Jump to content

TommygunZA

Members
  • Content count

    45
  • Joined

  • Last visited

About TommygunZA

  • Rank
    Hero Member

Profile Information

  • Location
    Cape Town
  • Interested in Sound for Picture
    Yes
  • About
    ENG type run and gun
  1. 2 in, Multiple outs

    Much obliged. Ill get looking. p.s Thats a nice profile pic David, was wondering if you were awake in it and if you should just go and invest in a (quiet) rocking chair....
  2. 2 in, Multiple outs

    Ive been asked to help give advice (probably free) for some people hosting a bike race here in South Africa. There is the post race gibber and IVs etc. The guy wants 10 (mono prob) outs from the 2 in he is getting (Interviewer and Talent). Ive not done this before but suspect it may be an issue as when I do live stuff and ask for a feed from the desk (even fancy big ones) they (engineers) are always reluctant and outs are often at a premium at big events. Im inclined to make sure we get a great copy of the audio and if the press need good audio they can get it from us after the event (maybe even during). Is there some kind of splitter box to take the stereo out from a Mixing desk and give me 10 mono copies? We dont really want 10 mics in front of the talent hiding him from the camera... Another idea was one transmitter and 10 receivers set to the same channel. There are many ways to skin a cat Whats your way. Essentially its to get the same signal to lots of different press/camera people.
  3. P48 to T-Power converter?

    Thanks a million!
  4. P48 to T-Power converter?

    2 questions if I may... I have found this on second hand pages here in ZA sennheiser mkh816t about $150 I have an old 302 which can handle it I think being T-Power. I dont think my SD 633 will though. Do converters work, is there a 'trusted' brand to get a T-Power mic working on P48 gear? Secondly, Im a sucker for a bargain and love 2nd hand trawling. Is the MKH816t worth a shot at 816? At that price its almost, never mind the quality, look at that length. Im sure I can find a use for it one day....
  5. SD 633 MP3 recording Sounds lousy

    Herewith the response from Sound devices. Its fine, I kinda expected a bit more maybe. Oh well...maybe they should have just included a 32Kbps option and been done with it. Hi Thomas, Thank you for your e-mail and report. Our mp3 codec is really only intended for proxy recording (For example: transcription), and thus may not quite be at the quality standard of apps or devices whose main purpose is encoding/decoding. Your master file as you probably already know would the recorded WAV file, not the mp3. If you want to use it for music purposes, you should use higher sampling rates. As always, thank you for your constructive feedback. Best Regards, Nelson Lugo
  6. Wired vs Wireless Lavs

    @Jim, I hear a little difference as I use a relatively cheap ass wireless system (sony with cos11's) and I hear a little compander expander stuff but as you said, they (wired lavs) have saved my life near sector Cell phone panels (where the camera just has to have THAT shot) and other WTFness. On the rare occasions I get to hear my stuff broadcast it (wireless) sounds as good as anything else and certainly not noticeably different in any way from other content. I'm a bit deaf tho, too much loud music
  7. Wired vs Wireless Lavs

    When I started sound recording I was frightened of wireless so always hard wired my talent (for sit down or statics). I'm not so scared anymore and convenience, ease and dare I say it, laziness has led me to using wireless. People moving, repositioning, going for toilet breaks etc means wireless FTW. Production/most people don't seem to care and most people look at you sideways now if you want to hard wire talent. That said, my wired Tram TR-50s are I presume (all things being equal) going to always deliver better quality than wireless Trams. What do you people do? Do you ever wire anymore or is it 'old skool'?
  8. SD 633 MP3 recording Sounds lousy

    Gosh, hot topic! I've not checked in for a while and see some interest here. Ticket still open, I sent them some of my audio a couple of days ago and am awaiting a reply which I will feed back on. I did get the standard, what media are you recording onto (sandisk Ultra 80MB/s 16GB cards) reboot, reset and update. Thanks so much to everyone for taking the time testing and having a listen. Its always good to know its not just you!
  9. SD 633 MP3 recording Sounds lousy

    I've opened a ticket with SD and they suggested exactly what JohnGooch said I should do..which didn't help. Could I ask any of you who have a mixer (SD633) and mic close to hand to try record a brief MP3 and have a listen to see if you get the artifacts too. It would make trouble shooting a lot easier if there are a few SD633 owners with the same problem. Ill report back if the SD help desk sort me out.
  10. SD 633 MP3 recording Sounds lousy

    (ambivalent smiley face) Good point, ill mail em now.
  11. SD 633 MP3 recording Sounds lousy

    Reflashed my SD633 from 4.50 to 4.51 (at least I got an update out of this process). Did a factory reset and proceeded to record to my (reformatted) SD card (approved media) Did some recordings at 192kbps and have exactly the same artifacty squiggly sounds in the background (its not massive but it is there) Did the same on my Zoom H4n (mp3/192kbps). No artifacts on the Zoom recording (admittedly higher noise floor). Its not a train smash as I mentioned, I can take the ISO's and encode to MP3 on my PC I was just kinda expecting better from Sound Devices? Id love it if any other 633 users gave it a go and reported back.
  12. SD 633 MP3 recording Sounds lousy

    Gosh...thanks John, Ill give it a go and report back.
  13. SD 633 MP3 recording Sounds lousy

    I recorded one of my files as an MP3 on my SD633 and I must say the playback on the SD sounds pretty shocking. I recorded at 192kbps and it is all artifacty and has those high pitch squiggly sounds. It sounds vaguely better played on my PC. Is this a standard thing with the 633? Currently Im just taking the wav files and encoding them using Audacity and they sound a million times (well at least twice) better than the native MP3s. Im going to have a shot with 320kbps and see if its any better. Has anyone else noticed this? Im only trying as a client wants stuff as MP3.
  14. Sennheiser mkh70

    Oh my. I think y'all convinced me. Gonna. get a cheap second hand Peavey Valve amp (peavey classic 50) for the guitar and keep saving for the 416 or mkh 8060. Thanks guys.
  15. Sennheiser mkh70

    No pun intended but I hear you. I just cant resist a bargain! If worst comes to worst Ill keep with the ME66 as no one has complained so far and I actually do do a lot of run and gun ENG jostling for position. At least its a reasonable outdoor and I can get a more indoorsy one next. Soundies outside the US and EU really are squeezed on price and availability of gear and of course import taxes. I should maybe listen to my wife though who says "Even a bargain costs money!" Thanks for all the feedback.
×