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Those of you out there running Lecnet 2 on your Intel Macs -- what are you using to run this windows program? Have you installed BootCamp and a full copy of Windows? Or a windows emulation program like Parallels, VMware Fusion2 or CrossOver? I have CrossOver and cannot install Lecnet successfully at all. Tell me what you are using to run this program. Thanks, RL
Last reply by Marc Wielage, -
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Does anyone know the policy on walk away meal breaks? The crew and I were driven around for our shoot in a 15 passenger van and when lunch time came we were told it was a walk away. No one had their personal vehicles. We stopped in a strip mall with a few places to eat. Union shoot - Major big production Company. Anyone know IATSE policy? El Cheapo Production Company...... Thats what I think.... We were all pretty surprised. Not a money issue, just a really green Assistant Production Manager. By the way, Production did NOT pay for lunch. Let me know what your thoughts are... Thank you all.... pshap
Last reply by old school, -
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Hello! I'm traveling to Iceland tomorrow for 6 days and was wondering if any Icelandic soundies were in this group? If anybody is around this week email me at altman000@gmail.com and I'll buy you a beer. Cheers!
Last reply by Alex Altman, -
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Heres a video of AES 2008. Enjoy... http://www.coffeyinteractive.com/phpbb2/viewtopic.php?t=1685
Last reply by Steven Wolstrup, -
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Back to Atlanta this morning on the redeye - still a bit groggy.... I shouldn't really be typing right now.... Lots to report from the fabulous three days of all-things-audio, exhibits, workshops and chitchat in one of the world's greatest cities..... This is a great convention. I can't make the AES annually, but I haven't missed an SF AES since it's west coast move several years ago... a great reason to deduct a business education trip to San Francisco. Particularly time-sensitive though, is my sighting and thorough 1/2hr introduction to the Nagra V1. It's time-sensitive for you LA and SoCal guy / girls - those that might be able to attend Tuesday's Nagr…
Last reply by Philip Perkins, -
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I am looking for recomendations for boom ops and utility persons in the Winston-Salem area of NC Anyone know good people there? 5 week shoot starting on 10/15. Local IA tier 2 contract.
Last reply by old school, -
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For the first time I've had trouble with a file (or perhaps files) recorded to my 702T. There are a couple of relatively unprecedented (for me) variables so it's hard to pinpoint a cause. I purchased two new 4GB Sandisk Ultra II compactflash cards this past weekend and used them on a reality show that demands a lot of uninterrupted rolling, resulting in files that can be as long as an hour in length. When uploading to my mac (via a card reader in the usb slot) errors were reported in both cards. So, instead of selecting all I transferred one file at a time. This appeared to work on all but one file. I then uploaded files to my PC without incident and was able to pla…
Last reply by cmgoodin, -
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Back in February, I sent my sonosax mixer for repair to an independent repairman who I was told by others was fairly reputable. Its now October, and he's not answering any of my phonecalls or text messages. I just want the thing back in my hands. What kind of legal recourse do I have now for getting my mixer back? Any nuggets of wisdom from you guys would be helpful. And no, I dont want to give out his name (yet), for sake of destroying someone's reputation.
Last reply by Philip Perkins, -
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Attention Everyone!! This just in, with more and more production audio cable duties falling to Cat5 cables and important design flaw is just beginning to surface. Cat5 cables are NOT I repeat NOT gopher proof. Yup I said it gofers poser a real danger. Take this heart breaking story for example: shooting on location in a cornfield somewhere in Iowa. A vicious and unrepentant gopher (Spermophilus) grabbed approximately 1 foot of this innocent cable pulled it into his den and mauled it without warning!
Last reply by ProSound, -
Hello all, I have an inquiry about the attitudes of feature mixers on EPK crews (Behind the scenes); these crews usually work for the studio and not for any network or gossip show (E!, ET, etc). Thanks. G.
Last reply by old school, -
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I came in the biz as a mixer, moved to booming, and then to cable as i moved up to better and better films. I then worked my way back up to boom op, then to mixing, so one may guess my POV. But I've worked with great mixers that never boomed a day in their lives so I'm not so sure. Just thought I'd throw it out for your POV's Thanks old school
Last reply by taylormadeaudio, -
working in freezers
by Guest Ken Mantlo- 3 replies
- 1.1k views
Just did a job where we had to film in a huge freezer about the size of two football fields side by each. Luckily I was able to cable in from the door and could keep the machines outside. My fear was what if the shooting was so deep in the freezer that I couldn't do that and had to go inside with the machines. Would I have problems with them functioning? Also, we would shoot a scene inside the freezer, then, to give the crew a break, they'd shoot a scene outside the freezer, then back inside. I'm sure the condensation would build up and eventually kill something. By the way I was using a 208, fostex 824 and pd-6. The temp was -10 inside. Anyone with experience…
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Hello Everyone, I'm putting together a Budget for a TV Documentary that will be pitched to a network. It's kind of the first time I'm doing this. I want to pay the Sound Mixer a fair rate. I'm so suprised at how hard it is to find a straight answer to this question on the internet, the union sites don't seem to have anything. So my question i guess is, how much do UNION sound mixers get paid daily? What would you expect to get paid on a documentary shooting for 15 days for a TV network like discovery or history channel? And while i'm on the topic doesn't anyone know a good place to find this info out for other crew positions like Director of photography, AC…
Last reply by Marc Wielage, -
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I'm wondering, as I'm trying to put together a production of a documentary.... In situations where it is vitally important to keep crew down to an absolute minimum, not necessarily because of budget but because of the nature of the topic being filmed and location it is filmed in, is it insulting or SERVERLY unprofessional to ask the sound mixer to double as a boom operator? A little more info on the nature of the doc... it is going to be filmed in a very strict religious setting, a holy place of worship, where the people are very reluctant to even let us film there, but are allowing us under the circumstance that we have only a certain amount of people... 3 to be ex…
Last reply by Phil Rosati, -
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- 6 replies
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Surely some here have had to mix whilst wearing a hardhat. What did you do? I hate to use earbuds but I may do if I can't undersling my cans. A.
