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Greece
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Beets are deadly serious
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Interested in Sound for Picture
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yes the 4 pin power hiroses. I have destroyed some with my soldering iron, so I thought the crimp would be nice.
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Has anyone any expirience with crimp hirose connectors? easier than the soldered ones? Which tools do you use?
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Not possible to write any text. I suppose I'm blocked. Any reason?
knod replied to knod's topic in Post to the Host
+1 : P Sent from my iPhone using Tapatalk -
Not possible to write any text. I suppose I'm blocked. Any reason?
knod replied to knod's topic in Post to the Host
It seems that i can edit and write new text through tapatalk Sent from my iPhone using Tapatalk -
Power adapter for both sound devices 744 and mix pre-d
knod replied to knod's topic in Do It Yourself
Can anyone confirm that the pins number 1&4 in the hirose connector of XL-WPH3 are parallel connected with 2&3? Sent from my iPhone using Tapatalk -
Not possible to write any text. I suppose I'm blocked. Any reason?
knod replied to knod's topic in Post to the Host
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Note: Jeff here, as Administrator, I am able to EDIT posts which is what I am doing now. This post, which is basically an image since you were unable to enter text, shows up in the regular Text Editor box that I am typing in now. This is a very weird problem that seems to be affecting a few, mostly located outside the US. I will continue to try and get to the bottom of this.
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why the tracer battery shipping costs are so high? Indeed cheaper but you pay the difference in shipping
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I'm thinking that I'm not interested on more preamps than the digital interfacing (AES mostly). I'm not sure that I want 8 good preamps that i can't use them anywhere else than an sd card. Ok I can mix them on the analog stereo out but... Expandabilty and more options makes me feel more safe. The other thing is the availability. The shortest time that I can find is late january meaning 2 more projects with low end (non)field gear :-( Maybe I am going off my topic! I should write on the f8 topic! :-D
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- 744
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knod changed their profile photo
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Hi, I'm in the market for a new or used field recorder and I'm counting my options. I usually record sfx and ambiences and some docs with no high channel count. Having a ULN 2 as a secondary interface plus a great set of preamps I was thinking to get a secondhand 744 and feed the line ins with those pres. Are they going to match for lets say a DMS or IRT-cross recording or I should trade the uln for a mixpre-d? Anyone used the uln in the field with a 4 pin xlr battery? Is it power consuming? The other option is an sd633 (and I have some thoughts on the zoom F8 also).
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- 744
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That's my initial thought about it! I'm not sure about the double usage and the sum of the S signal. Maybe it will need 3dB attenuation on each side (front-rear) to reach the total 6 dB gain that a sum will result. I will A B with the plugin of course anyway. Hopefully this weekend I'll post some thoughts on the results, or the results themselves
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Hey, thanks for the replies. I also love the stereo image of the rsm, Axel and I'm in love with the detail of this mic : ) My first thought is to use the Schoeps plugin but I want to try to emulate the plugin with a simple 5.1 DAW mixer setup. Maybe I am missing some math here, but I think I can solve it with simple tools! I'm thinking that the sensitivity missmatch will lead to more noise to the rear, but with good-noiseless field preamps I think this wouldn't be much of a problem (to match the sensitivity with gian boost on the km). I still need to buy one good field recorder! Indeed I can see the 3 capsules of the rsm and it's easy to bring the ak40 capsule in the same Y and Z point of the axis. I don't own an LC 3 cable, and as I wait to find one on eBay (I find it somewhat expensive to buy it new) I was planning to test this rig with the body on top of the grilles of the rsm, plugged with a thin right angle xlr kortwich style. All these inside a rycote kit #3. Will the km100 body refract the sound? I Also find more stable to tie the km140 on 2 points on the rsm body than in one. Is there any clamp in the market that I can use like these? http://www.bhphotovideo.com/c/product/770035-REG/Rycote_48488_Back_to_Back_Clips_for_Microphones.html I think those can't fit on the rsm fat body!
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Hi, this is my first post in this forum I'm interested in recording some surround ambiences and I was researching the techniques, that I can record with my equipment. Has anyone any experience rigging rsm191 and neumann km140 for a double m/s surround recording. Are there any holes or phase problems?