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Ultimate beginners guide to recording


Pip Dolan

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Hey guys,

I am sure this has been covered before on here but I was wondering if anyone could tell me their process for working on a shoot. I am really new to this area of audio (I recently had a lecture from a soundie at SAE where i'm studying audio and was inspired so much so that I am starting a company with a friend) and need to learn the ins and outs before I try my hand at it!

Any advice at all is much appreciated.

Cheers,

Pip.

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If you're interested in learning about production sound, check out these books:

Producing Great Sound for Digital Video

by Jay Rose

published by CMP Books [iSBN 1578202086]

Audio Postproduction for Digital Video

by Jay Rose

published by CMP Books [iSBN 1578201160]

Sound for Film and Television

by Tomlinson Holman

published by Focal Press [iSBN 0240804538]

Sound for Digital Video

by Tomlinson Holman

published by Focal Press [iSBN 0240807200]

Sound for Picture

by Tom Kenny

published by Artistpro [iSBN 0872887243]

The Foley Grail: The Art of Performing Sound for Film, Games, and Animation

by Vanessa Theme Ament

published by Focal Press [iSBN 0240811259]

Sound-On-Film: Interviews with Creators of Film Sound

by Vincent LoBrutto

published by Praeger [iSBN 0275944433]

Roll Sound: A Practical Guide for Location Audio

by John Fielden

published by CreateSpace [iSBN 1450549837]

Location Audio Simplified

by Dean Miles

http://www.locationa...simplified.com/

The Practical Art of Motion Picture Sound

by David L. Yewdall

published by Focal Press [iSBN 0240802888]

Dialogue Editing for Motion Pictures: A Guide to the Invisible Art

by John Purcell

published by Focal Press [iSBN 0240809181]

Each of these has tons of information on the subject, specific techniques, solutions for problems, the history of the technological developments, and the theory behind good practices. For a student leaning towards location sound, I would read the latter four books first. Be warned that, like all books on technology, these tend to go out of date very quickly. Be sure to get the latest editions, if newer ones are available.

There's also a good bibliography at this link:

http://www.filmsound...hy/littlist.htm

Bear in mind that nothing is better than practical experience, especially working alongside someone who's done this for years and knows what he or she is doing.

--Marc W.

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  • 1 year later...

Richard Patton's book is very informative -- I chuckled at how his first chapter was on how to negotiate a rate, how a contract works, how to keep your financial records straight, what to watch out for in a deal memo, and how to get paid. All that, before microphone theory, how mixing panels work, how recorders work, and so on. Richard's got a point.

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I gotta say, Robert Sharman's two-year old advice above is still absolutely true: learning how to do location sound from a book is kinda like trying to learn how to ride a bicycle from a book. You can get the theory to a point, but it's not the same as learning good practices from experienced people, and actually doing it in the field.

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...learning how to do location sound from a book is kinda like trying to learn how to ride a bicycle from a book. You can get the theory to a point, but it's not the same as learning good practices from experienced people, and actually doing it in the field.

But if you're living in the middle of nowhere...

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