Jump to content

Search the Community

Showing results for tags 'h4n'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Main Board
    • Current
    • The Daily Journal
    • General Discussion
    • Equipment
    • Cameras... love them, hate them
    • Recording Direct to Computer
    • Workflow
    • The Post Place
    • Images of Interest
    • Macs... and the other computer
    • All Things Apple
    • Technical Reference
    • Do It Yourself
    • Manufacturers & Dealers
    • Work Available - Available for Work
    • Post to the Host
  • JWSOUND RESOURCE
    • Donate to Support JWSOUNDGROUP

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests


About

Found 3 results

  1. christt

    Lavs to Zoom H4N/H6

    Hello All, I would like to know if it's possible to get cleaner audio from a lav receiver to a Zoom H4N/H6? Is it possible to plug a 1/4 plug from the lav to the Zoom instead of the XLR to get better audio? Thank you.
  2. Hey Guys! Question about timecode that has been recorded onto a nonlinear digital audio track via a recorder's analog mic/line input! I am entertaining the thought of sending timecode to a Zoom H4n recorder with a lockit box. But wonder if done correctly, can this prove to be a hassle anyway for editors in decoding the TC? I am sure retrieving timecode from an audio track can be done, but is it always an easy process for the editor? Can decoding timecode always be done with little issue on Pro-Tools, AVID, Adobe Premiere, Final Cut Pro, etc? Or does retrieving timecode from an audio track require extra work such as searching the net for the right decoder plug-in program to do the job? Just seeing if timecode onto an audio track is standard enough to submit to an editor for any given occasion. The H4n would sit in my soundbag strictly as a secondary recording to HOPs. For the sake of conversation, I do know the 552 is an option, but I really like my current mixer. Opinions appreciated. Thanks!
×