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I'm preparing for a film with lots of emotional scenes set in the pouring rain, with sometimes characters talking under umbrellas, some other scenes in raincoats, and in some scenes the characters just getting drenched in the rain. One horrible thing in common for these raining scenes is that they're all filled with heavy and emotional dialogues. What's worse is that the protagonist is an amateurish kid, which means that ADR is the very last resort and will be almost impossible to get it right. I won't risk my Cmit-5U for the humidity, so I'm thinking of using 416 or CS-3e as my boom mic in a Rycote windshield and Remote Audio rain cover. However, the rain drops will…
Last reply by IronFilm, -
- 1 follower
- 1 reply
- 751 views
Shout out to the sound team working on Star Trek: Strange New Worlds. Alot of thought clearly went into the immersive aspects of the dialogue capture, with good boom work and lavs that sound open. Never took me out of the moment. I find myself taken out of immersion alot lately with lav-heavy scenes in other shows, this one has an old-school feel (in all the good ways).
Last reply by Derek H, -
- 2 followers
- 9 replies
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I'm looking for suggestions about how to handle multiple, (3) actors in full body robot like costumes. They need to have full duplex coms with each other and the director. The production said do you have comteks for the actors. Yes, but do you understand that the actors own dialogue need to be iso'd (is that a word) from their comtek feed otherwise it will feed back to them and cause a distracting echo that will likely be too much for their own intelligibility. Another problem is the 2 way coms I'm familiar with like the HME systems that the camera departments use; have a large headset and boom mics which probably wouldn't work in a full body enclosed costume. Any other…
Last reply by syncsound, -
- 3 replies
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I have two different systems for recording audio which are both run into the 3.5mm jack on my GH5 camera and I’m looking to get more recording systems. Before pouring a ton of money into additional expensive system systems, I want to make sure it makes the most sense for my application. I will be recording natural sounds in the environment and I’m not using an audio recorder for the extra cost/complexity of syncing thousands of clips. What’s the best way to compare these microphones/systems? I’m guessing rather than playing various frequency sounds which could depend on my speaker quality, I should I just put them both in the field and record what I'll a…
Last reply by brightnight, -
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- 7 replies
- 1.7k views
Pasting link to original post from equipment channel...
Last reply by BAB414, -
- 1 follower
- 5 replies
- 864 views
Hi, I need to rent urgently a compact sound cart in Tel Aviv or area (Or Haifa). The one provided here is much too big for our type of shoot. no need for control surface slider but it must be strong enough to hold dpla antennas and booms. Thanks for any input.
Last reply by Fred Salles, -
- 1 reply
- 404 views
Been following graphene since its discovery in the late aughts / early tens. With the contemporary chip shortage has anyone else been following it as well? https://www.thegraphenecouncil.org/blogpost/1501180/Graphene-News-and-Updates
Last reply by Izen Ears, -
Hello guys. So im a sound freak (Thanks to David Lynch) im trying to build a complete audio gear for my new, serious short films, im thinking to buy Zoom H8 for my field recordings. And for the dialogue, i guess i have to buy a mono shotgun audio recorder? Something like Rodeo NTG4 maybe? Can i easily attach that to my ZoomH8 without buying other extra cables or props? Do people use Zoom H8 for the dialogue aswell? But i guess a shotgun recorder would be much better? So i need to buy a shotgun microphone with ZoomH8? What kind of microphones and recording devices do pro and semi- pro filmmakers use in general? As for the props, im think…
Last reply by IronFilm, -
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- 5 replies
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Does anyone use a third party when purchasing used stuff that is in the $1000's? I am about to purchase some gear that seems completely legit but it's not chump change. Wanted to know if there was some way to make sure that I don't get screwed by sending money for something that never comes. He is too far away for me to drive.
Last reply by Constantin, -
- 1 follower
- 8 replies
- 1.1k views
The first audio recordings on Mars reveal a quiet planet with occasional gusts of wind where two different speeds of sound would have a strange delayed effect on hearing, scientists said Friday. https://phys.org/news/2022-04-audio-mars-reveals.html
Last reply by AnuarYahya, -
- 2 followers
- 5 replies
- 3.6k views
Other than here, I have only a few other forums I frequent. One is TDPRI which is all about guitars and amps and tech stuff. And lots of old men with opinions haha! Kind of toxic for some folks but I ignore the dummies and occasionally come upon insanely awesome threads. So here is one and I want to share it here. Most of you know this stuff, but I didn't. I was always curious about how many volts a line level vs. mic was! Here is the link to the thread. I contacted the OP and was granted permission to repost this here. https://www.tdpri.com/threads/db-vu-meters-line-levels-24-bits-what-does-it-all-mean-do-i-need-to-care.1096420/ …
Last reply by Constantin, -
Sound Professors At Film Schools and The Ethics Surrounding Them (Are There Any?) 1 2
by Matt Bryant- 30 replies
- 5.1k views
Hey, just saw Deadpool 2 and got the old brain juices going. Probably because of the awesome production audio tracks, idk I was wondering what peoples opions, if any, were regarding production sound professors working in academic institutions as adjunct faculty members while maintaining union membership? My NYU Professor was Chat Gunter who was very upfront about his mental problems and suggesting he might be too overwhelmed with his personal life to be a professor, however in retrospect, it seems like maybe anyone with IATSE Union membership status shouldn't be teaching in a film school given they might not have any incentive to help early career…
Last reply by Hayley, -
