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  1. Hello fellow soundies! I'm looking down the barrel of a reality tv gig, and want to know any and all experiences. More specifically, what sort of gear setup you had (as it is of course wireless intensive), and the workflow (ISOs/mix/lockits etc). And generally wondering if there's anything in particular on reality tv that sound crew is responsible for (such as doing commercial work we're generally in charge of/expected to provide smart slates). Anything and everything, let's hear it!
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