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About Phantompwr

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  • Location
    Cape cos
  • Interested in Sound for Picture
  • About
    Production sound recordist and gaffer
  1. I wouldn’t say often, and getting less now as I am working bigger jobs, but occasionally, and I’d say I’m almost never asked, what usually happens is I take an educated guess on a shoot that might need them and I bring it up, or I am working with someone who knows what I have and they rent it from me. Sent from my iPhone using Tapatalk
  2. Help Me Round Out My Kit!

    If you aren’t also doing studio work then I would sell the U87, great mic but you’ll never use it on set. The km184s are also not the standard, the schoeps cmc/mk41 would be much better. For most of the jobs you said you want to do, you shouldn’t need a time code box or wireless hops, just get a breakaway cable that does timecode, stereo audio, and a return, and definitely get at least 1 channel of good wireless. I don’t know if you can convert the wired Lav mics to work with a Lectro or Zax transmitter, but wireless is pretty much expected these days. You could probably hold off on more channels of wireless, comteks, and timecode stuff for a little while. Sent from my iPhone using Tapatalk
  3. I would say it’s unlikely that you’ll be asked about gear outside your department, but as someone who also does lighting, it does happen, usually on small gigs where I’m asked to be both sound and gaffer. I can’t imagine you’ll be asked to bring camera gear, I’ve never seen that camera used in the last few years, if steadicam is needed they will hire that person who will own their rig, same with follow focus and such. I’d say the 8x8 frame and silks to go on it will retain value the most, the kinos less so since everyone is on to quasars and other LED fixtures now Sent from my iPhone using Tapatalk
  4. DC powering solution small audio bag

    I made my own battery solution with the Sony batteries but instead of a step up converter I just use 2 batteries connected in series. It has been working fine for me for 6 months now, annoying to have to use 2 batteries together but seems fine Sent from my iPhone using Tapatalk
  5. Sennheiser mkh 416 vs 8060 indoors

    Actually it says right in the manual that the 8060 (and I believe all the shotgun mics from Sennheiser) uses RF coupling so it should be just as good as the 416. It's actually very old technology. That's why I will always keep my 416 and MKH50, even though I prefer the sound of the schoeps mics. Sent from my iPhone using Tapatalk
  6. Sennheiser mkh 416 vs 8060 indoors

    Neither of those mics are good for indoors, inside you should be using a supercardioid like the 8050 or MKH-50, or preferably the schoeps MK41. The 8060 is probably better in general but I would just keep the 416 for when you are outside and get a real indoor mic Sent from my iPhone using Tapatalk
  7. Worth it to keep CMIT5u once I have superCMIT?

    Since this seems to have turned into a critique of the superCMIT I figured I'd comment with my preliminary findings. In comparing the superCMIT to the CMIT5u, I didn't hear a significant difference in the level of noise, what I did hear was a slight tonality in the noise from the superCMIT that called attention to it. I had to crank my headphone amp on the 633 to +20 to hear the noise on any of the channels though, plus self noise in my experience has been a poor indicator of the quality of a mic. I am fortunate in that I can trust my ears since I have literally listened to hundreds of Mics checking for self noise and other issues, I hope you might consider my opinion to be an informed one. I haven't gotten a chance to really put the mic through the paces in a real environment yet but I could see that in mode 1 I was getting about the claimed 4db in extra off axis rejection and on my voice I thought the two Mics sounded very close. I don't need to sell the CMIT5u right away so I may keep it around for a bit, but after reading some of these responses I was doubting myself on buying the superCMIT at all, I think I'm tentatively happy with the purchase though. Sent from my iPhone using Tapatalk
  8. Worth it to keep CMIT5u once I have superCMIT?

    Yeah I looked up the specs and didn't see a noticeable difference in self noise between the two on paper. I'm definitely getting the 2u so I'll be able to compare, but I think if I can get a decent price for the 5u I will sell. Sent from my iPhone using Tapatalk
  9. Worth it to keep CMIT5u once I have superCMIT?

    I think in conditions where I'll want the noise cancelling the self noise would be the least of my problems, but that's definitely something to think about Sent from my iPhone using Tapatalk Hmm, I guess I could just sell it for the scrap metal value ;-) Sent from my iPhone using Tapatalk
  10. I'm planning to get the superCMIT after hearing Simon Hayes rave about it in an interview. My plan is to sell my 2 year old CMIT5u to offset the cost since I assume I wouldn't use it much if I have the super, but before I do anything I was wondering if anyone here might give me a reason I should hang on to it. Just for reference, I also own an MKH-416 and I have a CMC5/41 and an MKH-50 so I would still have other backup Mics. Sent from my iPhone using Tapatalk
  11. Shipping up to Boston

    The Boston aquarium is nice, and if you like beer the harpoon brewery has a bar and tour, their pretzels are also really good. Lots of good restaurants and you should check out the public garden. I'm not on set in Boston this week but I'm sure you'll have a good time