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Found 4 results

  1. Hi everybody, the dialogue editor which is working in a movie I recorded using the Schoeps SCMIT (Output 1, Preset 1 non aggressive one) told me that it's impossible to phase it to wireless mics (Zaxcom + DPA4071). Has anybody else noticed same issues? I'm asking cause I'm trying to figure out if I got to service it. Thanx, Angelo.
  2. Schoeps CMD-2U It's the digital version of the Schoeps Colette CMC amplifiers. Anybody use it? There's no specific section about it on the Schoeps website. However, in Coffey magazine they seem to indicate that it is more resistant to humidity. With all the talk of the SuperCMIT being resistant to humidity, I was wondering if anyone had any thoughts about this one. I've searched on the web but info's pretty slim.
  3. I've compared the: SuperCMIT 2 u Preset 1 SuperCMIT 2 u Preset 2 CMIT5u Rode Videomic Pro (Camera audio)
  4. Obviously not many options to keep the signal in the digital domain: zaxcom trx942 and lectrosonics d4. And so what solutions (da converter + TX + powering) have folks employed when going via analogue transmitters? As the solution would be worn and operated by a boom op the powering and size of the overall solution needs to be considered along with quality, reliability and compatibility. All observations welcome. dan. ps. Frequencies permitting there is high likely hood we will have 2 d4 systems for monitoring anyway. Do d4 TX and RX operate well in close proximity to each other? eg in the same bag/pouc the boom op would be wearing?