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Jeff Wexler

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Everything posted by Jeff Wexler

  1. RIP - Ed Greene

    I was waiting to try and gather my own personal feelings, I am very saddened by Ed's passing, not really able to express --- I have posted some comments from others (available already from Facebook to the Hollywood Reporter and many other sources. Los Angeles, CA, 11 August 2017--- CAS Board Member and previous CAS Career Achievement Recipient Ed Greene passed away on 9 August 2017 surrounded by family. Greene also previously served as a Governor of the Sound Branch of the Academy of Television Arts & Sciences. “The Sound community has lost an icon,” said CAS President Mark Ulano. “And the CAS Board has lost the voice of someone who held a vast knowledge of the history and evolution of live sound recording. Ed was a mentor to many of today’s sound mixers and he will be greatly missed. Our heartfelt condolences are with his family.” Over the course of his career Ed won 22 Emmy Awards and was nominated 61 times. He mixed some of the most highly regarded music, variety and award shows. He also won the CAS Award in 2003 for Outstanding Achievement in Sound Mixing for Television - Non-Fiction, Variety or Music Series or Specials for “XIX Winter Olympics Opening Ceremony”. He was also nominated for a CAS Award on four other occasions: in 2009 for his work on “American Idol: The Search for a Superstar”, in 2004 for his work on “The 45th Annual Grammy Awards” as well as “The Kennedy Center Honors: A Celebration of the Performing Arts” and in 2000 for “The 41st Annual Grammy Awards”. Former CAS President Edward L. Moskowitz commented, “The personal and professional loss to each and every one of us is immeasurable. So many of us owe him so much. With the clarity of his teaching and conduct he was the personification of the CAS principals to educate and inform the industry and the public of effective sound while maintaining the highest standards of conduct and craftsmanship. He will be deeply missed.” “The Sound Community has lost a giant-- an innovator, a huge talent, and above all, a wonderful friend. Ed Greene was my first mentor when I was a young mixer, teaching me about music mixing for picture, and collaborating on many shows together,” said former CAS President David E. Fluhr. “I was always (and still am) in awe of his talent, and his ‘Velvety Smooth Tracks’, as I would call them. He never hesitated to share his knowledge and experience, and would help anyone who asked. I am honored to have known him, and to have spent time with him on the CAS Board of Directors for many years. He was the best at what he did--and his legacy will live on for generations to come.”
  2. DPA 4098 - first impressions

    I got my first DPA 4098 (goosneck style) microphone today and I have been putting it through its paces. I already had glowing reports from Whit Norris and Jan McLaughlin, who both have these amazing little microphones. Whit has been using them with Lectrosonics transmitters and loves them, Jan has been using with Zaxcom transmitters and has not reported any of the anticipated problems with respect to the lower voltage supply from Zaxcom transmitter. The theory is that with lower supply voltage (they are rated to require 5 vdc and Zaxcom xmtr puts out 3 vdc) there would be an increase in self-noise floor and a decrease in overall headroom (dynamic range). So far, in the situations that Jan has used the 4098, if in fact there have been these decreases in performance it has not been noticeable and the mics have been incredibly useful. My preliminary shop testing (and by "testing" I mean only listening, which happens to be the only test I really have faith in), I would say the self-noise is only slightly higher than the 4063 lav we use (which only requires 3 vdc). I had my wife yell into the microphone (I've actually never heard her yell at anyone or anything) and it never even got close to sounding clipped or tearing, it held up beautifully. So, my conclusion would be that it should never be a problem except possibly in the very quietest environment. The benefit of this super compact super-cardioid goosneck-style microphone, ease of use as a quick plant mic, far outweighs any potential liability for me.
  3. Cart building day!!!

    I would like to put your cart images up in the Gallery of Sound Carts and I would like to put your name to it --- I realize I don't actually know your real name and I do not want to put "thope" as the person who built this beautiful cart!
  4. Cart building day!!!

