Yep I agree with most sentiments above
Firstly we have great women in sound and remarkable women AC's here in NZ
On the other hand some skill areas do not attract woman - grips and lighting
Make-up wardrobe, hair and art department yes.
We all navigate to what suits us for many reasons!
mike
Hi all you sound folk and families in Florida
Hope you are well and not too badly affected by this terrible event
I sent Joe Guzzi of TAI AUDIO an email yesterday but have not received a reply
Thinking of you all
mike
I have 4 x MM400a transmitters and they have seen a lot of this work
A B6 is a bit frail for rugged situations so they all have B3's that are more rugged
mike
Just plug and play yourself or with a friend
Set, listen for distortion and find out
It;s all about using your ears and learning
No website or advice will help
mike
I've had no problem with these at all as it makes you wonder where Lemo are really made!!
Even the made up cables at a third of the cost of one locally bought connector!
mike
I've long use a B6 with it's very crisp cap.
Use a small piece of tape to keep in place and if possible use the cleft in the tie.
Viewing most films and big TV dramas currently, that's how it's done and it sounds good.
- but you do have to experiment!
mike
Open the bottom of the case to expose the solder side of the board
Whilst listening on headphones tap solder joints with plastic handle or similar
Just try it!!
mike
Seems silly that something music driven cannot allow visible mikes.
1- Do they want a good music recording?
2- Can it be recorded and done to playback?
Questions need to be asked!
Mike
I've worked with a very skilled event frequency co ordinator here.
There is a Shure piece of software that can be used
http://blog.shure.com/introducing-the-new-wireless-frequency-finder/
mike
I designed/built and fitted a 50Hz crystal source into my one
so that it could be used as a single track sync recorder.
I then transfered the audio and 50 Hz into my Nagra 4.2 and onto 1/4 inch tape.
mike