over what it was using the Fostex DV824, which had served me well since THE KITE RUNNER in 2006. Input and output sound are essentially identical, at least in mono :-)

    This is basicly a small studio on wheels and obviously won't work when AC is not available or having to go up a mountain path very far. The whole top section of the cart hinges down so I can get it in my Eurovan and makes for a compact package.

    Nelson Stoll
    nelson@stollaudio.com




    • Album created by soundidea
    • Updated
    • 16 images
    • 16 images
  25. syncsound

    • Album created by syncsound
    • Updated
    • 1 image
    • 1 image

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