    Beautiful work!
  5. Updated Forum today

    Things may look a little funky today after a major update to IPB Forum software that runs the site. I will be working on it.
  6. Zaxcom TRXFB3

    I just saw the announcement of the TRXFB3, not a product that I was even aware of but seems like it could be very useful for those situations where talent cueing is needed. - from Zaxcom website: Transmit, Receive, Record, Customize. Back by popular demand and taking on an all new form, this single bodypack transmits audio via UHF and receives an IFB audio feed received over ZaxNet’s 2.4 GHz signal at the same time. It replaces the need for talent to wear both a wireless microphone pack and an IFB receiver. There’s also a user programmable key at the top of the transceiver that can use used for functions such as a mute switch or push to talk key. The TRXFB3 wide-band transceiver is still packed full of your favorite Zaxcom features - built-in backup recording, remote control, NeverClip™, PowerRoll™ and of course, our new ZHD transmission. Learn more at zaxcom.com/trxfb3
  7. Can't log in without asking for a new password

    Tapatalk is again acting up (you all know that I am not a fan). The last two updates to the forum software have broken Tapatalk. Additionally, as a site owner and licensed Tapatalk user, I am having trouble signing in to my Tapatalk account --- they have transitioned to a new "Tapatalk ID" system that is not working properly. So, I am not even able to try and update Tapatalk plug-in until I sort out my Tapatalk account.
  8. Handle for cart, 12" or so, sources?

    I think Phil nailed it for Phil --- from Grainger, pass through bolting, narrow, etc.
  9. There is certainly a lot of passionate discussion going on right now regarding the shake-ups in our usable wireless spectrum. I came across an article with the author seeming to think the sky IS falling and probably faster than we previously thought. A few excerpts: Karl Voss, chief engineer at noncommercial KAET Phoenix and the SBE/NFL frequency coordinator, was quoted as saying, “Many [equipment] vendors have been telling everybody not to worry about wireless mics. They say: ‘You won’t have to get off your channels till 2020 at the end of the transition.’ But that’s simply not true.” “I think the wireless mic folks are in for a big challenge because everybody had this idea that there would be this semi-orderly transition based on the phases,” Voss continued. “That’s not the case.” Wireless systems manufacturers largely agree. Jackie Green, president and CTO of Alteros, the wireless-microphone company spun off by Audio-Technica specifically to develop alternate products for a newly realigned spectrum landscape, tells SVG, “I believe misconception is still strong, and a number of wireless microphone users — and some wireless manufacturers — still think they will have 39 months to use their gear, and this is likely not true in many cases.” LINK to complete article in SVG News
  10. RIP Glen Campbell

    We all knew he was on his way out... still very sad to hear of his passing today.
  11. Handle for cart, 12" or so, sources?

    Over the years I have found various handles that would meet your needs, looking mostly at RV supply stores (handles available as grab bars for interiors of trailers, RVs) and also at marine supply, like West Marine. I have had to find handles for the bottom front of my carts that have only 1" aluminum channel stock to bolt to. Some of the bars/handles that I found did have to be drilled out to accommodate a through bolt mounting.
  12. Nagra Stories Sound-men won’t ever tell

    Thanks for pointing it out about Skyline and the good cart they made --- it was quite popular and was the precursor to the Audio Services/PSC style folding cart (I think Audio Services might have actually made some deal with Skyline but probably not --- just ripped the design and made some improvements). I'm trying to remember the name of the person who actually did the original design --- I think it was someone named Tom Carrol possibly?
  13. Nagra Stories Sound-men won’t ever tell

    I think it was a company called Skyline that used to sell and rent these pathetic excuse for a sound cart. You are so right, in the early days of independent productions, we pretty much had to build our improvise our own sound carts.
  14. Nagra Stories Sound-men won’t ever tell

    On my personal website I have a little history of my sound carts. This doesn't include some of the improvised rigs we had to use when faced with really challenging location jobs. JWSOUND personal website - History of the Sound Cart
  15. NEW: Zoom LiveTrak L-12

    One of the other big unknowns for us is whether each input can be recorded PRE-fader and also POST-fader to a mix track. I bought an Alesis Mixer some time ago that proved to be basically useless because you had to use individual faders up on an input to record that input anywhere --- there was no way to access the input pre-fader.
  16. NEW: Zoom LiveTrak L-12

