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About jozzafunk

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    RDA avoider
  • Birthday 11/09/1975

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  • Interests
    Recording Sound
    Swinging Boom
    Sound Editing and sound mixing stuff
  • Interested in Sound for Picture
  • About
    Love recording good sound - Especially doco in unusual locations - also love sound editing

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  1. Delivering files from multiple recorders

    Beauty - thank you sir - this is very useful
  2. Lectrosonics SMWB coming soon?

    oh there we go - I'll defer to Phil on this one - I've got a few complaints about premiere pro exports myself!
  3. Lectrosonics SMWB coming soon?

    Protools ( and I imagine pretty much all audio post software ) has settings to convert all ingested files to same sample rate/bit depth automatically and/or supports mixed formats anyways - it's kinda a non-issue if you ask me
  4. For the Whisky drinkers

    There's nothin' quite like the depth found in certain aged cask strengths - Coming to the bottom of a Adelphi Caol Illa - outrageous stuff - too easy to drink
  5. For the Whisky drinkers

    80 proof is 40% alcohol - anything above from that is better with a drop of water anyways
  6. You're asking in the context of getting a feed to your cart/bag for your own reference tho hey?
  7. 2 frames not too bad, a good dialog editor can see about a 1/4 frame out but ( my theory ) is most people won't see this but will still feel like something's not right - depends if you're mixing to the picture somewhat - im getting a feed that's 11 frames from vid split or 5.5 frames delay if I use the Qtake stream and it's a PITA
  8. Advice on sound kit R4+/SD/Zax/Zoom

    I disagree with the above comments. I think it's well worth getting some kit, aim for decent used stuff - the Sonosax is maybe overkill to start with - the other 2 recorders will likely be a useful back up ( or Renter ) for a good while if you do upgrade - I would also look at a 633 it covers 90% of my gigs, as does 3 wires and a boom. IFB you can start with a couple and add as you go - G3s are great - get the best boom you can afford ( ie a step up from the Rode ) you'll never regret it
  9. I've bought 3 of the short cable type and found them to be really unreliable - 2/3 failed in short time and I ended up cutting them up wiring the lavs direct, the adaptor cables aren't great.
  10. DPA 4061 + MKH50 compatibility

    Yes, but phasing cancellation has nothing to do with the brand of microphone, it's the relative position of the mics to each other
  11. Tentacle Sync - Red Epic-W

    AFAIK Reds are fairly fussy about the TC voltage
  12. DPA 4098 Noise Floor

    I've found the cubs to sound amazing at times, taking a lot of gain and seeming to lift the voice out without the car noise coming up too much - However I've tried them in other situations and been perplexed by the way they sounded - Centre stage for an opera recording for some low stage edge stuff - so 'crunchy' sounding, but truly fantastic for a cello spot for a tricky quartet recording I did
  13. DPA 4098 Noise Floor

    Must say I was surprised recently when I got 2 4099's intending to use them for car shots. I thought there was something wrong with the 302 the noise floor was so high. Better sounding and slightly quieter using the xlr adaptors but not by much - I'll wait and see if they're a win over the cubs, yet to use in anger
  14. SD 633 WAV File Shorter Than Expected ... Recovery?

    accidental record tap?
  15. How close is too close?

    Right on the forehead is too close for an 8060 IMHO - 50 never really too close - they can always roll a bit of presence out later, unless maybe it's the only mic you have and the shots are superwide and tight -