Miguel Carretero

Thanks John; that´s a better idea I would tell I need to place a 10kOhm on each positive and negative poles, and after then, just a 100Ohm across both.... but this set will change my phase... Is this correct?

You are right fellows; I´m trying to plug a line into a mic input. You know Red cams only accept mic... So definitely I´m needing attenuators

Thanks John seems that´s exactly what I´m trying to do. Just plugging a mic into the red cams line jack input i.e., or into any other line input. Sorry Peter I tried to explain myself easily but I don´t get it right often. I need to build the barrels on my own, no chance on using mixers or boxes 40dB would be the proper attenuation then?? Thx in advance

Looking for some advice so I can plug a mic to any line level only input; there are different settings out there.... Using 10kOhm & 100Ohm resistors seems to be one of the most common but I am not shure if it is the right choice for me Any help? Cheers!

Thx guys; now I know a 761k should work I´ll try I little harder. I did exactly the same as Boomboom with another BDS output, and I just didn´t wanted that to happen again

I would´t ask If I hadn´t found any issues concerning these connectors. Qrx100 is supposed to use Switchcraft 761K, but for the Qrx 235 I just found S761, and there are several different models. The same happens with the IFS: the 100 series use a little different model than the 200, I know it cause I tried to use the same and does not fit. Or maybe these little changes only take effect on different SNs or countries... This kind of things I´m thinking about and I just wanted to share

Just wondering which are the right references for this conectors. I need to build some spares cables. Thx in advance!

Thx Jack & Justin. Everything is working fine

That´s all I wanna do Justin; sorry for my mistake; I was wiring all the tla´s set ant just thought that BNC was an audio TC IO, so I started looking for a diagram to atenuatte the signal. Too many things on my head at the same time...

Now that you ask I see I was obviously thinking like using an audio input for TC but for sure the BNC IO is TC only IO so.... just pin 1: shielded, pin 2: hot???

Hi everybody; guess I´ve missed something ´cause I just can´t find the diagram for Ifb 200 BNC TC I/O; guess I´ll use some pads??? thx guys

That´s exaclty what we need Thx guys we´ll check it out this very morning

Hi there! I just found that the only way I have to sync sound and video it´s a recorded audio tc on a camera audio channel. The camera is a Sony FS 700. It generates and record TC but does not have any TC I/O. I have to meet postproduction crew tomorrow and I wonder what they can do if I record an Audio TC signal on a camera channel. They are editing with Final Cut Thx in advance!

After some days recording with the LAs surrounded by flames during long periods I have to tell you that they are doing really great. Everyone in the crew is really excited about what why can get thanks to the Zaxcom gear. The shooting is going really fine and I would like to thank you all for your friendly advice. I´ll let you know more details as soon as we face more situations. Just to tell you one the coolest things that I didn´t expect; once I got rid of wind and clothes scratching on the lavs, the capture of sound is so clear that I am even editing ambient sounds and other effects directly from the lavs, f. e. chainsaws, sirens, and radio transmisions. BTW; on the LAs I´m using Countryman B6s. Cheers

Great Justin: you where right; pressing 6x down arrow in the lock screen took me to the factory menu, then I jumped to the extended menu thx!

Thx Justin and Mike; I´ll take a closer look ASAP, now I´m involve in a different production for a few days. I´ll let you know!

I´ve just tried the LAs boot up to remote standby mode, and I don´t know how to access the advance menu even if I start them by pressing menu. Nothingh is said in the manual or I just can´t find it Thx in advance for your help!

Thx for sharing your experience and knowledge. I guess everyone thinks different and I should try not to state that much. I apologize. In Europe the market it's a bit different, and here the american engineers are the first asking for PTs mixing system in our studios. It's a fact that one of the first PTs sounding good was PT7. I just meant that to me Native is the real "ultimate" evolution. And of course I was just talking about sound quality, I didn't put other facts in the equation, like how fast you can work, or how many tracks you can mix. At the end It seems to be the old software vs hardware question Just to make it clear I have always worked in PT enviroment in post and I wouldn't make it day after day without it

About the TRX900LA recording, I´ve found something a bit unconfortable that I shouldn´t miss to share. Everybody knows Zaxcom is recording media using its own file (.zax). Well, they manage to record 24 hours/24 bit/ 48kHz on a single 4Gb card, but if you do a simple math you´ll see that you´ll get much more than 4 Gbs when converted to aif, bwf or wav (24/48). This means OS needs to chop these files into smaller ones, not bigger than 4Gbs. And this cause a little clicking on the audio at that very moment.

Hi Constantin! Sorry It has taken me some time to find a way to try your tips. I have found nothing referring TC in the Audio Bin, but I found how to spot audio files on a similar maner it is done in Pro Tools: I quote it here from a forum just in case anybody else is needing it ""1. Drag the audio file into the Arrange area. 2. Select it and in the Arrange window's Local Audio menu or by the key command combo Shift-Command R, do "Move Region to Original Record Position."" Thx for your ideas Constantin! Hate feeling myself handtied by a computer!

Philip please tell me which is an standard Dolby mixing studio mixer if It is not a Neve..... I have never said PT didn´t mix, so you can go and mix anything with It. The only thing is that nobody has choosen it as an option unless they didn´t have any other, untill it has become native. It´s now, right now when different enginers are resolving all mix process in PT. It has not been 10, neither 5 years ago. I have mixed movies with PT, but I have done it much better on a Capricorn. Philip you are telling us you didn´t like PT7 too much. So didn´t I. Mr. Henchman, you mixed movies probably both in SSLs/ Neves and in PTs??? Would you choose without any doubt a PT7 versus a Capricorn?

Yeah Hench guess you are right. That´s why in all mixing studios all around the world they paid for Solid States and Neves to do their mixings..... they just didn´t know PT 7 sounds great. For sure you´ve mixed a lot of blockbuster features with PT 7.....

Pro- Tools was the standard many years before the low cost series came up. And of course now you can tell it´s sounding fine, since they gone Native Constatin; keep on trying

Thx Scott! Just taking a look to it. I think I can give It a chance though I am already using TC Toolbox, LTC READER, etc Thx!

Sorry Constantin; I understand you think something becomes an standard just for it´s quality?? You said "If that were true??" Please go and check it out instead of dispute something you just don´t know. "For the interface"? Definitely your not in the post market