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Found 2 results

  1. Hi What system do you use for wireless sound for the director. I am recording commercials with a small crew, but need to send the sound wireless to the director. I would normal use boom and one wireless mic on the actor. Would you send a mono signal or both boom and wireless mic ? I would like a small pocket system where it is possible to send a stereo signal. And a system that can run on batteries, instead of charging system. I would like to hear from yours experience. I am recording on a Sound devices 664. Thanks
  2. Hello all, been viewing this great forum for a while. Diving in with my first post. I did a search but couldn't find anything relevant, apologies if the topic has already been covered. I just purchased an iPad, Movieslate app & have installed CL WIFI on the iPad. I'll be going the paperless route for my sound reports & I would like to do the same for scripts, reading & annotating them on the iPad. Anyone doing this? Here's some background info, if at all helpful: I work on a long running television series that currently gives paper scripts to all crew members that need it. I use these to write my sound reports on the back of (notes mainly) & to mark up the scripts, making dialogue amendments & highlighting speech numbers according to boom 1, boom 2, lav 1,2,3 etc. I do this as I create a stereo mix of all necessary tracks, as most on here probably do. By using different coloured highlighters on the paper scripts, I know when to throw up and down the faders to minimise extra noise in the mix tracks, reduce confusion/too many signals for my boom ops & to just pull a clean mix for post. I'm told they use my mixes a lot of the time (as its a high turnover drama). Anyone else work this way or have different suggestions on other workflows? Any responses greatly appreciated! Thanks all.
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