The Daily Journal
journal:: a daily record of news and events, our community diary
1,004 topics in this forum
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"Raaas..." Part I: http://www.xtranormal.com/watch/2868571/ Part II: http://www.xtranormal.com/watch/1947831/
Last reply by Aitor Amozarrain, -
- 6 replies
- 1.6k views
I was fairly sure I would not be able to get to NAB this year but the movie I am going to be doing has been postponed so I should be able to attend. Anyone else here going to try and get to NAB? The dates are April 12th to 15th for Exhibits and I am assuming our get together will be the traditional Tuesday evening, April 13th. Regards, Jeff Wexler
Last reply by Bondelev, -
- 32 replies
- 6.8k views
hi all some may have seen it via the Ramps group but some may not cheers martijn
Last reply by Zack, -
- 1 reply
- 1.1k views
Safe and Creative and Nice... & Wicked:
Last reply by Eric Toline, -
- 6 replies
- 1.8k views
I gotta give Rusty credit for this one. For those of you who didn't receive his email with this link, enjoy it with a little Chardonnay tomorrow. Happy thanksgiving. Laurence
Last reply by DBurnette, -
- 7 replies
- 1.3k views
Happy Turkey Day to all! Rob
Last reply by Nicole Hankerson, -
- 4 replies
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This message showed up via my website and I am not able to help this person (since I do not know Lectro stuff very well). Maybe someone could help him out? "Name: Andreas Haglund Email Address: andreas.haglund.sfs@gmail.com Subject: um400 Message: Hi, I am a green location recordist at Sydney Film School now stuck with a Lectrosonics UCR411A receiver and a Lectrosonics UM400 transmitter. I only have the manual for the receiver and so far no problems. But after a frequency scan the receiver manual tells me to set the same frequency on the transmitter and here I\'m lost. The receiver manual seems to think that my transmitter has some kind of display but …
Last reply by studiomprd, -
- 2 replies
- 1.2k views
What's up everyone, I'm new to the forum and just wanted to say hey. Hopefully I posted this in the right section!
Last reply by Sam Mallery, -
- 0 replies
- 936 views
Hello group, I need a place to stay in NOLA next week. Can anyone help me out ? Jeff Deeth depthaudio@comcast.net
Last reply by Jeff Deeth, -
- 6 replies
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I have some clients looking for a local soundie in San Diego. Don't know anything about the job--my guess is corpo or commercial. Philip Perkins
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Last reply by Richard Walters, -
- 3 replies
- 1.6k views
I'm working on a show with a DP from Italy with a very thick accent. Two night's ago we were shooting an interior office scene and I was riding the frame line as usual. After the take he pops up and says (Please add thick Italian Accent). Soundy, can a you give a me more space. My reply - Sure 3, 4, 5 inches. His classic reply. A No - gimmy 3 feet!! Darn near fell of my 4 step..
Last reply by Mark LeBlanc, -
- 0 replies
- 955 views
Hey guys, Thought you'd all appreciate some comics about the day to day life of working as a sound mixer in film/tv. http://chisound.net/citicomic.jpg http://chisound.net/pariscomic.jpg (yes, these are um...loosely based off my own experiences) -C.Low
Last reply by chiinyc, -
- 8 replies
- 2.2k views
just love this one... http://www.citytv.com/toronto/citynews/news/local/article/51602--famous-kurdish-singer-claims-opp-used-excessive-force-during-highway-takedown
Last reply by John Coffey, -
- 11 replies
- 2.5k views
Bag work. Last Wednesday, I was on set at 8:00 am for an easy day and was home by 4:30 pm. At 7:00 pm, I was on another set and got home at 6:15 am Thursday. I was on my 3rd set at 8:00 am and got home at 6:30 pm. Up for 36 hours, then slept for 12. The calls came in and lined up perfectly, they were all fairly easy gigs, and I’d never been up for that length of time before, so I jumped. I expected to wake up Friday morning feeling jetlag-like for the whole day. Instead, I woke up feeling better than I usually do. All 3 jobs kept me busy, not stressed, and I never sat around waiting for things to happen; I just kept working. I’m about as average as one can be, a…
Last reply by David Waelder, -
- 9 replies
- 2.4k views
I was just at a Hawaiian festival in Redondo Beach and as usual, to my ear, the mixing was very inadequate ( I'm being kind) It occurred to me that as a professional sound mixer with years of music and dialogue experience, I am unable to listen to live music anymore without wishing at least some part of it was mixed better. I listened to the new Journey line-up last night on Palladia TV and was appalled at the mix. I know it's TV but doesn't the TV mixer take a feed from the front of house console? The keyboard part in "Separate Ways", a Journey standard and an integral part of the arrangement was completely lost. I'm resigned to the fact that it's a rare occasion that…
Last reply by Philip Perkins, -
- 9 replies
- 2.5k views
