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RIP Don Wetzel (Loon Audio). I received a call this morning from one of his friends today that Don passed away the morning of July 10 from complications brought on from diabetic conditions.
Last reply by RadoStefanov, -
- 1 follower
- 18 replies
- 1.1k views
I'm curious about what protocols sound mixers are requesting/requiring on non-union sets? A recent call about a corporate gig has surprisingly lax protocols considering the high profile client, so much so that I felt that I had to pass on it. I'm wondering if I'm being overly cautious and need to adapt?
Last reply by backfocus, -
- 2 followers
- 16 replies
- 1.1k views
I had a shouting scene in the rain where I wired the shouting female talent with a Countryman B6(low-sensitivity, red band, servo wired) via a SMQV(level set to 5) to 411a(compatible mode: NA 400, +5dbu, line in to 788t w/ limiter off). While the 411a never showed overmodulation sign and the the meter on 788t never hit red, the shouting is obviously distorted. The only cause I deduced is that the B6 itself was overloaded. However, with the maximum SPL of 130db of a low-sens B6 on the talent's chest, it's hard to get my head around how the overload from the lav is possible. Is there any other factor in the chain that might've gone wrong?
Last reply by backfocus, -
- 1 follower
- 4 replies
- 635 views
I'm prepping for a movie and one of the characters spends a lot of time talking on the phone. Before I talk to props does anyone have any tips on hiding a mic and transmitter in one and placing the mic? The film takes place in the early 90's so it would be one of those bulky cordless phones. There should be some space for hiding.
Last reply by Jeff Wexler, -
- 1 follower
- 2 replies
- 368 views
I have a job coming up that is Sound only where I will have a producer friend taking notes on a clipboard, just wanted to see if there was a clever way to mount or position a zaxcom erx on a clipboard to listen/take notes/see tc clock ergonomically?
Last reply by osa, -
- 2 followers
- 20 replies
- 1.3k views
I went to an audiologist for a hearing test and we started talking. He said the highest frequency that can come from a human vocal structure is 6.5k, which is a young female child hissing through their front teeth. I was stunned. What about all those other freqs?!!! Given this information, why would our lav mics ever want to go above 6.5k? Then I had a conversation with a pal who does lots of music recording. He said the kick drum always gets a 2k, 4k, and between 10k - 12k boosts. But the kick drum can't possibly be putting out 12k? He said when he boosts the 10k - 12k it opens up the drum. Could the same be said for dialog? And what exactly is being…
Last reply by Wandering Ear, -
- 2 followers
- 3 replies
- 434 views
Recently ran into an issue with ultrasonic security system messing with Sennheiser G3’s. Does anyone make a low pass filter to go between mic and transmitter to avoid this issue? We got around it with a wired boom and 2 hardwired lavs, but it was not easy. Please don’t tell me to just buy “Lectro”, I know that’s the long range answer, but when working on micro budget indies, it’s just not practical.
Last reply by ric8138, -
- 1 follower
- 10 replies
- 912 views
A thing I never understood is, why low cuts, either build in or as a module, are recommended here or there on boom mics. Most devices we connect a boom mic to, either a recorder or some TX provide a low cut, presumably in the analog input stage. Is there any advantage to have a low cut close to or within the mic?
Last reply by jgthesoundguy, -
- 3 replies
- 469 views
I have a client that is recording some 40 video podcasts over the next 6 months or so in a studio on a virtual set. All of the guests are viewed and heard via Zoom. I am micing him and using a Comtek with the typical curly in the ear, news reporter style for him to hear the Zoom audio. We just finished the first six episodes this week. I have about 25 days before the next recording session. The presenter is ok with the one size fits many ears, but not loving it. I suggested we go with an audiologist molded earpiece. What I am lacking is a company that would take that mold and make a single IEM. Plenty of musician molded earpieces out there in the hundreds of d…
Last reply by drpro, -
- 2 followers
- 3 replies
- 517 views
Hello, Is there a way to check the serial number "owner status" for lack of a better word, somewhere? Main reason is when buying second hand gear. How do you do it? If we contact the manufacturer what shall we ask that they would accept as non intrusive? Thanks Fred
Last reply by Fred Salles, -
- 1 follower
- 8 replies
- 1.1k views
Hi Does anyone have any insight how they are rigging the lavs during competition on Survivor Australia? I get that they have both the Tx and the mic hidden in the buffs around the necks, but how are they waterproofing and wind proofing them? I mean, they are taking such a beating, including lots of full submerging in water, and still sounding pretty good. Thanks / Rasmus
Last reply by John Dombroski, -
- 1 follower
- 6 replies
- 649 views
I was up on Sounderday this morning and one of the many cans we were kicking was movies with soft dialog and how difficult it was to capture. Tonight I watched the 2019 film "Poison Rose" with John Travolta and Morgan Freeman. Will Loftin was the mixer. Scott Johnson was the boom op. Are they around to ask question of concerning the soft dialog? https://www.imdb.com/title/tt5862166/
Last reply by The Immoral Mr Teas, -
- 1 follower
- 1 reply
- 456 views
Hi everyone, If shooting (with proper clearance) in the UN building in New York is there any unusual RF issues to expect? or anything to be aware of before bringing gear in there? Thanks in advance, Fred
Last reply by Fred Salles, -
Tech Scouts 1 2
by syncsound- 2 followers
- 26 replies
- 1.8k views
I start a feature soon, and this is the second show on which I was at first invited to the tech scout, then had that invitation rescinded. I hope this isn't the beginning of a cost-savings trend.