    The list of functions, features and capabilities of this single unit is truly mind boggling! I would love to have someone get their hands on one of these and put it through the paces, treating it like it is possibly a piece of professional gear. Could be very interesting. It looks like Trew Audio will be selling these --- maybe they have already done some preliminary evaluation. By the way, price: $599.00!
  17. Rupert Neve - Sound on Sound Interview

    I only know of two people who regularly used the Neve (suitcase) mixer: Michael Evje, now retired, and Nelson Stoll. I do not have any pictures of Michael's rig but there is a good shot (probably from quite a awhile back) of Nelson's cart.
  18. Updated Forum today

    It may be a cache problem with Android browser --- browser trying to build the page with elements from the older (now not the default) theme. I do know that Tapatalk can be problematical (and you're not using Tapatalk) but I haven't heard of any other problems with mobile theme on phones. I can only check using my iPhone (I don't have anything running Android). All popular browsers on the desktop seem to be working well.
  19. DPA 4098 - first impressions

    Rado, is the 4080 the one that was developed primarily for music, has the little clip and integrated shockmount?
  20. May Day and the 8 Hour Workday

    Background to May Day: In 1884, unions declared that eight hours would constitute a legal day’s work from and after May 1, 1886. When workers went on strike at a factory in Chicago on May 3, 1886, police fired into the peacefully assembled crowd, killing four and wounding many others. The workers movement called for a mass rally the next day in Haymarket Square to protest this brutality. The rally proceeded peacefully until the end when 180 police officers entered the square and ordered the crowd to disperse. At that point, someone threw a bomb, killing one police officer and wounding 70 others. The police responded by firing into the crowd, killing one and injuring many others. Eight of the city’s most active unionists were charged with conspiracy to commit murder even though only one even present at the meeting was on the speakers’ platform. All eight were found guilty and sentenced to death, despite a lack of evidence connecting them to the person who threw the bomb. Four were hanged on November 11, 1887, Louis Lingg committed suicide in prison, and the remaining three were finally pardoned in 1893. Lucy Parsons, the widow of Albert Parsons, traveled the world urging workers to celebrate May Day and to remember the events of Haymarket and the subsequent government-sponsored murder of those fighting for the rights of all workers. Over time, May Day grew to become an important day for organising and unifying the international struggle of workers and their allies. Viva May Day!
  21. Updated Forum today

    Thanks, Eric, I hadn't noticed that they went away. You're talking about the post number, like #234 which can be a useful reference number. I will try and figure out why they went away.
  22. Updated Forum today

    Yes, VAS, that is the display problem I'm having. Navigation buttons are intruding into the header area. Still working on a fix before undertaking a major theme redesign. From the very beginning I purposely had Laurence work on removing the large intrusive post numbers and statistics so an update did not bring them back. There is still post numbers associated with your Profile in any post you make.
  23. Updated Forum today

    Constantin, the current IPB update has broken a few things, not surprisingly Tapatalk. I am a licensed site owner for Tapatalk so I will be notified when they update Tapatalk for compatibility to this version of the forum software. Tapatalk has been problematic over the years even as I have kept it up to date with any updates, patches, etc. that they issue. I'm not a fan, as you know, and I generally encourage our members to see if they can get by with the IPB mobile theme (which does get better and better). I may have to make some changes to the theme we are using but it will just be the look --- I do think the current update has improved performance and stability.
  24. Emmy Nominations

