Jump to content

Search the Community

Showing results for tags 'lavaliere'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Main Board
    • Current
    • The Daily Journal
    • General Discussion
    • Equipment
    • Cameras... love them, hate them
    • Recording Direct to Computer
    • Workflow
    • The Post Place
    • Images of Interest
    • Macs... and the other computer
    • All Things Apple
    • Technical Reference
    • Do It Yourself
    • Manufacturers & Dealers
    • Work Available - Available for Work
    • Post to the Host
  • JWSOUND RESOURCE
    • Donate to Support JWSOUNDGROUP

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests


About

Found 3 results

  1. It's been a while since I had to place lav mics in the heinously noisey professional uniform. Last time, it was B6 through the buttonhole with less-than-stellar results. This time, there will be mostly uniforms and I want to use the DPA's I've come to favor. Their "snoot" through the buttonhole seems to be a likely answer, but I'm thinking that it might be better to go through a hole made through a pocket or behind an insignia/medal and leave the mic more exposed than hidden. Let's talk military / police / EMT uniform mic hiding techniques, shall we?
  2. Vivid Lizard

    Sennheiser and Sony Lav Mod

    Just thought I would throw in a lavaliere modification or those using Sennheiser and Sony transmitters with the 1/8" locking TRS connectors (G3's, UWP's, etc.). As you know, lavalieres for the G3's usually won't work for the UWP's, even though they have that same 1/8" locking connector. But... I purchased a low-budget Senal OLM-2 lav specifically for my Sony as a backup. For the heck of it I plugged it into a G3 and dang if it didn't work. So I opened it up and saw what you see in the attached photo... a tiny 10k Ohm (brown, black, orange, gold rings), 1/8 W, 5% tiny resistor spanning between the left (Tip) and right (Ring) solder tabs. That's it. So I purchased a set of those resistors, added them to my other lavs (Senny ME2, Tram TR50's, etc.), and they now work for BOTH my G3's and UWP-D11's perfectly. No need for redundant sets (except for backup). I especially wanted to do this with my Trams so the Sony's also had a decent mic. And here's a tip... if you do purchase the Senal OLM-2 lav at, say, B&H, get the Sony version. Why? Not only does it have the resistor already in it (not sure if the Senny version does), but it's $40 less than the Senny! At $80 for the Sony one, it's way more practical.
  3. Even when the wires sound well, when the actor looks down and they get much closer to the lav mic, I have yet to find a mixing technique that sounds transparent. I typically bring the level of the lav down but have been reluctant to bring up the level of 'air' from the boom to accomplish what my ears want to hear. I think this would do it, but...something stops me from pushing it far enough. Maybe just typing this will help get me there. Any thoughts?
×