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This recorder has been on the market for about 10 weeks. I'm love to hear user comments, which are to this point hard to come by. I'm interested in this recorder because I need a 2-track machine that will record time code. The only competitor, the Fostex FR-2 is quite a bit more expensive, and I don't need its capacity to generate code. Alas, the Sound Devices 722 is not time code capable, although I'd like to think that they are considering it. A 722 that supports Aaton Code is my ideal, if not yet realized, product.
Last reply by Philip Perkins, -
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Anybody have recommendations for Schoeps microphone repair. Any good shops in the US? Thanks, Bob
Last reply by chrisnewton, -
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Believe it or not I was a soundman in college back 66,67(vietnam veteran,ranger). I did Glen Yarborough,Johnny Mathis,The Turtles live on stage and I had pro-mics hanging from stage ceiling that I would pot up/pot down as the artists moved on the stage. Now I am really excited about the sound carts you fellows use and I've got to learn more about how you set them up. My stage mics were fed in to pro- Ampex decks via a Collins sound board and I sat inside a professional sound room. Here's my question- Is it practical to have mics at different locations on a film set and actually pot up/pot down with the action. I had an idea about doing this on a production that I …
Last reply by Philip Perkins, -
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Or any style rackmount drawers for that matter? I need to better organize my cart. Do you use the drawer dividers? tupperware style containers w/o lids? Any suggestions? LL
Last reply by OscarL, -
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I just sent my "B" TCDAT (HHB PDR 1000TC) and a Mackie 1202 VLZ Pro off to Trew consignment sales, if anyone is interested. The HHB was a backup machine and has very low hours. The Mackie was modded for 12 VDC by Alternative Audio in Burbank, w/ 4 pin xlr, AC/DC switch and separate DC fuse. AC operation is unaffected. Mixer is brand new, unused (for a project that didn't pan out). Philip Perkins
Last reply by Philip Perkins,