VASI

Ambient, Gitzo, K-Tek, Loon, PSC Elite, Rycote, Panamic .. I like K-Tek and Panamic.

+1

That said, I think the 416 sounds records dialogue very well indoors. I don't think so because the Sennheiser 416 with small height of the roof (wall) and small rooms the sound is not good. To much reflection in sound from the walls. Eat me now. But true.

Thank you very much Chris! Great informations!

Interesting! Thank you Colin.

#6 In time 07:02 Zaxcom Antennas?

and

www.dolby.com/atmos

Yeap. It's very good technique. But when the actor have hairs. And the Countryman B6 is the best lavalier for this.

No. I don't think so. Rode microphones they don't have this design.

Ok. Thanks!

BTW the Boxx looks awesome.. Are you sending the audio in this item?

Wait a minute. The SMV Transmitter support blocks from 470 to 26. (in US site) The SMB/E01 Transmitter support blocks from 470 to 33. (in EU site) Right? Because the dealer in Greece he told me the SM series not support block 27 up to block 33.

And the temperature?

Lectrosonics Announces Release of Venue V5.1 Firmware Talkback function for HH handheld transmitters among key features Lectrosonics, recognized the world over as a leading manufacturer of wireless microphone systems and audio processing products, is pleased to introduce the release of Version 5.1 firmware for the company’s highly acclaimed Venue Wideband modular receiver system. The V5.1 firmware provides an important enhancement that will be most beneficial to broadcast, location, and sound reinforcement professionals—the capability of a “TalkBack” function compatible with the newly introduced HH handheld transmitter. When the transmitter is set to TalkBack mode and the function is engaged (activated when the user presses the multi-function button on the HH transmitter), the audio will switch to a different, predetermined, XLR on the back panel of the receiver. This functionality enables the transmitter to control audio routing, which can be very useful for situations that require real time communication between talent, director, monitor engineer, or other band members. In order for the TalkBack functionality to operate on the Venue receiver, at least one empty slot (and, thus, an associated unused XLR) is required in the mainframe. If more than one receiver modules are installed upstream to the empty slot and set to TalkBack compatibility mode, they will share the next available empty slot as a TalkBack active output. In the event that multiple upstream receivers enter a TalkBack state at the same time, their audio will be mixed on the shared TalkBack output. Hence, it is possible to have multiple transmitters using a common TalkBack channel XLR. Karl Winkler, director of business development at Lectrosonics, commented on the new V5.1 firmware offering, “We've received numerous requests over the years for this kind of talkback functionality on our handheld transmitter. With the new HH handheld, we felt it was the perfect time to incorporate this feature along with the corresponding setup in the Venue receiver. So far, the response has been really great.” The latest version of the Venue firmware can be downloaded and installed by users via USB, by visiting http://www.lectroson...re-updates.html

I have dream or nightmare about one big project. 12 wireless talent, 2 boom, TC bla bla.. First day, first scene, first shoot. Sound check is ok. Director: "End action" I don't have signals from wireless. Recorder is freeze. The power unit for mixer is off. The microphone from one boom is off. After this, wake up from my bed and tell myself "ok you are dreaming, relax".

SoundWorks Collection The Sound of the Hunger Games Author Suzanne Collins’ best-selling novel “The Hunger Games”, is the first in a trilogy that has over 16 million copies in print in the United States alone, has developed a massive global following. Movie Director Gary Ross and his sound team including Supervising Sound Editor Lon Bender, Re-recording Mixer Michael Keller, and Re-recording Mixer Mike Prestwood Smith discuss their approach to creating the lush soundscapes for this highly anticipated film adaptation. Julie Altus - Adr Recordist Paul Aulicino - Assistant Supervising Sound Editor Lon Bender - Supervising Sound Editor Greg Crawford - Adr Mixer: Atlanta William R- Dean - Sound Designer Glynna Grimala - Adr Supervisor Paul Hackner - Sound Effects Editor Catherine Harper - Foley Artist Shane Hayes - Adr Recordist Gary A- Hecker - Supervising Foley Artist Albert Hedgepeth - Utility Sound James Hyde - Adr Recordist Michael Keller - Sound Re-recording Mixer Nancy MacLeod - Foley Editor Chris Main - Boom Operator Gary Marullo - Foley Artist Christopher Moriana - Foley Artist Chris Navarro - Adr Mixer Margit Pfeiffer - Dialogue Editor Mike Prestwood Smith - Sound Re-recording Mixer Carl Rudisill - Sound Mixer David Schmidt - Boom Operator: Second Unit John Skoglund - Epk Sound Mixer Bruce Tanis - Foley Editor Mark Weingarten - Sound Mixer Wade Wilson - Sound Effects Editor

Oh... This is the standard situations in Greece.

But I don't know what happens when the 788T is in the "hot" climate.

I asked a friend where travelled to Alaska with 788T. No issues about temperature. Camera had a issues. (I don't remember what camera, I think Sony or maybe not).

Very good Olle. Congrats! Very nice and simple "line" music. Clean dialogues, ambiences and room tones. Only boom and lav? Or you have done and ADR? And maybe to "down" the movie before go to festivals?

Not for sure AKG K171MK II.. My big mistake. Next month I will buy Sennheiser HD25-II. For me the sound is good from this headphones.

Hahaha.. Great!

or DTS? Design again the graphics.

hahaha