OmahaAudio Posted January 27, 2012 Report Share Posted January 27, 2012 Just an FYI for anyone that has lost the screw-in 1/8inch to 1/4 inch adapter supplied with the headphone only to find it not lised on any Sony website (that I could find) can use these $4 adapters made for KRK headphones that screw in to an MDR7506 and work just fine. KRK KNS 1/8 Inch to 1/4 Inch Screw In Headphone Adapter: http://www.americanmusical.com/Item--i-KRK-CONK00007-LIST Quote Link to comment Share on other sites More sharing options...
benr Posted January 27, 2012 Report Share Posted January 27, 2012 Good to know! Although other than headphone amps I honestly don't have anything that uses anything other than a 3.5 TRS connection. So I never really used those adapters myself. Quote Link to comment Share on other sites More sharing options...
Guest zzz Posted January 27, 2012 Report Share Posted January 27, 2012 The Marantz PMD661 uses a 1/4" jack, but that's the only thing I have ever encountered. Quote Link to comment Share on other sites More sharing options...
pverrando Posted January 27, 2012 Report Share Posted January 27, 2012 deva and fusion have only 1/4" jacks Quote Link to comment Share on other sites More sharing options...
benr Posted January 27, 2012 Report Share Posted January 27, 2012 The Marantz PMD661 uses a 1/4" jack, but that's the only thing I have ever encountered. Oh yea you're right! I had that unit for a bit too, I should have remembered that. deva and fusion have only 1/4" jacks Never had those, I went the Sound Devices route. Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted January 27, 2012 Report Share Posted January 27, 2012 I hate those damned adapters. I prefer to rip the 3.5mm plugs off and get them replaced with heavy-duty 1/4" connectors. (Except for rare cases where I have to use the 3.5mm jacks, like if I use the SD744t recorder without a mixer.) I really like the Ampohenol TM2PN 1/4" headphone plugs, which are the nicest-looking, most reliable 1/4" connectors I've found. Blake Wilcox uses those over at Wilcox Audio in Burbank, and I've had most of my 7506's replaced with those. They're not cheap, though -- about $7-$8 each. Both Wilcox and Trew Audio also have a mod for the 7506's where they'll replace the coiled cable with a straight cable, which is another one of my pet peeves; I much prefer the straight cable. Quote Link to comment Share on other sites More sharing options...
Jon Gilbert Posted January 27, 2012 Report Share Posted January 27, 2012 Those adaptors are always a pain in the arse, I use a combination of SQN and Sound Devices mixers, and a 744T, I try and leave the adaptor in the 1/4 inch socket in the SQN, but it doesn't always want to stay there.... I keep meaning to make up a cable that'll put my headphone outs in a more convenient place, but I never seem to find the time. Quote Link to comment Share on other sites More sharing options...
Jeff Babb Posted January 27, 2012 Report Share Posted January 27, 2012 Thanks for the link. Interestingly I have a couple extra of these adapters and I'm not sure how that came to pass. Good to know! Although other than headphone amps I honestly don't have anything that uses anything other than a 3.5 TRS connection. So I never really used those adapters myself. The 3.5mm is necessary to check the signal at the camera. 99% of the work I do requires this. Quote Link to comment Share on other sites More sharing options...
Toy Robot Posted January 27, 2012 Report Share Posted January 27, 2012 Good resource. I don't understand the issue people have with the connectors, but of course it's opinion only. I love the screw on connectors. They can't pull out and you have the option of 1/4" or 1/8". Keeping track of them is no different than keeping track of other connectors and small cables, rechargeable batteries, etc. that we use daily. Guess I'm the odd ball out. I love the design. Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted January 28, 2012 Report Share Posted January 28, 2012 The 3.5mm is necessary to check the signal at the camera. 99% of the work I do requires this. I always carry along a crappy set of MDR-V2's (similar to the MDR-7502's) with a mini-plug on it specifically for monitoring at the camera. Even a 25-year-old headset will tell me if there's distortion in the camera feed. I always, always check the camera feed on shoots that require them, and I also offer to leave the headset with the camera operator if they want it. And I also try to re-check the feed on a break, "just in case." Some of the camera ops I work with have a tendency to bump audio level knobs when you least expect them. And I also carry a large variety of adapters just for those horrible emergency situations. I don't like to use them, but they do come in handy for those last-minute emergencies -- like a corporate job where you're confronted with a speech presentation, and their audio board only has RCA phono plug outs (or vice-versa). Quote Link to comment Share on other sites More sharing options...
