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Had some weird issues yesterday using Lectro UCR411s with SMQVs and COS11s into a 552. As you can hear in the sample below, the signal starts off OK but quickly becomes muffled, distorted, and loses volume. It stays like this during constant dialogue, however, when there is a break in the dialogue, the quality comes back for a sec before fading again. http://soundcloud.co...-wireless-issue I tried multiple TX and RX, a new mic, new batteries, and scanned for new frequencies. Frequencies weren't that pretty as we were next door to a construction site, but there were some clear areas. Any help is appreciated, hopefully just a silly mistake on my part. …
Last reply by Jonathan Reyes, -
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I was reading reviews of so-called Desktop Amplifiers for use with computers and came across what might be a very useful product for the sound cart. For those who are not able to build their own little power amp but want a small, powerful and well built 12 vdc powered amp, this could be the ticket. Toping TP30 from Parts Express
Last reply by John Blankenship, -
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Hi all, Might have a gig coming up that requires me to Looking into upgrading my recorder frm a Zoom to something better.. While the Nomad would be my ideal choice, I'm still not confident in being able to make back the investments I'll have to make for it. So i'm looking into the Used sections, & saw a Fostex FR2 and PD204. Both are 2 track machines, which are juz what my normal daily 5D job usually requests for.. The PD204 is good becaue it is a mixer/recorder, which means I can jus stash my wireless set and boom into it and ready for work, only problem i'm worried is its workflow... Is DVD-RAM still available in the market? or preferbly, Can the 204 do files c…
Last reply by johnpaul215, -
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- 72 replies
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I just noticed that I get a hunk of low level RF when I turn on my 788T in block 21. Anyone else had this problem? I thought Sound Devices had rectified this in their design of the 788. I know the 744 had issues. I'm using the SSD version of the 788. Matt
Last reply by Wandering Ear, -
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- 24 replies
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Hello all. New user here, first post. I'm very much looking forward to becoming a contributing member of JWsoundgroup. Before I begin, I'd like to say that I'm aware you all don't like re-posts, so please know that I did in fact search this site for the update I'm listing and wasn't able to find any information on it. I apologize if my search queries missed a previous post on this topic. I wanted to start by posting a piece of information for Sound Devices 552 users. In short, they've released a firmware update for the 552 (Version 1.4, released Nov. 3, 2011) which is available here. That's the gist of it. The long version is that I had a month-long issu…
Last reply by Wandering Ear, -
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- 2 replies
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i know I read about this before, but can't find it now. yes, I did a search and even waded through countless pages of nomad threads. no, I didn't HAT since I'm rolling all day and would like to spend my short lunch eating. LOL is there a way (other than routing an output back into the returns with a cable) to record a L/R mix internally yet? am I missing something or is that a planned feature? I would like to be able to change the pan on the fly and have that reflected in the recording. I'm running 2.81.
Last reply by Jack Norflus, -
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What is the proper antenna length for Zaxcom block 21 and 26 transmitters and receivers? The manual says 4.48" (for block 21) but I received a Sam Woo Electronics cutting chart with some Zaxcom antennas that have very different guidelines. Also, the Sam Woo guide has very different lengths for transmitter vs receiver lengths. I would normally go off the manual, of course, but I was told by someone at Zaxcom that the Sam Woo chart is slightly more accurate. However, the two charts I have show nearly half an inch difference at each frequency. For example, one chart shows 600mhz should be 4.5" while the other chart shows 5". Could someone who actually knows the proper…
Last reply by MatthewFreedAudio, -
- 2 followers
- 19 replies
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I'm looking to solder a bunch of my own cables and I'm wondering where the best place to buy the cables and connectors would be online. Looking to make: XLR m-f XLRm/f - 1/8 inch XLRm/f - TA3f/m Timecode cable for Sound Devices (Jam cable to Denecke Slates) also, BNC cables
Last reply by johnpaul215, -
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- 42 replies
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I just finished my first gig with my new Nomad and was wondering how do you bill/invoice for it? I've seen some talk about varying the amount depending on how many features or recorded channels are used. Looking at average gear rates: 744t $100/day 788t $150/day 788t w/ CL8 $175-200/day Deva/Fusion $200/day I'm thinking $150-175 for up to 4 tracks recording/mixing, $200 for up to 8 tracks recording/mixing. Thought and opinions welcome, Mark O.
Last reply by johnpaul215, -
- 1 follower
- 11 replies
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Got a short VDB pole - completely jammed - each one of the locks. Any ideas on who to release and fix? I tried using a pipe wrench (the one with a long rubber whip) but no go. -vin
Last reply by fieldmixer, -
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I was hoping to run my Fusion at 96kHz for some ambience recording. I've spoken to Glenn about this a while ago (about running the machine at 192kHz), but I'm stumped - the machine is totally unresponsive. I've: Removed all output routing Removed all input delays Turned off all fader assignments Only assigned the input mix I need (3 inputs) Inserted freshly formatted primary and mirror cards (133x) Turned off all Mix 12 support and Zaxnet functions Tried with no mirroring and normal mirroring modes and the machine still lags and barely records or stops. Can anyone shed some light? Another call will be made to Zaxcom on Monday, but am ho…
Last reply by greg sextro, -
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To start off, yes, Senator, i have searched, and yes, Senator, i have read all threads with relevant information. Please keep your hat on in this thread. I've been given a quite good offer for 2 used Micron wireless kits consisting of an SDR116 transmitter, and a TX716 receiver pr. kit. The kit includes all relevant acessories like Li-Ion 9V batteries, power cables, and the Katamount microphones (which i will replace with COS-11s), and looks to be in good shape. For the price of the Micron kit, i can purchase two Sennheiser 112p G3 sets brand new - so now i am wondering what would be the smartest move. I'm very strongly leaning towards the Micron kit for se…
Last reply by Mark Vesterskov, -
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I just bought a used PSC Cart and I'd like to replace the large rear wheels with something solid so I don't have to worry about them going flat I'd also like something better for the front any suggestions
Last reply by Philip Perkins, -
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- 750 views
I know some of you have been across here and I was wondering what were good and bad in terms of the wireless spectrum in these two countries? Preferably Lectrosonics. A.
