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About ryanpeds

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  • Location
    Salt Lake City, UT
  • About
    Production Sound Mixer for Features, Shorts, TV

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  1. About 3 years from the end of the auction process.
  2. There is no difference in which code that you use. They probably do use them for tracking though.
  3. It will be really hard to use and look at an iPad while booming.
  4. They include sound data specs for each fan. Is that measurement when they are at full speed? They look like they might work if not working too hard and baffled.
  5. You can still sign up for exhibits only passes for free with exhibitors free codes. I think the one I used is LV6385
  6. I've had microdots fail. Just happens. They replace them if under warranty.
  7. Most rack mounted drawers latch shut and have optional locks as well
  8. I would be cautious to use that adaptor. The DPA mics are designed to receive a certain voltage. Couldn't find any specs on the voltage output of those adaptors. The XLR adaptor converts 48V phantom power to the proper voltage for the DPA mics.
  9. It should also be noted that if an actor is going to change the level of their performance drastically, the well seasoned and well trained actors will give the sound crew a heads up so that they are not surprised/deafened by the change of their performance. If an actor doesn't do that it can be a good teaching moment.
  10. I'm pretty sure you have to send them back to lectro to have firmware updates done.
  11. Looks like it supports more sample rates and bit depths. The first version card was only 48 and 96k and only 24bits
  12. I also use a c stand everywhere. Turtle base so it breaks down to something reasonable.
  13. I haven't heard of an Omni input but Omni outputs are commonly found on digital consoles. They are omnis because the user can patch or assign any type of output to that connector such as a main out, matrix out or as a monitor send.
  14. I've been using 2 systems. One is an HMa on the end of the pole and the other is the ambient QWB with the UMPII and an SMV. Both work equally well and I don't mind the extra weight. The pole is lighter without the cable in it. Of course I'm using Panamic poles which aren't the lightest but with the weight on the end they are still nice and stiff.
  15. I just did an A/B test with an SRc and a 411a. As far as RF goes there doesn't seem to be any difference as far as range goes. Maybe if you really pushed them to an extreme you might see a difference but in normal situations there doesn't seem to be any. When the SRb was released I also did a range test against a 411a with just whips and I pushed the range limits pretty hard and didn't see a difference and the SRc is supposed to be better than the SRb. Range shouldn't be a concern if thinking about switching to or buying an SRc We tested the audio side using a CMC4/41 through an SMV and into a Sonosax mixer. The SRc sounds great but it seems to not be equal to a 411a. It is a slight difference but the 411a seems to have a bit more punch to its sound. The difference to me and a fellow mixer isn't enough to not buy an SRc. When using it with lavaliers I'm sure the difference wouldn't even be noticed. When at NAB this last year I talked to one of the Lectro reps and asked if the SRc was 2x 411a's and he said no. He said the RF performance was negligible. Given the size, weight and price of an SRc I think it's a great add to any kit whether bag or cart and would stand great on its own or mixed with 411a's