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I know we have quite a few musicians - or a least a few who dabble in that world- in this group and I thought y'all might enjoy this piece I worked on. I really enjoyed Ricks interviewing skills and Sting and Dom really seemed to enjoy themselves. Definitely not your typical fluff piece, Plus bonus cameo of me at the end! Microphones used: DPA 6061' (x3) DPA 4017c DPA 4097 Scheops CMIT5u
Last reply by Shane Munro, -
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(Re-posted from Facebook, so you might've already seen this on the Post Sound Mixers group. But these are my words. Thanks for reading.) ----------------------- I've been following Brian's story for a while now. He's one of us, a post sound mixer, who fell on extremely hard times when childhood traumas reappeared in his life as PTSD. The guy had to sell all his equipment years ago and is now running on government programs and donations until he can get the funds, treatment, and business momentum to get back on his feet. https://www.gofundme.com/f/brianparsons?utm_campaign=p_cp+share-sh…
Last reply by Ben C, -
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Does anyone here have insight into operating wireless systems in close proximity to high power transmitters? Or any fanatical RF gurus willing to chime in about the potential risks? I am a staff audio engineer at a university, and I have become the de-facto RF coordinator. I keep track of over 100 UHF wireless systems spread across our 225 acre campus. I have been asked about the impact of potential telecommunication equipment installation (e.g. cellular antennas) on buildings. The information I have does not specify frequencies or technologies, so I have to assume "telecommunications equipment" could include traditional cellular 1GHz and up, 600-700MHz ba…
Last reply by Matthew Steel, -
- 1 follower
- 4 replies
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I just got a new MacBook and am saddened that Wave Agent no longer works (Monterey OS). I used it daily to make .pdf sound reports as many of my clients don’t like the .csv files my recorder creates. Does anyone have an alternative application to edit metadata and create a clean looking sound report?
Last reply by Trey LaCroix, -
- 4 replies
- 768 views
Hey Guys, So I've been self employed for about 4 years now, living in the countryside, and I've built up a real nice bunch of contacts. Problem is that for various reasons I'd like to move to a city, potentially in a different country... either-way, quite a long way from where I am now. I'm thinking of taking on some projects back here sometimes, but realistically I suspect it won't take long for the network I've built up to fall apart. So I'd need to build a new network of people fast! I just wondering if any of you had experience with moving long distances as either a sound recordist, post-production soundie, or music composer? Would …
Last reply by chrisbakeruk, -
- 1 follower
- 21 replies
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Almost all the people I work for who send me IRS form 1099s put the money they've paid me for equipment rental in the "non-employee compensation" line of the 1099, as opposed to "rents". Since they almost all do it, assumed that this was correct. But thinking about it, in cases where my labor was payrolled and the invoice I gave them was only for gear, why wouldn't they classify the 1099 amounts as "rents"? As does it make any difference anyhow? Philip Perkins
Last reply by Tom Craca, -
The Noises plugin from AudioThing and Hainbach looks pretty cool. Wonder how it pairs with iZotope RX... A 12-minute demo. Check out his old test equipment starting around 3:09:
Last reply by Jim Feeley, -
- 1 follower
- 3 replies
- 828 views
I need opinions on a potential Timecard Buddy feature and it applies to anyone who fills out a timecard or has someone else fill out a timecard for them Originally I kept Timecard Buddy's data restricted to the device. I later added a limited cloud element: if your device is signed into your Apple or Google ID, data will be synced across your devices. The reason I kept it restricted is to limit the potential of leaking user data, particularly when a coworker is entrusting it to someone else filling out timecards. Most of the data isn't particularly harmful (though privacy should be respected): work times, pay rates, rentals. But the data does sometimes include…
Last reply by NewEndian, -
- 1 follower
- 4 replies
- 891 views
Hi all I would like to improve my skills in using RF wireless transmitters.and receivers. Do you have reliable books, websites, online courses or tutorials to advise me ? Yann *** Yann CAINJO Sound recordist Paris, France
Last reply by karlw, -
- 6 replies
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Hey All, I’ve been wondering about the bread pans I’ve been seeing around A2’s stations and wanted to delve deeper into the concept similar to the XLR origins. So far I’ve talked to a few A2’s and gotten mixed explanations. I did some quick searching and found out that there is a definite beginning and I think now and end. Read for yourself, if interested of course! 😉 Here is the link. RFVenue Blog “This phenomenon is often limited to big shows, because the baking pan technique came from the big leagues—from the man many call the father of professional frequency coordination of low power devices for entertainment production,…
Last reply by jgthesoundguy, -
- 1 follower
- 19 replies
- 13.6k views
Just recently started my Staff Me Up profile, and was wondering if anybody on here might mind voicing their thoughts on it? As someone who's trying to establish themselves in this business and therefore needs to find work, it'd be great to hear the good the bad, and everything in between. Is it a good place to find work, or at the very least a good alternative to Craigslist? Interested to hear your thoughts. Cheers!
Last reply by Constantin, -
- 4 followers
- 152 replies
- 34.1k views
What do you think? 75+Mhz ? http://catalogs.infocommiq.com/avcat/ctl1642/index.cfm?manufacturer=lectrosonics&prid=10706
Last reply by BAB414, -
- 17 replies
- 3.5k views
Is this a good idea? All i found was lubricated condoms so i m worried about damaging the mic. I might try to get a birthday balloon as a first layer. It s gonna be recording in a pool. What about distance to subject and how deep can/should i go? I also got a b6 but i believe it is water resistant but not good to work as a hydrophone as it is? Thanks for your advice! Dominique
Last reply by TJ Walkup,