    So many Emmy categories — wow! Congratulations to all with special shout out to my friends and fellow workers: Philip W. Palmer, William Sarokin, Bob Bronow, Chris Durfy, Roger Stevenson, Brendan Beebe, Mark Hensley, Stephen A. Tibbo, Ben Patrick, and Bill MacPherson. Complete List below Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour) Better Call Saul • Witness • AMC • Sony Pictures Television and Gran Via Productions Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Philip W. Palmer, Production Mixer House Of Cards • Chapter 53 • Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital Nathan Nance, Re-Recording Mixer Scott R. Lewis, Re-Recording Mixer Lorenzo Milan, Production Mixer Mr. Robot • eps2.8_h1dden-pr0cess.axx • USA • Universal Cable Productions and Anonymous Content John W. Cook II, Re-Recording Mixer Bill Freesh, Re-Recording Mixer William Sarokin, Production Mixer Paul Drenning, ADR Mixer Stranger Things • Chapter Eight: The Upside Down • Netflix • 21 Laps Entertainment and Monkey Massacre Productions Joe Barnett, Re-Recording Mixer Adam Jenkins, Re-Recording Mixer Chris Durfy, CAS, Production Mixer Bill Higley, CAS, ADR Mixer Westworld • The Bicameral Mind • HBO • HBO Entertainment in association with Kilter Films, Bad Robot and Warner Bros. Television Keith Rogers, Re-Recording Mixer Scott Weber, Re-Recording Mixer Roger Stevenson, Production Mixer Kyle O'Neal, ADR Mixer Outstanding Sound Mixing For A Limited Series Or Movie Big Little Lies • You Get What You Need • HBO • HBO EntePargtea5in1ment in association with David E. Kelley Productions, Big Little Lies • You Get What You Need • HBO • HBO Entertainment in association with David E. Kelley Productions, Pacific Standard and Blossom Films Gavin Fernandes, CAS, Re-Recording Mixer Louis Gignac, Re-Recording Mixer Brendan Beebe, Production Mixer Fargo • Who Rules The Land Of Denial? • FX Networks • MGM Television and FX Productions Martin Lee, Re-Recording Mixer Kirk Lynds, CAS, Re-Recording Mixer Michael Playfair, Production Mixer Michael Perftt, Scoring Mixer Genius • Einstein: Chapter One • National Geographic • Imagine Television and Fox 21 Television Studios Bob Bronow, Re-Recording Mixer Mark Hensley, Re-Recording Mixer Petr Forejt, Production Mixer The Night Of • The Beach • HBO • HBO Entertainment in association with BBC, Bad Wolf Productions and Film Rites Nicholas Renbeck, Re-Recording Mixer Michael Barry, Re-Recording Mixer Felix Andrew, Production Mixer Larry Hoff, Production Mixer Sherlock: The Lying Detective (Masterpiece) • PBS • Hartswood Films in co-production with Masterpiece Howard Bargroff, Re-Recording Mixer John Mooney, Production Mixer Peter Gleaves, ADR Mixer Nick Wollage, Music Mixer Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation Master Of None • The Dinner Party • Netflix • Universal Television, Oh Brudder Productions, Alan Yang Productions, Fremulon and 3 Arts Entertainment Joshua Berger, Re-Recording Mixer Michael Barosky, Production Mixer Modern Family • Basketball • ABC • 20th Century Fox Television in association with Steven Levitan Productions and Picador Productions Dean Okrand, Re-Recording Mixer Brian R. Harman, Re-Recording Mixer Stephen A. Tibbo, Production Mixer Mozart In The Jungle • Now I Will Sing • Amazon • Amazon Studios Andy D'Addario, Re-Recording Mixer Gary Gegan, Re-Recording Mixer Marco Fiumara, Production Mixer Silicon Valley • Intellectual Property • HBO • HBO Entertainment in association with Judgemental Films, Alec Berg and 3 Arts Entertainment Elmo Ponsdomenech, Re-Recording Mixer Todd Beckett, Re-Recording Mixer Ben Patrick, CAS, Production Mixer Veep • Omaha • HBO • HBO Entertainment John W. Cook II, Re-Recording Mixer Bill Freesh, Re-Recording Mixer Bill MacPherson, Production