Derek H Posted January 29, 2012 Report Share Posted January 29, 2012 I hate those damned adapters. I prefer to rip the 3.5mm plugs off and get them replaced with heavy-duty 1/4" connectors. (Except for rare cases where I have to use the 3.5mm jacks, like if I use the SD744t recorder without a mixer.) I really like the Ampohenol TM2PN 1/4" headphone plugs, which are the nicest-looking, most reliable 1/4" connectors I've found. Blake Wilcox uses those over at Wilcox Audio in Burbank, and I've had most of my 7506's replaced with those. They're not cheap, though -- about $7-$8 each. Both Wilcox and Trew Audio also have a mod for the 7506's where they'll replace the coiled cable with a straight cable, which is another one of my pet peeves; I much prefer the straight cable. Looks like a Neutrik part to me. Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted January 30, 2012 Report Share Posted January 30, 2012 No, I haven't found a Neutrik equivalent. The Amphenol (my spelling mistake earlier!) connectors really look better. I've been using 1/4" plugs since I was about 12 years old (me with an old pair of Koss Pro-4AA's), and these things are really slick. Quote Link to comment Share on other sites More sharing options...
Jeff Wexler Posted January 30, 2012 Report Share Posted January 30, 2012 I'm not too particular when it comes to 1/4" phone plugs, have used Switchcraft, Amphenol, Neutrik, Calrad, etc., but what warms my heart and triggers the old nostalgia button: Marc's mention of Koss Pro-4A's !! I would probably hate the sound if I heard them today, but in the day... wow. Quote Link to comment Share on other sites More sharing options...
Eric Toline Posted January 30, 2012 Report Share Posted January 30, 2012 I'm not too particular when it comes to 1/4" phone plugs, have used Switchcraft, Amphenol, Neutrik, Calrad, etc., but what warms my heart and triggers the old nostalgia button: Marc's mention of Koss Pro-4A's !! I would probably hate the sound if I heard them today, but in the day... wow. You mean the Koss HP's like the ones hanging on the light in the picture of one iteration of my first component stereo in 1960? Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted January 31, 2012 Report Share Posted January 31, 2012 The first time I ever heard stereo from a recording was with Pro-4AA's in the library (circa 1968 or so). I was totally stunned, convinced everybody in the building could hear it! The Pro-4AA's do have a kind of weird sound, and it doesn't help that they weigh like 10 pounds. It's kinda like wearing a brick on each ear! Incredibly, Koss is still making them, and they sell for about $75 (actually cheaper than they were in 1970 dollars). Quote Link to comment Share on other sites More sharing options...
Hartley Posted January 31, 2012 Report Share Posted January 31, 2012 I got nostalgic and tried on my 4AA's . Wow, really heavy and those liquid filled earcups were dried up and really hard. I had forgotten that they had a knurled nut to attach a boom mic. That was a cool idea. Quote Link to comment Share on other sites More sharing options...
dustinguished Posted January 31, 2012 Report Share Posted January 31, 2012 "And I also try to re-check the feed on a break, "just in case." Some of the camera ops I work with have a tendency to bump audio level knobs when you least expect them." I've been minorly burned by this and now tape down the gain controls, while I'm calibrating, because even taping them down can change the levels on you. Of course, I always ask before gaffing their camera and they always say yes. I find that camera ops will be pretty hard on my return 3.5mm cable and sometimes pull them out enough that I lose the feed...haven't found a way to solve that issue yet... probably more tape Quote Link to comment Share on other sites More sharing options...
studiomprd Posted February 2, 2012 Report Share Posted February 2, 2012 " They can't pull out " those Sony Screw-on vadapters have a tendancy to pull out the center post (tip) leaving it stuck inside the jack. Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.