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  1. Greetings I am about to step into the oddest inquiry a director has asked me up to now. I need to record a guide V.O. first thing in the morning, ramp up it's speed at 50 FPS and then hand it over to the actress to listen back for 3-4 hours in order to be able to lip sync ( with her lines of course ! ) at 50 FPS when we 'll film her scene. The scene to be filmed is a sequence which will be filmed native at 50 FPS and kept at 50 FPS. Her lines will be synched with a V.O. that cannot be the final one when we'll be filming her tomorrow. Just stepped out of the pre production meeting and had a thorough conversation with the director discussing about the fact that sound will need to remain at 25 FPS no matter the frame count in picture as sound is split in a linear manner over time, that the best approach would be to just record the 4 lines in question in post and let the actress improvise but he wants to have a go at this whacky workflow, meaning that he wants me to record the guide V.O. at 25 FPS, ramp it up at 50 FPS and even though the recording will sound like Chip and Dale having a laugh, record everything at 25 FPS on set !! Any ideas about such a request and had anyone come across such a request before ? Which is the best way to double up the speed of the guide V.O. recording ? Do I just multiply the speed X 2 ? I have Pro Tools 9 and Twisted Wave handy but I 've never come across such a request before. Tried to explain that in order to do such a juggle on set we would need to at least have the final V.O. in place and lock the V.O. with the playback source and camera. Thanks in advance
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