Mixer Outstanding Sound Mixing For A Variety Series Or Special 59th Grammy Awards • CBS • AEG Ehrlich Ventures, LLC Josh Morton, Post Audio Mixer Thomas Holmes, Production Mixer Mikael Stewart, FOH Production Mixer Eric Schilling, Broadcast Music Mixer John Harris, Broadcast Music Mixer Ron Reaves, FOH Mixer Thomas Pesa, Stage Foldback Mixer Michael Parker, Stage Foldback Mixer Eric Johnston, Playback Music Mixer Pablo Munguia, Pro Tools Mixer Bob LaMasney, Sweetening Mixer Last Week Tonight With John Oliver • Sub-Prime Auto Loans • HBO • HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television Steve Watson, Production Mixer Charlie Jones, Sound Effects Mixer Steve Lettie, FOH PA Mixer Jonathan Herrera, Monitor Mixer The Oscars • ABC • The Academy of Motion Picture Arts and Sciences Kristian Pedregon, Re-Recording Mixer Paul Sandweiss, Broadcast Production Mixer Tommy Vicari, Music Mixer Pablo Munguia, Protools Mixer Pat Baltzell, House PA Mixer Michael Parker, Monitor Mixer Bob LaMasney, Supplemental Audio Mixer John Perez, VO Mixer Tom Pesa, Orchestra Monitor Mixer Brian Flanzbaum, Orchestra Monitor Mixer 2017 Rock And Roll Hall Of Fame Induction Ceremony • HBO • HBO Entertainment in association with Playtone, Line by Line Productions, Alex Coletti Productions and the Rock and Roll Hall of Fame Foundation Al Centrella, Production Mixer Susan Pelino, Music Mixer Jay Vicari, Music Mixer Dave Natale, FOH Mixer Erik Von Ranson, FOH Mixer Simon Welch, Monitor Mixer Super Bowl LI Halftime Show Starring Lady Gaga • FOX • NFL Network Paul Sandweiss, Production Mixer Christian Schrader, Re-Recording Mixer Alex Guessard, FOH Mixer Simon Higgs, Monitor Mixer Tom Pesa, Monitor Mixer Paul Ramsay, Music Mixer Pablo Munguia, Pro Tools Mixer Andre Bowman, Pro Tools Mixer The Voice • Season Finale • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon Unscripted Television Ryan Young, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Michael Abbott, Production Mixer Eric White, Re-Recording Music Mixer Tim Hatayama, Re-Recording Music Mixer Randy Faustino, Broadcast Music Mixer Kenyata Westbrook, Reality Supervising Audio Mixer Sterling Cross, Production Reality Mixer Robert P. Matthews Jr., Production Reality Mixer John Koster, Production Reality Mixer Andrew Fletcher, House PA Mixer Christian Schrader, Supplemental Audio Mixer Carlos Torres, Interstitial Playback Music Mixer William Dietzman, Monitor Mixer Michael Bernard, Music Sub Mixer Outstanding Sound Mixing For A Nonfiction Program (Single or Multi-Camera) Anthony Bourdain Parts Unknown • Rome • CNN • Zero Point Zero Production, Inc. Brian Bracken, Re-Recording Mixer The Beatles: Eight Days A Week - The Touring Years • Hulu • Apple Corps Ltd., White Horse Pictures and Imagine Entertainment in association with Diamond Docs Chris Jenkins, Re-Recording Mixer Cameron Frankley, Re-Recording Mixer Nathan Evans, Production Mixer Sam O'Kell, Music Mixer O.J.: Made In America • Part 2 • ESPN • ESPN Films and Laylow Films Keith Hodne, Re-Recording Mixer Eric Di Stefano, Re-Recording Mixer Planet Earth II • Cities • BBC America • A BBC Studios Natural History Unit Production in co-production with BBC America Graham Wild, Re-Recording Mixer 13th • Netflix • Forward Movement, LLC and Kandoo Films Jeffrey Perkins, Re-Recording Mixer
  25. Nagra Stories Sound-men won’t ever tell

    You're right, JBond, it is the same machine (model) I used on "Clifford" but my memory is a little fuzzy whether that was the only movie I used the StellaDAT on. It certainly was the movie that made me abandon the machine for any future use. There were lots of things to love about the StellaDAT but the things that were wrong were so wrong, could not be fixed or corrected, finally killed it off in our world.