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bobbyguelz

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  • Location
    Los Angeles, CA
  • About
    I work for Todd//Soundelux in Hollywood and am also an Author for AudioTuts+.

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  1. Hello guys... http://www.timecodesystems.com Wanted to make everyone in the forum know that Timecode Systems LLC, the company that produces the Timecode hardware products many of us use for Film and Multi-Cam setups, is looking for someone to fulfill a full-time customer service technical support position at their new Irvine, CA office. This position wouldn't require a seasoned pro by any means... but someone who does have some capable experience with on set syncing and post knowledge and above all someone with a desire to really learn and be guided into the nitty gritty of their product line. PM me or email me directly at jonah@jonahguelzo.com if you are interested yourself or have someone to recommend that is in need of a job. Best wishes, -J
  2. http://www.amazon.com/b?node=8037720011 https://www.youtube.com/watch?v=MXo_d6tNWuY&feature=youtu.be Who's looking forward to one day having even more grand numbers of noisy Drones screwing up dialog in the cities? Very cool stuff... But man is the world just getting to be one solid piece of noise.
  3. And thanks for the advice JRD456... I changed up the post a little and listed that I would beat current rental house pricing by 20%... hopefully that helps! And thanks Philip. Everyone has to start from somewhere... I'm sure the more experienced fellows in this forum remember too a time when just wish they could get their hands on any decent piece of gear.
  4. Hey guys... I'm more or less trying to help out those on the intermediate level... who want still high quality equipment but aren't planning on working a big budget feature. My gear is suited for Commercial/Documentary/and independent film. And what in your opinions classifies "PRO" audio gear? Simply curious. I don't believe you have to have the most expensive kit in order for it to be professional. Obviously makes a difference depending on the application and where budgets afford you the opportunity to gather such equipment... But "PRO" in my estimation is gear that generally speaking is quite rugged, affords the users a larger selection of features and options, and most importantly produces a high enough quality of sound that can be used for commercial content viewed by larger audiences... I.E. not home videos, youtube, etc. Everything is often relative... For you mixers with countless years of experience and credits to your name... you get jobs with large enough budgets where picking up a 788t with CL9 or other expensive setups is less of a big deal... And when you have the best, everything seems less professional... yet for mixers starting out with very inexpensive gear, gear you might laugh at is a dream to have for others. Needless to say if you're already working on large scale projects than I doubt most would even need look at this post... but for others who can't still can't afford renting everything they want... what I have might offer them a great opportunity to still do a great job and get a better price from dealing with someone directly. Cheers! -J
  5. Hi everyone... I'm currently taking a break from Production Sound Mixing and am pursuing some other opportunities so right now I have a lot of Audio Gear available for rent... I will beat any rental house pricing by 20% on similar gear. I am located in Burbank, CA so local pickup can be made or will also ship if need be. Below is a list of most of my primary gear... Feel free to ask about any smaller accessories that I may not have listed here yet probably still have. Also check out my personal website www.jonahguelzo.com for the gear list again, the kind of work I do as well as further contact info. Production Sound Mixing Equipment: Tascam HS-P82 Tascam RC-F82 Tascam DR-100 MKII 2x Timecode Buddy Wifi Master Timecode Buddy Tx 2x RED Epic/Scarlet Timecode Cables 3x Lectrosonics UCR 205D Kit Lectrosonics UCR 210D Kit K-Tek Aluminum Traveler Pole 7ft. Boompole w/ Internal Cable K-Tek Graphite Fiber 25ft. Boompole w/ Internal Cable Rode NTG-3 (shotgun mic) 2x Oktava MK-012 (small diaphragm hypercardioid mic) 2x Tram TR-50 Lavalier Microphone 2x Lectrosonics m152 Lavalier Microphone Rode Blimp System Rode PG2 (pistol grip) Rode WS6 (shotgun Mic Softie) Rycote Invision 6 (mic suspension mount) Rycote BBG w/ Windjammer (pencil mic windshield kit) Comtek IFB Kit (1x Transmitter, 1x Receiver) ATS RAM Boompole Cradle (boompole mount) Sony MDR-7506 Studio Monitor Headphones 2x Sony MDR-V6 Studio Monitor Headphones Sennheiser HD201 Studio Monitor Headphone 2x Sony MDR-G45LP Around Ear Headphones XLR Cables (3-50ft. in length) External Power Distrobution Setup with 4x NP-1 batteries and NP-1 Cups In addition to what is listed above... I also have: BeachTek DXA-SLR PRO (XLR audio adapter for DSLRs) ~ Enables one to get the highest quality audio into the widely used DSLRs... This is BeachTek's flagship model. RODE STEREOMIC PRO RODE VIDEOMIC PRO QUE Audio SNIPER Shotgun audio Kit (Que Audio's Pro "mini" shotgun mic with accessories) ------------------------------------------------------------------------------------ In addition I also have Porta Brace Harnesses/OTS Bags etc for appropriate gear as well as lots of additional accessories that I've chosen not to list. So if it's not as big of an item and not listed, feel free to ask. Call anytime and we can discuss your needs and pricing. I'm not using my gear right now so benefit by cheaper rental rates! e- jonah@jonahguelzo.com phone- 434-444-5225 Regards, -Jonah Guelzo
  6. I came toward the scheduled end time but it seemed like the party just got started with no one in a hurry to leave... Being an East Coaster and just moving to the West side, it was a very warm welcome and enjoyed getting to meet some very talented sound professionals... Thanks to everyone who put on this great event! -Jonah
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