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Found 5 results

  1. Laurie Webb

    Mozegear at NAB - NEW

    Mozegear at NAB - What’s NEW Please come by and see us at NAB. Our stand is C8949 which is just one row over from last year. We are going to be showing our new line of products including our newest product, the 2XG, which stands for 2 channel extra gain. It is a 2 channel Gain Booster that is designed to be used with wireless receivers and the line level inputs on your mixer. The 2XG will be shipping after NAB. The price is $399. Our second new product, the PIP, is a very small phantom power module. It will start shipping in about 7 weeks. Our last product, the Mini Papi, is a mini pre-amp with phantom power that for any use since it so small. You can read more about the 2XG, PIP, and Mini Papi at www.mozegear.com. Most importantly, please come visit us at NAB!!!
  2. I've been wondering about a few things. First, I've found that when using my 302 with a Rode NTG-3, a Sanken CS3e and Oktava and Schoeps hypercardioids it seems that in most cases (quiet to medium volume interview speech, for instance) I have to set the gain pot on the 302 around three-o'clock to get levels like 0-+12 on the mixer. More or less depending on the mic in question. Is this what one might expect? I assume it probably is, since I would think the possibility of having a defective mixer are fairly low. Second, I wonder if someone knew about the best gain staging when going from 302 to a Sony PMW-EX1 via two Sennheiser G3's. I've found that when setting the G3 Tx's to -42 dB sensitivity and having the EX1 inputs as line levels, you have to crank the EX1 gain pots all the way up AND set the G3 Rx's to max output to get the levels even somewhat matching. I'm wondering if it might be better or worse to try setting the EX1 inputs on mic level and first turn down the camera inputs, then Rx output (if needed) to get to matching levels. The production we're working on is a busy, low budget reality show in noisy places and the DP and I live in different cities so no time to play around and try out for best results so I was wondering if someone had any experience on this particular camera and its audio quirks. Thanks!
  3. Josh Tucker

    SRa gain staging/metering

    Hey guys. I recently purchased a Lectro SRa for use as a camera hop, and took it out for the first time a few days ago. It was fed by 2 SMQV's, which in turn were fed by the line level outs of my 788. I left the gain of the 788 output at -4dB and set both the tx's and rx gain to zero. When I did this, I noticed that the metering on the SRa seemed really hot, while the meters on the tx's were barely hitting above -20. Did I get something mixed up with the gain staging here, or am I just misreading meters on the SRa (I haven't found anything in the manual about the meter scale)? Seems like the metering on the tx's should be more or less identical to the rx, assuming that there's no additional gain applied to the rx. Right?
  4. Has anyone else found they need to crank the trim all the way up using a Boom Mic? I use a Sennheiser 416, Phantom Power is on. I just always seem to be cranking the trim all the way up. Is there a setting I'm missing, input limiters or something like that that I should check on? Thank you. -W
  5. Twade

    LECTROSONICS D4 GAIN STAGING

    A few reports from users in the field on odd gain staging from the d4 into camera. Line level too quiet mic level too hot aes lines up quite nicely any thoughts? opinions? suggestions?
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