Alex Mitchell

I’m impressed by that YouTube clip (where they pull usable audio from extremely loud and extremely quiet recordings) but I’m also curious what the results would be if you tried something similar with a NeverClip track off of a Nomad/Maxx/Deva24/Nova.

I was under the assumption that 24-bit was still enough bit-depth to record the full dynamic range of just about any audio source you could find. Not like we shouldn’t always be striving for more precision and range, but at the same time I feel like if it can’t be done with 24 bits then your bit-depth probably isn’t the issue...

Yeah, this seems weird...

15Hrs is an impressive number, but I just wanted to point out that the last thing I would want to do is deal with four screws to replace a LiPo battery in the 15th hour of a shoot.

I bet this is gonna sell super well with the indie crowd. Interested to see how they pan out.

Just pre-ordered six. Finally time to upgrade from my COSs.

There’s a version of this that scans the 2.4GHz range I think, yeah? Would love to grab one of those.

I wonder if it’s possible to have existing equipment re-blocked for 941...

I'm trying to figure out how to set my TRX-CL3 (v273) to Remote Control Unit Code = ALL, but I can only scroll from 001-200. What am I missing?

Oh my god, my sides. 😂

Just saw this on FB too. Even more competition for Zax when it comes to fully integrated bag setups, which is always good. It’ll be interesting to see the products that come down the pipe in the next few years!

Hey everyone, I've been contracted out on an art project to record some applause in a concert hall in Germany--specifically in the city of Marl. We will honestly only be recording for one or two days, so I figured it'd be cheaper for the client to rent equipment over there rather than secure a Carnet and have extra baggage on the flight. Two questions: 1. Does anyone know of a good equipment rental house in Germany that I can speak to? 2. Most of the time I record production dialogue, not foley, so I'm wondering if anyone can give me feedback on a potential set up. For this session I was thinking of renting a 633, two MKH-50s and a 416. - MKH-50s on both edges of the stage getting LR. - MKH-416 in the centre on a high stand, reaching to the back of the room. Thanks for any help you guys can give.

Mic (MKH-50) was totally fine.

I broke a set once when I accidentally hit a ceiling fan after we'd cut. Those were the first generation Lyras though, so I dunno how tough they were.

I'd love this for workout videos. Right now I have IFBs feeding the participants music and Txs on the people who are giving instructions. Having two boxes on one body can really cause issues (comfort, interference, etc.) so I'm pretty excited to give this a try. Curious how much more expensive it is than a regular TRX though...