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Equipment
Board provided for discussions about equipment
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- 2 followers
- 5 replies
- 496 views
Is anyone using non-lectrosonic Li-50b batteries in their units? Seems kinda wild the lectro brand are so much more expensive.
Last reply by The Documentary Sound Guy, -
- 17 replies
- 1.7k views
Looking for advice on a long shotgun. I’m currently on a basketball doc and I can’t mic the coach but I need to get his dialogue during practice. Mkh70? Anything better? Just need to pull him closer....
Last reply by Tobi A, -
https://www.newsshooter.com/2023/07/06/tascam-dr-10l-pro-with-32-bit-float-recording-timecode-support/ Battery life has gone up from 10.5hrs to 24.5hrs (based on two AAA lithium batteries) Has a high-visibility OLED display, with lots of physical menu buttons for navigation. Has a headphone output so you can monitor the audio before/during/after recordings. Has an app for Android and iOS phones, you can add metadata (including project name, scene name, and take number) to the audio file. The app also gives you visual confirmation of the input audio with a waveform display over time. You can name each DR10L Pro via the app, for ea…
Last reply by IronFilm, -
- 11 followers
- 44 replies
- 13.3k views
I've found some third party Lemo-compatible screw-on type 3-pin connectors that I much prefer over the actual Lemo version. These are the connectors that would be used with a Zaxcom transmitter, or higher end Sennheiser model. When I first got some of these I thought they were Lemo brand and that the company had improved them. Then, I realized that they were a third party version. These connectors use a tightening collar strain relief (that can be reused) rather than the crimp style that Lemo screw-ons have. Picture a strain relief more like what Neutrik XLRs use. They are easier to both wire and assemble (you don't need a special tool) and can be reused. One …
Last reply by vin, -
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- 4 followers
- 14 replies
- 1.2k views
Hey everyone, Relatively new to the sound scene, and I still have the shotgun mic I bought when I was just starting out: a RODE NTG4. I recently invested in an AT4053b that I found for a good deal, and it's been great filling in for most purposes, but for outdoor shooting sometimes both options feel like they miss the mark. I'm wondering what the logical next step would be for an upgrade to the NTG4. It seems like the 416 has a reliable reputation, but does it make more sense to invest in a slightly higher end option like the 8060? I could also sell my NTG4 and get an NTG3 for almost nothing. I'm still a student, so I can't realistically afford any…
Last reply by VASI, -
- 3 followers
- 22 replies
- 1.8k views
Researching which Smart battery system to go for. I came across the new Deity 95Wh batteries, which are very cheap. Then there are the 96 Wh Audioroot NEO ones, and the 98Wh Audioroot ones, which are about 100 euros more expensive than the rest. How much of a difference would a 98Wh battery make vs a 95/96Wh one in terms of runtime? Not sure what to make of all of this. Would be great to hear your input on this. Which system are you using? Anyone using the new Deity batteries? Cheers!
Last reply by axel, -
- 2 followers
- 12 replies
- 2.3k views
I'd like to hear some stories about unusual usage of Sanken cos 11's, where you may have been forced by necessity, visual reasons, or "they were all you had" to put them on guitars, drums, car engines, hydroelectric dam turbines, or whatever. I thought of this question 'cause I may have to record some drums next week, and wondered whether I could use my Sankens instead of bringing out the the old faithful Sennheiser 421's, Akg D112 etc. From what I know about cos 11's, I think they could sound pretty good, and potentially better than some of the usual drum mic suspects, but I wonder if they can handle the SPL of a close miked drumhead. I also wonder how a Lectro t…
Last reply by mono, -
- 6 replies
- 912 views
I've asked the same question in a Facebook group, so please forgive me if I copy and paste the text here I'm on the fence about what indoor mic to buy. I really want a Schoeps CCM 41 L, as all my other mics are also Schoeps (and I have accessories for CCMs), but I was told there is an issue with whine/noise/RF interference when paired with the ZMT4 as opposed to DPA small condenser mics for example (specifically the 4018). Now since it would be my indoor mic I don't plan on going wireless all the time, only when necessary, but it is still something that I would like to keep in consideration. Also for rigging cars, now that I think of it. …
Last reply by Chris Woodcock, -
- 2 followers
- 5 replies
- 939 views
My 4018 cap screws on easily & perfectly to my MMP-B and MMP-C pre-amps - and here's where it's giving me resistance on the MMP-A. (see photos) In this moment, I do not want to take the chance on giving it more force, in order for it to seat as it should. I don't want to make the problem worse. If you've had this occur, is it an actual problem - or will it seat perfectly if I continue turning it past the resistance? Did yours? If you'd had this exact situation occur, what was the solution? Thanks for your help. - Paul
Last reply by Dermot Stewart, -
- 1 follower
- 13 replies
- 2.7k views
Anyone here using the Sanken CMS-50? What windshield are you using? I'm a bit confused about this: I see that Cinela makes a Cosi that fits it. Trew told me to use a Rycote WS-2 kit, but it features a 3-pin connector (CMS-50 needs 5-pin) and Rycote told me they sell no compatible windshield. Suggestions? Thanks.