Last reply by Michael Kennedy, -
- 2 followers
- 31 replies
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I am getting ready to build a banded antenna cable to use when I move my antenna boom closer to set, rather than run multiple cables. Just wondering what length would be recommended both in practical terms (having enough length for feature work) and functional terms (not losing too much signal) I was thinking 75-100 feet? Using Belden 9258 with powered sharkfins, Lectro Venues and Lectro T-4 IFB. Hoping LarryF can chime in here as well. Thanks...
Last reply by Geoff Maxwell, -
- 1 follower
- 23 replies
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I purchased Remote audio antennas around Christmas. I noticed the ones in my bag are getting rough on touch and loosing very small pieces of rubber. I wonder if this is a normal wear and tear. Thanks
Last reply by Geoff Maxwell, -
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New topic heading to continue discussion of new choices for digital wireless (did not want to hijack the original question about scanners and security). It could turn out that the Sony digital wireless is competitive, even at these high prices, for certain features per dollar. For example, the Sony digital wireless, according to Scott, has remote control capability directly from the receiver whereas the Zaxcom units need an additional item, the IFB interface/remote control, to do remote control functions. UPADTE and Correction: IFB and remote control functions are now built into QRX receivers. But then you go on to try and compare and discover that the remote control…
Last reply by studiomprd, -
- 1 follower
- 10 replies
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A question for those that might know and be able to explain. Aside from making it easier to sell more wireless transmitters and receivers is there any reason why these things are sold in "blocks" or "bands"? Why not have TX and RX programmable for the whole legal spectrum? After all, it's all digital these days, isn't it? I mean you wouldn't buy an FM receiver that only covered a range from 88.5 to 99.5 would you? Thanks.
Last reply by studiomprd, -
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- 55 replies
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So in my search for the ultimate sounding, inexpensive earbuds, I discovered something called "burning in" for new headphones. I feel foolish for never having heard of this practice. Anyone here do this?
Last reply by Bondelev, -
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Hi all, I'm setting up a Sennheiser G3 wireless system and I'm wondering what the optimum output to my Sound Devices 552 (or a camera for that matter) would be. Based on this discussion and here I thought I should output at the receiver's max of +12 and input to my 552 mixer at line level. When I do this however I get a really low signal and I need to boost the gain on my mixer to almost max just to get a good level. The same goes when plugging the G3 directly into the camera at line level. I have to turn the input level to max and it is still a fairly weak signal. With my Lectro 411a receivers I run +5 and line in on the mixer and get a great signal. How do others …
Last reply by Ed Denton, -
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- 3.2k views
Anybody tried them? At 189$, would be a great solution for a camera send for reference. http://www.sonicstate.com/news/2012/01/18/wnamm12-finally-affordable-stereo-wireless-pro-audio-/
Last reply by Diego Sanchez, -
- 1 follower
- 13 replies
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Any recommendations? I have had bad luck with Wind Tech in the past. The way to test a foam mic cover is to get a white sheet of paper and rub the foam. If all sorts of powder comes out on the paper, then the foam is not good for the microphone. So it is a little bit of a risk to just buy one on line. But perhaps some of you pros know what is good for this mic. THANKS in advance. AB
Last reply by studiomprd, -
- 2 followers
- 8 replies
- 1.4k views
Hi, I might have to use wysicom dual receivers for a gig in two days, does somebody here use them? The rental compagny propose me to use it with wysicom,audio limited or sennheiser 5212 transmiter. How the wysicom compare to audio and senny in audio quality, range, etc...? The lavs will be cos11 and dpa ..
Last reply by callou, -
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- 685 views
I am cross-posting with the Zaxcom site support group.... I've been loving the Mix 12 for nearly a year now... but one annoyance, possibly unique to mine, possibly not...... Occasionally, my soft control buttons stick - and bad... the slate button and the talkbacks. Each incident takes my eyes off of the ball for a few seconds. It appears the holes cut into the panel might need a mild shaving. To do this would require taking off all of the knobs. Are there others out there with this experience? The pleasure of working with it far outweighs this problem, but I'm just putting it out there: The tolerances of the holes that are cut might on mine might …
Last reply by Conor998, -
- 2 replies
- 748 views
After not so much use, the upper section of the Loon pole I am using started getting so wobbly that my boom op could not swing anymore. In a rushed attempt to fix the wobbly part between exterior takes, the upper section finally got stuck in the twisting collars and I was unable to get it out even after the shoot and sent it back to the dealer I bought it from to see what he can do. I noticed that the upper cable part was never "threaded" like it is on K-Tek poles, making the cable to exit on the side and therefore leave on of the upper holes unused. According to the way K-Tek pole cables are threaded, the cable passes through the side openings of the section just b…
Last reply by filmfreak,