Last reply by ronmac, -
- 0 replies
- 311 views
I don't know exactly how this may help us, but here's the link. https://www.bhphotovideo.com/explora/pro-audio/news/audio-test-kitchen-provides-audio-comparisons-of-microphones/BI/8631/KBID/9745/SID/DFF?fbclid=IwAR1NgS4pW18QDhSs56pO0Uw6ICi0m22fd1X4q9vtEyh3jBQh34SQeKxBfcU
Last reply by Ty Ford, -
- 19 replies
- 2.7k views
Been following this show and the podcast. A great show! The shots are great, and it's always compelling and great acting. And then of course the sound is great, courtesy of Phil Palmer. Great work! Couldn't have been easy either. Very wide shots and very often never cut very much. Great job. Just a tip...
Last reply by VASI, -
- 2 followers
- 44 replies
- 4.8k views
Just watching Mrs Maisel on amazon... In the day of Zaxcom and Neverclip, it's surprising to still hear the old distorted voice tracks. Zaxcom TX 👌I could see a day where productions require Zaxcom unless other manufacturers follow suite with Dual converters.
Last reply by Izen Ears, -
- 8 replies
- 890 views
My wife and I have been binge watching all of the seasons of the series "Longmire". Been to many of the locations that the series was filmed at. Walt's cabin in the Valle's Caldera offers amazing vistas and is worth a visit if you are ever in the area. My observation is regarding the quality of the sound. Before Netflix took over production, it was of a high quality. We are currently watching Netflix produced episodes. Apparently wireless lavs became the standard. Rarely hear a boom in many of the scenes. Lavs poorly concealed, many cases of clothing noise, a large disparity in levels between actors and comb filtering occurring when actors are very close t…
Last reply by JonG, -
- 2 followers
- 16 replies
- 2.2k views
Hi all! Here in Canada, today has become an annual "Bell Let's Talk" Day, where people talk pretty openly about their battles with all kinds of mental illnesses. I've noticed that it is almost par-for-the-course that people in the film/tv business burn-out at some point. Long hours and a gig-based economy seem to combine to put alot of strain on nerves, relationships, marriages, physical health. I don't know if the nature of sound work puts any particular flavour on it...probably not...but maybe other's know differently? I've been on the edge of burnout for a couple of months now, and would like to hear how other's deal with the stress. For tho…
Last reply by Johnny Karlsson, -
An interesting article. The writer talks to engineers in Detroit, people at IRCAM, a sound designer in Brooklyn, etc. A well-written 20-minute read. What Should a Nine-Thousand-Pound Electric Vehicle Sound Like? E.V.s are virtually silent, so acoustic designers are creating alerts for them. A symphony—or a cacophony—of car noise could be coming to city streets. By John Seabrook August 1, 2022 I'm pretty sure nonsubscribers can read a few articles without problem: https://www.newyorker.com/magazine/2022/08/08/what-should-a-nine-thousand-pound-electric-vehicle-sound-like
Last reply by Olle Sjostrom, -
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- 2 followers
- 6 replies
- 1.3k views
Hey friends, I just wrapped a shoot where I shot 4.5 hours worth of interview content on three cameras (Sony FX6 & two Sony A1's) plus a MixPre-6 II recorder. The 4.5 hour recordings were taken in 30-60 minute takes, give or take. I had three Tentacle Sync E mkII's for this shoot, one for each camera, and I had my MixPre-6 II connected to the FX6 via an HDMI cable to give the MixPre timecode. All devices were set to 23.98 recording with the FX6's Tentacle set as the master for timecode. On the MixPre-6 II I had it set to HDMI TC while on the FX6 I had it set to HDMI Timecode Out. I also had the FX6 set to HDMI Rec Control and the MixPre-6 II was set to Rec Trigger HMD…
Last reply by Derek H, -
- 10 replies
- 583 views
I am just curious about this and I don't care if I sound dumb - what is the danger? Have gennies actually been hit and exploded, killing people? Why would a generator "draw" lightning at all? Doesn't the lightning seek to release its voltage differential to the closest neutral AKA the earth? Or is a genny neutral? I did hear a verified account of a genny that was hit during a storm in FL. They didn't stop shooting for the storm and then the lights went out. No one died but I'd guess the genny was a goner. But in that case, lightning was striking all over the area, including many hits NOT on the genny. I'm confused.
Last reply by Izen Ears, -
- 1 reply
- 535 views
Got hired on a short film for next week, turns out it's a musical with no spoken lines. So my job will pretty much be playback, which I've never done before so looking for some advice. How do people go about with music playback? I've tried to do some research but haven't found very much on the topic. I've seen playback carts with PT running on a computer, hooked up to some speakers, which is doable for us, but curious the workflow. What I'm imagining is someway to make PT have a timecode stamped input (if that's possible?), then as we playback the songs they'll match the camera TC? Should I send a hop to the camera so it's also recording the track as referenc…
Last reply by Philip Perkins, -
Jeff Jampol
by mono- 1 reply
- 549 views
Last reply by mono, -
RF and MKH50 1 2
by PTA- 4 followers
- 40 replies
- 9k views
For those who use the MKH50, have you ever had RF interference at any given location? This has rarely happened to me, 2 times in 3-4 years, but each time I've plugged in a second mic, my AT4073a, it has vanished. Just seeing if anyone else has experienced this or if I should have mine looked at.
Last reply by Matthew Steel,
