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Gonna make you SWEAT!


SonicBoomPole

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So I'm on a shoot ending today that has some very sweaty actors doing some physical struggling and lots of shouting.

My question is basically how you all have dealt with moisture like sweat(real or not), make up/lotion, blood etc getting near your lav mics.

I've been using transpore and moleskin as well as rycote undercovers but wondered if there is a better method of keeping my mics clean and safe from harm.

I recently had one of my OST TL 40s die on the last shot of the night on an actress and when I pulled the mic it felt greasy. I asked about lotion and she said no. She wasn't sweaty but other than that I can't think of why this one went down.

Thoughts?

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L&D? Is that when production re-imburses you for broken stuff? Yeah I'm getting them to pay for it. But it is inconvenient to have to wait for a new one to come and of course waiting for the check. I do have spares but they are inferior and would rather keep it consistent. I guess that's just part of the gig.

Anyway in this situation yes I did need to wire them because the location sounds terrible and they aren't doing much blocking or rehearsing and the lighting is poor and creating shadows...ahhhh indie shoots.

Today I'm booming as much as possible saving wires for when we really need them.

So no real solutions to moisture and lavs? Anyone?

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It definitely depends... But, I just learned a new technique that worked really well for us in 110 degree heat in the desert with lots of sweating on a reality type shoot where there was no chance to readjust lavs during the shoot. Use an rm-11 and use a large piece of moleskin (3"x3" to 5"x5" depending how sweaty) to affix it either directly to skin, or for heavy sweaters directly to shirt. Line top of moleskin with top of rm-11. Sounds amazingly clean and will stay on all day long. Now have fun getting the talent to agree to that one. Thanks to Joe Shim for sharing this with me. Hope he doesn't mind me giving away his secret. ;)

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I have dealt with plenty sweaty talent in this Tx and Louisiana heat with high humidity. One trick I discovered accidentally is to cover the entire head of the lav with Kinesio tape. Kinesio tends to be semi water resistant while at the same time acoustically transparent. Since I have tried this method, I have not have a COS-11 soak out sounding muddy like they did before. This method also adds a bit of wind protection as well.

Sammy Huen

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I find Kinesio tape sticks better to sweaty bodies than moleskin (though that may be user error in my part).

 

And as Jack suggests, Countryman mics work well on sweaty bodies. 

 

 

Today I'm booming as much as possible saving wires for when we really need them.
 

 

I think I saw you:

 

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It definitely depends... But, I just learned a new technique that worked really well for us in 110 degree heat in the desert with lots of sweating on a reality type shoot where there was no chance to readjust lavs during the shoot. Use an rm-11 and use a large piece of moleskin (3"x3" to 5"x5" depending how sweaty) to affix it either directly to skin, or for heavy sweaters directly to shirt. Line top of moleskin with top of rm-11. Sounds amazingly clean and will stay on all day long. Now have fun getting the talent to agree to that one. Thanks to Joe Shim for sharing this with me. Hope he doesn't mind me giving away his secret. ;)

Every piece of tape fails under certain type of conditions. I've had seemingly industrial grade toupee tape fail to even remotely stick to a sweaty patch of skin in hot and humid conditions...or shirts... that is after moleskin and all others. Nonhumid locations where sweat evaporates easily and humidity is low tapes do work better...but not in the south. A well placed vampire clip or special arrangements thereof have never failed me.

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Love the video!

 

The particular wardrobe involved was a wife beater...vampire would have been obvious. It was pretty visible on camera with it taped to the shirt but once the skin was just drenched in sweat it made the shirt less able to take the tape. The mic was also more visible the more the shirt got wet. I need to get some white or skin tome color wires which would have helped at least.

 

Sound was fine as long as the tape was sticking. I just got tired of having to change the mic all the time due to moisture and then was worried it might kill my mic eventually.

 

Thanks for all the suggestions everyone.

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Every piece of tape fails under certain type of conditions. I've had seemingly industrial grade toupee tape fail to even remotely stick to a sweaty patch of skin in hot and humid conditions...or shirts... that is after moleskin and all others. Nonhumid locations where sweat evaporates easily and humidity is low tapes do work better...but not in the south. A well placed vampire clip or special arrangements thereof have never failed me.

 

Kinesio tape can last a few days, through swims, runs, showers, humid states. It's definitely not the solution for every problem, but it can be a useful tool.

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  • 2 months later...

I did a show where the main actor wears the same singlet throughout the whole film. Make up where constantly spraying him down to keep

him wet. On the first day we worked out with the costume dept to have them sew the mic in to the singlet. Never had problems with it after that. Cos 11 lasted 6 weeks being sprayed at close range 100x a day!

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If need to get the mic on before the sweating starts. Sports tape (Leuko) will stick on thru the worst of the sweating if it goes on first; if it gets taken off when wet you will need to either get wardrobe to dry the top or provide a new one. Taping to skin is pretty much the same - get it on dry and you should be ok - consider orienting the mic head "down" to avoid sweat buildup in the diaphragm.

Getting it sewn on is great if there's time and opportunity; usually the quietest way to attach too

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