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ProSound

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Everything posted by ProSound

  1. They aren't sure. I was "told" we had a complete deliverables documents but when I finally got the document this morning it was all about data back up and archiving nothing about what we are shooting at
  2. Hello Brain Trust, I am starting a project next week which will be shot on 35mm film. Production has left it to me and the film lab handling the telecine to figure out the workflow as they have not hired an editor or post production supervisor yet despite my urging to do so. Also due to shooting starting Tuesday we will not be having a sync test or workflow test despite the lab and myself wanting one below is what the lab is suggesting let me know your thoughts. You will be shooting film at 24FPS, your options for dailies would be 23.976 or 24 FPS depending on the framerate you are planing for editorial. If you decide on 23.976, your Audio will need to recorded at 48048 KHZ with 24 frame timecode and will get pulled down to 48000 KHZ when we sync with film. If you decide editorial will be at 24 then your audio should be recorded 48000 KHZ with 24 frame timecode. Avid is best at tracking keycode which is needed when going back to the film for your final scan for finishing. The last film shoot I did which was a commercial 5 or 6 years ago I recorded 30NDF and 48000KHZ, Any input from the group is appreciated.
  3. Longest I have gone is 125ft and they preformed the same or slightly better then the Lectrosonics powered version. I dial the gain to 13 to compensate for signal loss. The Sharkie go up to 18 power which is about what is needed for 200 ft with RG-8/X - Belden 9258. I am sure you already know it is better to move closer if possible but I never worry about them when I do use them
  4. Been using them about a year they work great no over loading issues and you can actually turn them down to -5 as well. I usually run the when on my cart at 4 which makes up for the loss on my 8ft run. I have been very happy with them too. They are also water proof which is nice I still put a bag it over them when I remote them out in very bad weather but don't have to worry about a quick summer shower or dew hurting them. If you have any more questions feel free to call
  5. +1 Yep it is and as EFK said guy was a poor business man offered no support and went out of business as I recall it was around 2008-2009
  6. I have a Nissian NV-200 Van which has been great 23-24 MPG Can fit most anywhere a really nice van. I have a personal car as well so I leae van loaded all the time
  7. +1 I have the same issues with it with my #1 issue of getting paid for it. These days I have a hard enough time getting paid for everything I already use.
  8. Call Location Sound Corp since it seems to be the closest sound company to you. They are a authorized Sennheiser service center
  9. I just send a mono feed to weapon via a G3 or nothing all. Why they couldn't put a TA5 or dual TA# on the body one will never know
  10. Hamilton Buhl are great. they are very durable 10 pairs on Amazon for $50.00 https://www.amazon.com/gp/product/B00CEGSZ6Y/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1
  11. I just did a RED Weapon shoot this week and we still had issues with the camera like all RED products. Had to reset the camera to get it to take timecode lock even though all the setting were correct. The AC and I both commented that a "RED will always be a RED"
  12. I have a friend in the same boat they told him about a week and it has been about five.
  13. The Sennheiser MKE 440 sounds good for its size. I have a client that often uses the C-300 body only on a jib for B-roll shots and likes to have camera mic. It works well and great for atmos.
  14. Thank You Larry and Glad to hear of the great run time. I hope your enjoying your retirement alittle bit. We do appreciate you sticking around to help us and your humor is always welcomed here
  15. Just for clarity with the Lectrosonics Branded batteries what is the battery life at 50mw
  16. I tried this product with my 788T a few years ago but it did not work reliability it now says its discontinued http://www.sycard.com/cfext180.html
  17. Ask Gotham Sound or Pro-sound what the best way to go is for service
  18. I only wish Zaxcom could make a Stereo Unislot RX. Even if it wasn't as wide band as its other products
  19. Pretty sure way back Phil Palmer did this. But you'd be better buying a PSC RF Multi
  20. we strap around the case not around the C-stand risers. The case is attached to the frame with a 2 straps as well so it has alittle give we also chock the wheels. It has been riding around in a truck for about 4 weeks now and it has been fine
  21. 8 years or so on my R12. It is still working
  22. I like the size and price but it needs to survive being dropped all the time or it is a no go for me IMHO
  23. If you haven't tried rechargeable batteries recently they have come a long way. We use Lithium AA in our single battery transmitters but everything else has rechargeable we are using EBL 9V in Comteks and some Ipowers and Powerex AA in our slates and sync boxes
  24. I can't imagine your using UM Lectro packs what are you putting these in? I hope its not Comteks
  25. I also wish I could justify this these mixers are the best
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