cross posting from ramps: http://kidinthefrontrow.blogspot.com/2009/07/noah-timan-sound-mixer-interview.html#comment-form
Last reply by shug, -
- 1 follower
- 49 replies
- 8.5k views
I was reflecting today on how much the equipment we use has evolved over the last twenty years or so, but more on the way in which we are almost obliged to embrace new technology with obsolescence built in. I was chatting with Glen Sanders a few days ago, lamenting the demise of my backup Deva 2 which only a few short years ago cost me $10k and which is already an electronic dinosaur. Back in the day the only upgrades we had to cope with were stereo and then time code nagras. Not nearly as big a deal as the upgrades currently available from Deva 2 to Deva 5 to Deva 5.8 to Deva Fusion, not to mention the advancements in SD machines and Cantar etc etc. I'm not saying of cou…
Last reply by Scott D Smith, -
- 47 replies
- 10.3k views
Seems like an interesting question. What would you have done if you didn't go into this business? Since I started this I'll go first. I would have loved to open a bait & tackle shop on Nantucket or in the Bahamas. Don't laugh, I was a partner in one 30 years ago in N.Y. Eric
Last reply by pedersensound, -
- 1 reply
- 1.1k views
I posted this last year... Were someone, for some inane reason, to compile a list of people who qualify as being "a waste of space, " then surely film critics would be top ten material. I watched in writhing agony this weekend as two dorky, smug, superscillious individuals barely old enough to remember what real movie stars and good movies used to be, tried to out -intellectualize and out-pontificate each other in their rambling so -called critique of current movies. If the opinions of these pathetic wannabes are the best the networks can come up with in order to cater to the film going public then we should all stay at home and watch re-runs of the Andy Griffith Show.…
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- 0 replies
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People my age that grew up in the good old USA have seen so much transition and change from post WWII until now that it boggles the mind. Walter Cronkike was a huge part of those time's for me. Rest in Peace Mr Cronkite. Personally I am surprised that you lasted so long seeing what the so called news has transformed into. You set a high bar that sadly looks like it will never be beat again. Class act in my book. Big fan. CrewC
Last reply by old school, -
- 11 replies
- 3k views
Cross-Posted from IndieTalk Forum: Hi all, Please excuse me, but I have to get this off of my chest. What is it with Producers and Directors who relegate the sound of their films to an after thought? Without sound a film is just a bunch of pretty pictures without meaning. And yet many refuse to budget a reasonable amount of money to the sound of their project. I get at least a dozen requests each week to do work on a project for credit and promises of future paying work, which, of course, never materializes. "But it's a great project!" If I had ten bucks for every time I heard that I would have paid off my studio by now! It cost me over $50k just to sonical…
Last reply by Bondelev, -
- 1 reply
- 1.2k views
"United Broke My Guitar" Pretty funny video done by a musician whose $3500 guitar was ruined by UA (he even saw them do it), who then stonewalled him. He vowed to make songs/videos about his experience and youtube them--this is the first of 3. His experience getting an airline (esp UA) to take responsibility for anything pretty much mirrors mine, but his response is WAY more effective probably than just doing the phone thing with a string of disinterested employees. Philip Perkins
Last reply by soundtrane, -
- 0 replies
- 782 views
Includes a paean to The Conversation: Conjuring up images of Gene Hackman as the surveillance expert in Francis Ford Coppola’s film “The Conversation,� Mr. Morton moved through the park surreptitiously for more than 40 days over the course of a year, capturing gospel choirs, park-bench arguments, the rattle of dead leaves and the heartbeatlike clack of lawn-bowling balls. http://www.nytimes.com/2009/07/06/arts/06sound.html
Last reply by Daniel McIntosh, -
- 2 replies
- 1.1k views
A very Happy 4th of July to all the freedom loving folks here @jwsound and around the world. CrewC
Last reply by Keith Birchfiel, -
- 37 replies
- 6.6k views
For the first 15 years of my sound career, whenever we had to do playback in a scene it was done with a Nagra 4.2., and a speaker system. The tracks were set up in the same way we do it today with 3 or 4 pops, then whatever the recording followed the beeps... The trick was to play and rewind this ribbon of sound from start to finish and points in between, then back again, many many time in the course of the shooting day. Most of us got good at it or at least able to do it. There were tricks to doing this, like using splicing blocks and tape to mark stops, stops, and points within. All of this was time consuming to set up and the re/set for playback was as well.... Sometim…
Last reply by Kevin Sorensen,
