Cameras... love them, hate them
- either way, we are doing "sound for picture"
383 topics in this forum
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- 3 followers
- 13 replies
- 2k views
I am sending TC and audio to an ERX2 and ERX3 . The ERX2 is on an FS7. THe ERX3 is on an Amira. Bother cameras hear the audio. Neither see TC. If I listen at the ERX I can hear TC. This is a 25p project. Need an answer as soon as possible. A phone call also welcome 512-925-6769
Last reply by Wandering Ear, -
- 0 replies
- 930 views
Just purchased a new GH5 with the Panasonic XLR audio unit for small projects. Was encouraged to see a small semi-decent XLR unit come to the market. Although I've used bigger sounds kits on large sets etc. Will use this for small run and gun projects with a 416 and G3/cos11 wireless.
Last reply by churious, -
- 3 replies
- 2.9k views
Recently announced. Blackmagic URSA Mini Pro
Last reply by chrismedr, -
- 3 replies
- 2.1k views
Hi all, Just wondering if anyone has had the misfortune of feeding a alexa mini wrong fps? I.e. we where shooting at 24 fps but the sound files seem to be at 25 fps for 2 whole days. Wondering how that could have happen. Does the camera sync? Or does it display somekind of error? Looks like I might have done just that a couple of months ago, just wondering if anyone has done anything similar.. all the best Bjössi.
Last reply by Bubu, -
- 0 replies
- 1k views
I have a job with a DVX 200 tomorrow. The only other time I worked with this camera, I couldn't get it to read my timecode sent via my sync box. I just read some old posts that said that the camera will not work with tentacle sync or other sync boxes. Is that still the case?
Last reply by judykarp, -
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- 855 views
what is the fastest and easy way to sync a sd664 to 2 cameras? can I do it easily without locket, i will have a complex kit on the shoulder and want to avoid other boxes if possibile, and honestly i am not very used to sync issue in general on film set. What is the basic work flow. I don't know yet if they will have a digital slate, what I know is they want a scratch audio on both camera and audio synced to them and want time code as TIME OF THE DAY , an assistant editor told me by phone that in past they used to jam at beginning of day and go. I am just afraid that with 2 cameras is going to be more complicated then that. What setting I have to make before to ja…
Last reply by VASI, -
- 28 replies
- 12.4k views
I am going to Myanmar on a job on Thursday and was just informed that we are using this Brand New Sony Camera. I went to check it out today and noticed that there is no timecode input on the camera itself. It's on an Extensions Unit (XDCA-FS7) not included in the package, that connects to the camera via a multipin connector. Obviously, this unit is not something we can get before Monday and may have to be ordered by the rental house. Does anyone have experience with this camera and the extension unit? I'm planning to feed sound to the camera, either hardwired or wireless depending on conditions and situation and record on my SD633. One of my questions is: Can we jam…
Last reply by Syoung, -
- 3 replies
- 1.4k views
Hello! Does anyone know how to adjust the level from the 5 pin audio output on sony xdcams? I searched the manual and found nothing. The camera op couldent help me either. The level is way to high and overloads the headphone amp on my 664 :S
Last reply by Mungo, -
- 9 replies
- 1.6k views
http://www.kodak.com/ek/US/en/corp/Press_center/Kodak_Launches_Super_8_Filmmaking_Revival_Initiative_at_CES_2016/default.htm
Last reply by telecam, -
- 1 reply
- 761 views
Hello, does anyone know of any place anywhere that rents the Sony PDW 850 camera? Thanks!
Last reply by telecam, -
- 8 replies
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I had a D-Tap cable made up for my QRX200, if i tap from the vlock on camera I get a horrible buzz in both channels. If I D-Tap a separate V-Lock the buzz is gone, seems like sharing camera power and the QRX 200 is causing some problems. The camera is a RED Raven. It has 2 D-Taps, one powers a zacuto gratical EYE, the other is on the battery and I want to power the QRX200 with that. Definitely don't want to have to use another source of power, any ideas why i'm getting a buzz?
Last reply by Prahlad Strickland, -
- 3 followers
- 8 replies
- 3.7k views
I got a chance to work with the Panasonic Varicam LT last week, and saw that no one has yet posted any information about it. So I thought I would pass along a report of my experiences. All in all, no surprises with this well appointed cinema camera. I don't know how similar to or different from its bigger brother (Varicam) it is, not having worked with one. It support four channels of audio input. It has an XLR-5F for a stereo mic in on Inputs 1 & 2. It has two more mono XLR jacks for inputs 3 and 4. All four inputs can be recorded simultaneously, with 48V phantom power available in each. Internal recording is 24-bit 48KHz. Input levels are control…
Last reply by ottoj, -
- 1 follower
- 5 replies
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I just wrapped a project involving the Arri Amira Camera with Zaxcom QRX200, QRX235 and the wideband transmitters. I was not happy with the Zaxcom units at first thinking they were not as good as the old units then i was quick to realize that the issue was with the Arri Amira Camera! The camera puts out a ton of RF energy and desensitized all my receivers and my sound persons units. I was wondering if others have had this same experience. I have been digging around for some white papers but have not found any. If any of the sound shops want to borrow my arri amira to create one feel free to reach out. I am currently in the Brooklyn, NY area. Mayb…
Last reply by Derek H, -
- 1 follower
- 19 replies
- 2.1k views
Flavor of the year! Shooting a small drama currently Denecke box permanently attached to camera set 24fps Jammed as was my slate from my 664 all 24fps Camera monitor intermittently flashes a red flag !!!?::?? Correct code always displayed on monitor 1st AC says code box or cable is faulty!!!??? Help please - day 3 tomorrow mike
Last reply by Constantin, -
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- 3.3k views
Hi all. Does anyone know the the schematic connection of 10 pin Lemo connector/RJ45 Alexa mini's ethernet control port? Any info will be appreciated!
