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About soundrolling

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    Freelance production mixer

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  1. Zoom F4 - £600 Rode NTG 4 - 229 Rode Boom Pro - £166 Rycote Supershield - £215 XLR Cable - £15 Headphones Sennheiser HD25 - £145 2x sennheiser G3 - £315 (£630) 2x Sanken Cos-11 - £300 (£600) 2x RM-11s - £20 Sachtler SN607 Bag - £120 Sachtler harness - £99
  2. Can i add this information to my free reference sound app with frequencies from around the world? whats your name so i can credit you?
  3. currently working to release on Ipad currently only on iphone, android and windows phones.
  4. Hey All, Olle Sjostrom very kindly let me use this data sheet on the free soundrolling app, if you have any further entries feel free to also get in touch with me whether they are local or whole countries frequencies. Then you can search on a google map for them. Search "Soundrolling" in the android / apple ios stores today.
  5. Sorted all that out for ya You will get a notification when its up, Thanks again
  6. Thanks for the Feedback Derek, I will get on that now and should be ready by the end of the week. Thanks again for your support. Matt
  7. haha i didn't have a wide lens so just did it blatently in shot
  8. Compare over 125 boom poles for min length, max length, weight, material, locking system and if it can be internally cabled on this free android app: you can also get it on IOS:
  9. If you got this from an editor it might slip them into stereo tracks panned left and one panned right so from: Mix Boom Lav 1 Lav 2 you end up with: Mix L Mix R Boom L Boom R Lav1 L Lav1 R and so on...
  10. Thanks for your feedback Marc Will do a moving one for the next video.
  11. Actually getting drunk is not needed to perform this task but wanted to show that even someone after a couple of drinks couldn't mess it up.
  12. I've compared the: SuperCMIT 2 u Preset 1 SuperCMIT 2 u Preset 2 CMIT5u Rode Videomic Pro (Camera audio)
  13. And the best thing is that you can comment below each individual cameras and i'll see them and we can all update each cameras as new information is found and really have a current resource we can all use
  14. Hey All, I know lots of you use the handy resource on to check over different timecode options for different cameras and so I have updated it and moved it into an area which hopefully makes more sense and gives you video tutorials on most of the popular cameras along with additional notes of others, check it out and make a little account, Cheers, Matt
  15. Hey All, I am currently in touch with over 450 professionals from around the production and post production community from all over the world to get more sound chats going, but due to the number of articles and videos I don't want to spam JWsound or the facebook groups so have set up a way for those that like them to ask questions relating to upcoming written articles and reminders for live events. Join To Watch Sound Chats Now and a facebook page for easier comments and questions on specific articles. Thanks for all your support. Episodes so far: EP1 - Rob Nokes (Sound Effects)EP2 - Mark Weingarten (Production Sound Mixer)EP3 - Rachael Tate (Dialogue Editor)EP4 - Steve Maslow (Re-Recording Mixer)EP5 - Gwendolyn Widdle (Supervising Sound Editor)EP6 - Robert Sharman (Production Sound Mixer)EP7 - Igor Nikolic (1st Assistant Sound Editor)EP8 - Bill Devine (ADR Mixer)EP9 - Wayne Pashley (Sound Design / Sup Sound Editor)EP10 - Simon Hayes (Production Sound Mixer)EP11 - Allen Lee Williams III (Boom Operator)EP12 - Eric Milano (Re-Recording Mixer)EP13 - Andy Kennedy (Sound Design)EP14 - Ric Viers (Sound Effects)EP15 - Robert Kizer (ADR Supervisor)EP16 - Richard Ngugi (Production Sound Mixer)EP17 - Syahrizal Fahlevi (Production Sound Mixer)EP18 - Hovak Alaverdyan (Production + Post Sound)EP19 - Harikumar Pillai (Sound Design / Sup Sound Editor)EP20 - Paddy Hanlon (Production Sound Mixer)EP21 - Lincoln Morrison (Production Sound Mixer)EP22 - Mathew Price (Production Sound Mixer)EP23 - Jeff Wexler (Production Sound Mixer)EP24 - Whit Norris (Production Sound Mixer) + Doug Cameron (Boom Operator)EP25 - Louise Brown (Foley Artist/Editor)EP26 - Daniel S McCoy (Production Sound Mixer)EP27 - Rachael Tate (Dialogue + ADR Supervisor)EP28 - Ben Osmo (Production Sound Mixer)EP29 - Moore Huffman (Sound Utility)EP30 - Thomas Curley (Production Sound Mixer)EP31 - Greg Albert (Production Sound Mixer)EP32 - Adam Daniel (Re-Recording Mixer)EP33 - Tom Fleischman (Re-Recording Mixer)EP34 - Mauricio Castaneda (Foley Artist / Editor)EP35 - Alejandro Jaramillo (Sound Design / Supervising Sound Editor)