Last reply by Dermot Stewart, -
- 4 followers
- 19 replies
- 9.4k views
In my 10+ years of experience, the times I've been asked for a timecode slate I can count on one hand. So it never made sense for me to buy one at 1000+ €, however it would be handy to have something at times. Now Tentacle Sync made an app called Timebar and claims frame accurate TC display on iOS devices if connected via bluetooth to a Tentacle Sync E. https://itunes.apple.com/us/app/timebar/id1318315303?mt=8&ign-mpt=uo%3D2 Sounds very promising and could be quite revolutionary! Hats off to Tentacle again!
Last reply by colinmk, -
- 2 replies
- 989 views
Browsing gear tonight and stumbled on this setup: https://filmdevices.com/rack-n-bag-info/ Looks like it would be very handy! Not too expensive either. I love how versitle i can be to go from cart/base setup to a bag setup! Seems pretty affordable too. Anyone try one?
Last reply by Paul F, -
- 1 reply
- 366 views
I'm looking for opinions about water resistance of sound bags from K-Tek and Orca. Previously, I owned a Petrol bag (now Sachtler) which I could confidently mix all day in a rainstorm because the material it was made of was rubberized and repelled water. Do Orca / K-Tek bags also have this feature? I've heard that K-Teks are more of a woven plastic, without the waterproofing treatment on the interior ... can anyone confirm this? Would love to hear from anyone who owns these bags. Also, a dark horse: Are there any Protogear bag users here? They look too small for what I want, but they seem to be made of neoprene?
Last reply by Tim Norris, -
- 2 followers
- 42 replies
- 7.9k views
Looking for some practical advice and insight... I own a Sennheiser 8060 and I use this fairly often, particularly for outdoors but also for wides indoors when my MKH50 won't quite reach. I've always struggled to find a suitable indoor shockmount that I like: the mic has a long front end, is very sensitive to swings, and all this makes finding adequate indoor 'wind' protection a challenge. The best solution so far has been the Bubblebee Windkiller, but even with the Sennheiser MZF8000 filter capsule, the fit isn't quite right and either the sound is coloured too much or there is some noise created. I have MacGyver'd a shockmount using Rycote lyres to try to…
Last reply by axel, -
- 2 followers
- 13 replies
- 6.3k views
My idea was to create a cart that contained everything for small and mid level assignments. I machined the handles, positional cable hooks, and the internal antenna masts locking blocks. I also made a retractable headphone holder under the right side tilt up table top. The handles are separated so I can get to the boom poles without lifting them over a handle bar. The 2 drawer units remove quickly when transporting the cart laying down. I used 1010 and 1020 T-slot profiles. The counter top surfaces are 3mm carbon fiber. I incorporated the Rack-N-Bag system with their docking brackets. The equipment in its rack can be removed in seconds and placed in an outer nylon sh…
Last reply by vin, -
- 2 followers
- 2 replies
- 511 views
Does anyone know what the correct wiring would be for a Deity w.lav Micro for both servo and non-servo Lectrosonics (5-pin) transmitters? The cable is 2 wire. I know that their DA5S microdot adapter works best for me on both my Lectro SMWB and UM400 (not A) transmitters. I can't seem to take apart their microdot connectors to see what magic is happening inside.
Last reply by Fernando, -
- 3 followers
- 18 replies
- 2.3k views
Hello everyone, I need a pair of antennas for my bag, what do you prefer and why? Thank you Stefano.