Last reply by petersonfilm, -
- 2 followers
- 26 replies
- 4.9k views
As of right now, I'm syncing all my audio the ARRI Alexa Classic with the time code boxes by Tentacle, which works perfect. Just wondering in conjunction with this, I could possibly get a crappy little scratch audio track into camera as I still get this requested by the editor. I've sent wireless audio to camera with a hop before and that works great, but I'm also trying to think of a way to get a tiny little mic on camera, but bring it to line level to that the Alexa can actually record it. I have an MM-1 but that's still bigger than I'm hoping to go. If anyone knows of a cheap little preamp, doesn't have to be professional, just something that would work tempora…
Last reply by Gerard-NYNY, -
Hello all: I'm looking at updating my camera hop setup, and I'm interested in who's having the best success with what gear. Any info will be appreciated!
Last reply by Sean McCormick, -
- 1 reply
- 645 views
Does anyone know if the XT has the same TC connector as the Alexa Mini. I'm looking at their connector sheet, but can't work out if it's the same. Also the 5 pin audio XLR input is the only audio input correct?, Was hoping I wouldn't need an entirely unique cable for the ERX / Alexa XT again.
Last reply by Philip Perkins, -
- 1 follower
- 0 replies
- 904 views
Just a little heads up. I worked with BM4.6k and the camera did not want to boot when TC from rx200 was fed in TC in. When the TC is removed camera boots fine.
Last reply by RadoStefanov, -
- 1 follower
- 17 replies
- 4.7k views
This may not be the first XLR adapter for GoPro cameras, I haven't really been looking, and those little cameras are a rather regular (net positive) part of my life. But one of these days someone's going to ask me to run sound to this thing...or ask for help for setting up their new really small DIY handheld camera. And I'll cry a little. And then move on... "This Audio Converter is designed to adapt XLR male plugs—industry standard in pro audio situations—into a 10-pin mini-USB stereo plug suitable for GoPro cameras. It features 2x XLR female jacks (for the male XLR connection) and comes with a 15mm rod clamp that can attach to any 1/4"-20 threaded hole. Please note…
Last reply by davedv, -
- 2 followers
- 3 replies
- 879 views
Does anyone have a source for the connector in the US? Or premade pigtail? Arri new york and la says 4-6 weeks. Trew in Nashville said no dice on any stock of connectors or premade pigtails. Also contacted wooden camera just to see if they sold pigtails, they only sell the A box which I'm trying to avoid -Ken
Last reply by Philip Perkins, -
- 1 follower
- 7 replies
- 2.8k views
I'd like your opinions on this one please... The other day I was on an indie doc shooting on the F55. I was using a G3 as a wireless camera link (notice I didn't say hop) with the squelch setting on 'Lo'. At lunch I powered down the G3 Tx but camera dept. didn't turn off the Rx on the camera. When they powered back up before me the DP saw the audio levels being blasted with the squelch signal and told me to: Tturn it off or disconnect it because he had not yet paid for the camera and didn't want to damage the audio circuitry" I set the squlch to high and walked away. I just want to make sure that my initial feeling that he didn't know what he was talking a…
Last reply by hiro nakamura, -
- 9 replies
- 2.2k views
I started a long term commercial with the Weapon and I usually run sound to the camera with this production company so it outputs in the embedded SDI for VTR and Daily reasons. The first camera body went down in the first hour starting with the audio input failing, then timecode, and etc. The next body worked while we setup and did our tests in the parking lot of our next location. Right when we start rolling my VTR colleague altered me that the audio had a bunch of digital delay and artifacting then just stopped working. We rebooted both of his Wireless video systems and no change, so we just bypassed the problem by using the audio inputs on his microLite Transmitter whi…
Last reply by Philip Perkins, -
- 1 follower
- 8 replies
- 2.4k views
Hi there, I'm about to start a long running shoot for a documentary. The production've decided to go with 2 Sony A7s II with ninja flame recorder. I've researched both the net and the manuals of the camera/ninja and can't find a definite answer to my question - Is there a way to jam, input or output timecode from this camera set up? I'm using SD633, sending a scratch track mix to the camera using Senn G3. Time code wise - I was planning to buy Tentacle box and use it to jam my 633, then put it on the camera/recorder, as a TC generator. I could record TC on an audio track on camera, using tentacle, but then i cant feed the camera with my ref mix through Senn rece…
Last reply by Bartek Baranowski, -
- 3 replies
- 1.1k views
Hi, I'm doing a film soon where the director wants to shoot some of the material with a vhs camera (he didn't specified yet what model they will be using). I assume that vhs cameras don't have any crystal system for keeping sync, right? Supposing we do short segments of dialog only, do you have any idea if we could get away with it or single-system is the only way to go (not a very good one also, and this supposing I could send some audio to the camera, which I don't know yet)?
Last reply by Tom Visser,