Last reply by stacysound, -
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Names have been changed to protect the innocent: Dear Mr Ince, My name is XXXXXX and I am an up and coming sound person about to graduate from SCAD (The local film school in my town) where I have used the most to date sound gear and the films I have worked on have gotten many students A or B grades on them. I understand that you are the main location sound person in the area. I would love to work for you as a boom op or 2nd mixer. I don't have much professional experience but the student films I have worked on have trained me well. I am willing to work cheaply for you I was thinking like $30.00 an hour which I understand to be on the lower end of the sound pay rate.…
Last reply by old school, -
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http://newyork.craigslist.org/mnh/cwg/851951899.html Top notch crew needed! Me and my girlfriend just bought a co-op and to get this job done right we're going to need carpenters, floor guys, electric, wall guys, painters, all with their own tools. We're really looking for people who have a passion for their craft and want the satisfaction of making a really nice place for me and my girlfriend. No pay but the contractor is an award winner and you'll get the chance to work with a top-notch crew and to get your name out there. Also, we have plans to get another co-op once we secure funding so you might get to work on that one as well. Food + credit.
Last reply by Arnold F., -
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Well I had a particularly difficult week this week. As with every week, having to deal with the usually newbie producers that seam to be insulted that "I" am charging money to work on a set, from the wife who thinks the 'sound biz' is just a hobby ('when do you get a real job'), to getting my ass handed to me on a job interview at the end of this week.. Caulk it all up to some of life's experiences I guess.. But one particular incident seams to keep nagging at me... I got a gig working on a low budget 2 camera red shoot in Pasadena. Everything was set, cleared my schedule, call sheets out, equipment was set, boom op chosen, it was all a go. I was looking forward…
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I'm getting sick of these producers, shopping. If price is the ONLY consideration, then I'm never going to win that one. I've spent a lifetime building my gear, learning my craft, working on a resume, building demos, and building relationships in this industry, only to have it all thrown out the window when someone doesn't even take the time to look at my resume (or webpage) and goes for one thing.. Correct me if I'm wrong but in the real world when you see a job offer in the classified pages, you apply, you get asked for an interview, they spend some time getting to know you to see if your "the right fit", and then.. and only then do they offer you the position and …
Last reply by John Blankenship, -
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Last Saturday night I responded to what I thought was an example of another bad ad of looking for somebody to work on a festival bound film and only paying in credit. I mocked the post by writing about wanting to paint a house for free to also enter in a contest. Guess it was a real post for a job because the post has been wiped clean of this board. Was I wrong for showing how asking for credit pay work in another field, seems so wrong. This business seems like the only work where a lot of people seem to think that working for free is the best way to get ahead. How long can you survive giving your work away for free and pay for a place to live and pay for the equipment th…
Last reply by miker71, -
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People have asked about whether it's still useful to get recordings of room tone, background voices, ambient sound, etc. on set. The answer is generally a big YES. The people who find the room tone most useful in post production, by the way, are not the sound effects editors. It's the dialog editors. In trying to smooth out transitions from take to take they need to fade in and fade out the various diverse and ever changing pieces of ambient noise that you guys and gals valiantly try to minimize in your on-set recordings. The bigger the pieces of each of those kinds of "noise" they have to work with, the better. Chances are that if you can get the crew to be "still"…
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Last reply by RPSharman, -
- 7 replies
- 1.4k views
I recently had a sanken cos-11 come up missing, while day playing on a TV show (NBC ). The production company doesn't seem to want to reimburse me for it. How long does it useally take to get reimbursed from a prod. company? Do I need to seek legal action or do I just eat it ? Thanks in advance, KKS.
Last reply by ProSound, -
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- 643 views
I just wanted to thank countryman for great service. I had a B6 that was a month out of warranty that stopped working due to a failure in the microphone head itself. I sent it in anyways for service seeing if anything could be done within 1 week I received a brand new one with a thank you for being a good customer only in the cable company was as good thanks.
Last reply by ProSound, -
- 3 replies
- 1k views
Slide on over to RAMPS and read the thread on that topic. Very interesting to say the least. Eric
Last reply by Marc Wielage, -
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Working on a guerrilla film on Sunday, down at Muscle Beach Venice. I got there early, found a place to park even, met the film makers/actors/producer at the location. While I was there, I observered.. no less then 20 homeless people, one passed out drunk laying on the concrete (he looked like he died during the night and the flies were all over him), 2 guys walking around only wearing speedos (pretty much showing everything because they were shredded), 4 people that asked me if I need "medical marijuana", 1 guy huffing paint in plain sight, 4 people drinking beer in plain sight, 10 panhandlers, 1 pick pocket and at least 20 tourist video taping and taking photos. …
Last reply by Richard Ragon,
