Bodun91 Posted January 28, 2014 Report Share Posted January 28, 2014 We are filming in the forest near a motorway/highway. I'm using marantz solid state recorderr with a ntg 2 shotgun microphone for the film, do you how I can get rid of motorway/highway sound in post production. Try to research on the web, but I can get anything from there. Thank you in advance Quote Link to comment Share on other sites More sharing options...
Chris Woodcock Posted January 28, 2014 Report Share Posted January 28, 2014 Without ADR you won't really be able too Sent from my Nexus 5 using Tapatalk Quote Link to comment Share on other sites More sharing options...
thope Posted January 29, 2014 Report Share Posted January 29, 2014 Forget the shotgun.. Radio mics are your friend in this situation Quote Link to comment Share on other sites More sharing options...
MatthewFreedAudio Posted January 29, 2014 Report Share Posted January 29, 2014 Try using the Marantz Tube Recorder instead. Sounds like production has a location problem, not a sound problem. Production Sound Mixing for Television, Film, and Commercials. www.matthewfreed.com Quote Link to comment Share on other sites More sharing options...
al mcguire Posted January 29, 2014 Report Share Posted January 29, 2014 Put the motorway in the shot. Quote Link to comment Share on other sites More sharing options...
Mirror Posted January 29, 2014 Report Share Posted January 29, 2014 Yes, Please! Someone post a solution for this situation. Quote Link to comment Share on other sites More sharing options...
old school Posted January 29, 2014 Report Share Posted January 29, 2014 I'd suggest you or post learn magic but there is no magic so the ADR budget needs to get larger. Radio mics will help some, but... CrewC Quote Link to comment Share on other sites More sharing options...
Jay Rose Posted January 29, 2014 Report Share Posted January 29, 2014 Give the producers a copy of my book. There's a section - even with a picture - describing almost exactly the situation you're in. And the answer, like everybody said, is ADR. Also like everybody said, it's a production problem and the producer/director have to be part of the solution. If ADR is totally out of the question: Re-write the scene so it's all voice-over. Or re-block it so the actors are always facing sideways, and put head mics on their unseen sides. Hair or beard mics might be close enough, if the motorway isn't too loud. If you're going to use ADR, go for shorter lines - they're easier to replace - and reactions or very wide shots where the mouths aren't visible. ADR is largely incremental, and every on-camera syllable you eliminate will make it cheaper and faster. Quote Link to comment Share on other sites More sharing options...
Constantin Posted January 29, 2014 Report Share Posted January 29, 2014 Get a runner and have him run out of gas on the right lane, thus causing a traffic jam, which will be much quieter. BUT: this is illegal, dangerous and it wasn't my idea. I've never done it, but I so wish one day... Quote Link to comment Share on other sites More sharing options...
Chris Woodcock Posted January 29, 2014 Report Share Posted January 29, 2014 Get a runner and have him run out of gas on the right lane, thus causing a traffic jam, which will be much quieter. BUT: this is illegal, dangerous and it wasn't my idea. I've never done it, but I so wish one day... The Belfast method is to call in a bomb scare a little bit down the road so the police close both lanes. Sent from my Nexus 5 using Tapatalk Quote Link to comment Share on other sites More sharing options...
rich Posted January 29, 2014 Report Share Posted January 29, 2014 The Belfast method is to call in a bomb scare a little bit down the road so the police close both lanes. Sent from my Nexus 5 using Tapatalk does tend to cause sirens and helicopters though. Quote Link to comment Share on other sites More sharing options...
Chris Woodcock Posted January 29, 2014 Report Share Posted January 29, 2014 does tend to cause sirens and helicopters though. Only until the bomb squad turn up and we only have the one helicopter :-P Sent from my Nexus 5 using Tapatalk Quote Link to comment Share on other sites More sharing options...
Ray Collins Posted January 30, 2014 Report Share Posted January 30, 2014 Get the DP to do an ultra tight shot, haircut, get the mic in as close as possible and remind the actors to speak up. We are technicians not magicians. Quote Link to comment Share on other sites More sharing options...
mikewest Posted February 2, 2014 Report Share Posted February 2, 2014 All good advice, but tell the producer and director the problem and ask if a forest not close to a motorway is possible to prevent ADR mike Quote Link to comment Share on other sites More sharing options...
studiomprd Posted February 6, 2014 Report Share Posted February 6, 2014 Hi, and Welcome... Bodun: " do you how I can get rid of motorway/highway sound in post production. " if you had done a bit of reading before posting, you would have found our magic secret... We are not really allowed to tell anyone how we do this (sort of like magicians), but it is in here... and, BTW, buy Jay's books at www.dplay.com Quote Link to comment Share on other sites More sharing options...
Prahlad Strickland Posted February 8, 2014 Report Share Posted February 8, 2014 if you have already shot it and can't do the above which are the best solution from the best in the business. Try izotope 3... the spectrum tool is really good to painting out sounds that aren't constant, like a horn, a clap, a ching or a chang and a wang. their denoiser will not get rid of the road, but it will reduce it by a decent % unfortunately this will be turd polishing, but at least it will be a little tidier. Quote Link to comment Share on other sites More sharing options...
Adam Butler Posted April 15, 2014 Report Share Posted April 15, 2014 I have exactly the same issue on a film that I'm mixing the dialogue on now. I have Izotope 3 and It works wonders! I couldn't recommend it more. But.... cars passing by whether near or far is a very hard sound source to remove. Good luck whatever you choose. Quote Link to comment Share on other sites More sharing options...
Wandering Ear Posted April 16, 2014 Report Share Posted April 16, 2014 Have the actors scream their lines at the top of their lungs. In tight shots the signal to noise ratio might be high enough you won't notice the road. Really though, this is a location choice that seems like it is not conducive to what they want to shoot (no matter how much it looks like it) Quote Link to comment Share on other sites More sharing options...
Marc Wielage Posted April 16, 2014 Report Share Posted April 16, 2014 Wow, here's a blast from the past. Makes you wonder what Mr. (or Ms.) Bodun91 did to solve the problem. The sad thing is often, the biggest problem with being a location sound mixer is the location, not anything else. Ain't no fixes for bad choices in locations. Quote Link to comment Share on other sites More sharing options...
chris_bollard Posted April 16, 2014 Report Share Posted April 16, 2014 Took me some time to realise that I wasn't responsible for the choice of location; even if I have been on the location scout it's usually too late to change the location; it just helps me plan and organize to make the best of the shit sandwich I have been served. Now I am at one with this knowledge I can sleep me comfortably at night Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.