zerascal

Yeah, I'm not surprise, like many 2.4Ghz devices, they are just good for working without cables but very close and in line of sight of the camera

Anyways,because 2.4Ghz inside, I don't see the necessity to have 4 channels if any physical barriers (wall, doors, bushes, human bodys) between the Tx and the Rx generate drop outs like early consumers report on Deity FB group… It seems to only working good in direct line of sight, with the Tx in the front pocket... 👿

Exact John

yep no problemo, you choose mono or poly before recording and you can change it in zaxconvert or Wave agent after recording

or you could buy the awesome Sma whip swivel jointed antenna from Audioroot: https://www.ebay.com/itm/UHF-SMA-WHIP-SWIVEL-JOINTED-ANTENNA-450-900-MHz/221539398514?_trkparms=aid%3D111001%26algo%3DREC.SEED%26ao%3D1%26asc%3D20180816085401%26meid%3Dad16a4f588304a1f8c1668a7f47ee662%26pid%3D100970%26rk%3D1%26rkt%3D2%26mehot%3Dpp%26sd%3D221539398514%26itm%3D221539398514&_trksid=p2481888.c100970.m5481&_trkparms=pageci%3Adace4bfe-587d-11e9-a9d8-74dbd1807197|parentrq%3Af331bf7b1690ac3df2c8b821fff66ea2|iid%3A1

Zaxcom maxx can do that without problem: iso untouched+ recording stereo out changing width with mid fader

Hello, Did anyone had a chance to try the new KSHRN3S – Stingray Harness Small and to compare it with the regular one? I'm 1.75 meter , middle weight (70kg) and wonder which one to take? I saw the difference between them are the shorter exosqueleton and smaller shoulder straps. Cheers

+1 ABBloch

Nice takes Jason I really like my AT BP4029 MS too, it's a great MS mic for an awesome price. I use it on doco & run and gun

yes you're right, thanks.

Yep Martin, all that could and should be done in post, you just need to record Mid on card 1 and Side on card 2. The method I described with OUT1&2 is to deliver a stereo mix (if no post for example) that couldn't be change or adjust later. Indeed SD has a setting for doing that.

What martin wrote for listenining encoded MS, plus make the same on Main OUT 1&2 matrix: mic1 (mid) mic2(side) to OUT1 mic1 and mic2 (phase reversed) to OUT2 and then record card3=OUT1 and card4=OUT2 to record decoded MS stereo signal. So you'll have encoded MS on card 1&2 (mid on1 and side on2) and decoded stereo signal on card 3&4

Indeed!!! Thx jack

it was a no post project and as long as have a notch option, make it useable

I hadato rip off a 8000hz lightning hiss today and it was a pita with my maxx, much too long when director went to shoot itw on the fly... A good option would be to have the possibility to enter a frequency around suspect noise with keyboard and then affinate properly with dial, or another key to allow 100hz move, just sayin...

Are you sure your player was not in 44.1khz (and has read your audio in 44.1 kHz instead 48 kHz) ?

Wisicom has already dual mono slot in receiver for Sony camera

+1 Jack

hi Rado, What are your griefs with Zaxcom analog inputs?

For indoor, super softie works fine and is more transparent than old softie but outdoor With wind prefer your old softie or much better the ktek furry which doesn't have a nasty Rubber on the bottom (real pain for Rain drops!)

The First shape design of super softie was clearly a huge mistake (and more on MS mic). This is why I sold in hurry my super softie soon I tested it. The rubber bottom (nightmare with rain drops) of super softie is the second thing made me go to the k-tek slip-on furry with no rubber.

ask it on Zaxcom Maxx Forum too.

I agree that the lag should be improve on the maxx

I'd say TA5 are for outputs (logic integration with nomad Ta5 line input) and TA3 for the inputs.

Don't be afraid by the scale of the picture, -4.5dB at 40 Hz is not a big deal and can easily be reversed with a Low Shelf Filter on post prod.