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Found 5 results

  1. Hi there! I am setting up a laptop (Ubuntu OS) for audio data backup and creating sound reports. Does anybody know what would be Wave Agent equivalent for Ubuntu OS? Thanks a lot! And happy New Year!
  2. Final Cut Pro 7.x shows Scene, Take, Timecode Start and other metadata information from BWAV files, but not the track names. Is there a way to get it to do this? I've had editors ask me about this and I can't see track name information anywhere in the software. Mark
  3. Hey Guys, I recently recorded a short film for a buddy of mine and used my Pro Tools 9 and Focusrite Saffire 56 interface to record 1-4 mic inputs. I am now finding that I can't export poly wav files from Pro Tools (trying to use the export file command always makes many mono files). I downloaded wave agent to see what I can do, but I have never used the program. Also, I didn't roll on all inputs all the time, so the filing naming isn't consistent for which take they are. (For example Boom_01.wav and Studio Mic_01.wav might be from the same take, but Lav 1_01.wav would be from 4 takes later as I didn't roll the lav mic on the first three takes, etc.) They do all have the right timecode start and stop, so I'm hoping that helps? (No timecode to camera, just Pro Tool's own timecode timeline). Does anyone know of a simple way for me to export these files into poly wav files for the edit suite? Thanks guys!
  4. Hello all, been viewing this great forum for a while. Diving in with my first post. I did a search but couldn't find anything relevant, apologies if the topic has already been covered. I just purchased an iPad, Movieslate app & have installed CL WIFI on the iPad. I'll be going the paperless route for my sound reports & I would like to do the same for scripts, reading & annotating them on the iPad. Anyone doing this? Here's some background info, if at all helpful: I work on a long running television series that currently gives paper scripts to all crew members that need it. I use these to write my sound reports on the back of (notes mainly) & to mark up the scripts, making dialogue amendments & highlighting speech numbers according to boom 1, boom 2, lav 1,2,3 etc. I do this as I create a stereo mix of all necessary tracks, as most on here probably do. By using different coloured highlighters on the paper scripts, I know when to throw up and down the faders to minimise extra noise in the mix tracks, reduce confusion/too many signals for my boom ops & to just pull a clean mix for post. I'm told they use my mixes a lot of the time (as its a high turnover drama). Anyone else work this way or have different suggestions on other workflows? Any responses greatly appreciated! Thanks all.
  5. If this has already been posted remove this post... I just solved a mysterious error with 788t files that could not be imported in Final Cut Pro by installing the new 1.16 version of Wave Agent from Sound Devices... Read more here and install 1.16: http://www.sounddevi...os-and-windows/
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