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Found 6 results

  1. Hey everybody, I´m trying to make a new app for iphone to log the sound reports. I know many of you use sound devices 788 or cantar and they have their on way. But if you are like me, working with smaller recorders (702), on smaller productions, you know there aren´t many options out there. I found the Sound Report app not so helpful when you have small amount of time to be watching your iphone in middle of the shoots and start making notes. I would like to create something where you make as few touchs to the screen as possible. Allowing you to log your report quickly and easy. I like to believe that these small details sometimes can make a lot easier our work. So i thought it would be cool if you could contribute with your ideas to make a great app!
  2. Hey all, im about to enter the world of Zaxcom, switching over from Sound Devices. I've been using a 788 with CLWIFI in a bag for pretty much any job. What I loved about this was entering notes in from my iPhone using the CLWIFI app and subsequently being able to send off my PDF sound report at the end of the day with all track naming, Timecode and note metadata embedded. As I understand, there's nothing quite like that for the nomad at present. With Nomad touch it seems you can do something similar, but CSV instead of PDF and using a windows tablet instead of our iPhones. The last thread I could find on this topic on JW was dated back to 2013, so I thought to ask if there's been any developments not documented on this forum. Further to this, and while it could be a new thread altogether I feel it's still relevant: do any Zaxcom users on here play with Timecode Buddy hardware and Movie slate app for notes? I've been impressed by what the new TCB Wave product can do, but it seems the data port only plays with SD mixer / recorders, like the CLWIFI. No mention of Nomad. Thanks in advance! cheers, pinky
  3. Just wanted to announce the release of an iPhone and iPad app I've been working on, Sound Report Writer. You can download directly at the link below (should be searchable sometime later today) for $20. You can also see a product demo at www.inaudiblelabs.com/products.html http://itunes.apple.com/us/app/sound-report-writer/id492004803?ls=1&mt=8
  4. Sound Report Writer is now available in the Android Market. It does everything the iOS version does, and actually a little bit more. You can still visit www.inaudiblelabs.com for more information. In addition to the current iOS features, the Android version also has a Segment field. You are also able to create a take with the timecode running and hit 'Start TC' and 'End TC' whenever you are ready so that right when you create a new take that timecode isn't used. This allows you to set your take up in advance and once you are rolling you'll be able to execute the command with greater accuracy. This is still coming on the iOS version and now more time can be spent to do that. Enjoy!
  5. Hey guys, Just wondering which among you do sound reports manually with pen and paper or do them electronically with a laptop, iOS device, etc. (or who doesn't do them at all? I.E. OMB? Reality Shows? etc.) Also wondering how often you put a reference tone file (-20dBFS) in the daily folder for post? Is this still needed usually? Thanks Guys!
  6. Hello all, been viewing this great forum for a while. Diving in with my first post. I did a search but couldn't find anything relevant, apologies if the topic has already been covered. I just purchased an iPad, Movieslate app & have installed CL WIFI on the iPad. I'll be going the paperless route for my sound reports & I would like to do the same for scripts, reading & annotating them on the iPad. Anyone doing this? Here's some background info, if at all helpful: I work on a long running television series that currently gives paper scripts to all crew members that need it. I use these to write my sound reports on the back of (notes mainly) & to mark up the scripts, making dialogue amendments & highlighting speech numbers according to boom 1, boom 2, lav 1,2,3 etc. I do this as I create a stereo mix of all necessary tracks, as most on here probably do. By using different coloured highlighters on the paper scripts, I know when to throw up and down the faders to minimise extra noise in the mix tracks, reduce confusion/too many signals for my boom ops & to just pull a clean mix for post. I'm told they use my mixes a lot of the time (as its a high turnover drama). Anyone else work this way or have different suggestions on other workflows? Any responses greatly appreciated! Thanks all.