Last reply by Jason Nightall, -
- 4 followers
- 16 replies
- 1.5k views
I’m working a show where they do car scenes (go pros, drop audio bag in car, etc.) I’m looking for a solution or equipment to do high fidelity IFB sending from the go pro car to producer car. Obviously its a spotty situation, the cars are moving, so I’m sure that its just the situation but I was wondering if anyone knows of a fix or solve. Thanks! and of course I’m sure im not giving as much info as needed so feel free to ask for more.
Last reply by Matt Geldof, -
- 10 replies
- 779 views
Hello all. Never used Zaxcom before, but i was thinking if an old stereoline -RX900-S system can be used to transmit to my cart a stereo MS schoeps pair, powered by a good preamp.... I was reading a bit, and the rf "spread" of the tx should not be a problem in this setup, as no other wireless systems will be in the same bag. So for those who have used this system: How is the quality of the transmission?, signal to noise ratio? frequency response and distortion assuming the rf link is good and the original signal is a high quality one? I know new digital systems are better, but it's not the point in this thread. Thanks for your opinions!
Last reply by foliver, -
- 4 followers
- 3 replies
- 903 views
I just got the SL-2 and installed the MCR54. But is there supposed to be a 1/2-inch gap between the them when slid in all the way? I saw a video from SD that showed the same thing with their MCR54, but is seems strange to have that gap, especially since the SL-2 locking mechanism doesn't really seem to 'lock' the receiver in place with the simple rubber pads providing just a friction hold. I wish I could use the screws on the receiver to truly lock it in place and that there was a proper middle part that would allow that. The Wisycom superslot back plate came with a spacer that is not compatible with the SL-2 - the screws are in the wrong spot and the edge pushes up again…
Last reply by scoutstorm, -
- 0 replies
- 299 views
Posting this up wondering if anyone knows if this is a common problem with Sankens. I have a COS-11D that’s developed a noise issue. It still functions, but it has a very steady background roar-and-hiss. I’ve posted a spectrogram below, and there’s a recorded sample here: https://drive.google.com/file/d/1EQptjMDM5nR7KbdrmzqyE8lJQPcjETE8/view?usp=sharing This one is wired for Lectro, using “compatible” wiring. And for what it’s worth diagnosis-wise, it was re-cabled by Wilcox a couple of years ago. The recording and spectrogram show two segments of the bad Sanken alternating with two segments of a clean mic using the same Lectro Tx/Rx …
Last reply by KenLac, -
- 4 followers
- 15 replies
- 1.8k views
What are you thoughts on using a A20 Mini for boom use with UMP 3? Should give more dynamic range for scenes going from whisper to shout without extreme gain change. Thanks
Last reply by audiofp, -
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- 2 followers
- 13 replies
- 1k views
Hello! Recently I found a problem in my gear (so, when all was brand-new it works perfect). If I connect with my power distro to recorder and RF distro I get a buzz noise in my wireless channels. I can solve it when power the recorder with AA batteries. I opened, cleaned and checked therminals in those items and I didn't find anything wrong. I don't have too much idea about electronics and I know my starter equipment is cheap but if someone can help me with the noise or recommend me solutions I will be very grateful. Thanks!! My equipment is: - V-Lock Patona (https://www.photospecialist.com/b-i-g-patona-premium-v-mount-battery-like-b) - Power di…
Last reply by Conor, -
- 1 follower
- 6 replies
- 1.5k views
Has the Denecke TS-TCB stopped being made? As B&H, CVP, Pinknoise, etc all list it as "discontinued" or "out of stock". And others like say Gotham Sound doesn't list it at all (even though they carry other products from Denecke). https://www.bhphotovideo.com/c/product/1254743-REG/timecode_systems_ts_tcb_fcc_denecke_intelligent_hardware_clapper.html https://cvp.com/product/timecode-systems_ts-tcb.ce_intellislate The TS-TCB came out in 2014, are we're going to see soon a new updated replacement?
Last reply by henrimic, -
- 1 follower
- 3 replies
- 500 views
I’m interested in the Cedar units - particular their 8Live - for some projects. I’m disappointed that Cedar Audio’s User Manual or website doesn’t have some block diagrams or training videos. The only videos I’ve seen are more geared to marketing. Has anyone come across some information for actual usage - suggestions for settings, system setups, before and after sound clips, etc? I’ve seen discussions in other threads here about providing processed and raw tracks for clients, and that info is helpful to me but not quite on the mark for helping me figure out the best ways to integrate a DNS unit into the signal flow. Thanks.
Last reply by Ira Seigel,
