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Found 2 results

  1. Quick question here because of some advice I overheard. I do a lot of 1 and 2 Camera interviews for broadcast, and normally I use a 10 pin snake connection to a 664. I listen to return coming back through the snake, but a much more experienced sound man suggested I start listening to return through a separate 3.5mm extension cable going directly to the camera. His reasoning was that the mixer could have setting where the return isn't true. Does anyone else do this? Anything to add to the reasoning or is it overkill?
  2. Hey Guys, Curious what people are using for your boom operators to listen on. Comtek? Lectro IFB? Zaxcom IFB? Hard wired? (duplex cable?) Boom box? Or maybe listen off the signal pre-recorder with a SD MM1?
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