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The Post Place
the section for everything relating to Post-Production
350 topics in this forum
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- 1 follower
- 4 replies
- 1.3k views
Hi guys, Strange thing happens. I have a client who claims a 2 channel (poly) Wave file from me comes in in FCP 7 as dual mono, while a ProTools file (not sure if it's a wave or something else) comes in as stereo. (Just the pan settings.) I forgot close to everything about FCP 7... Anyone knows how this could happen? I never heard of metadata inside a Wave / BWF file that contains panning info... thx, Bouke
Last reply by alexbooy, -
- 4 replies
- 2.9k views
new version of Izotope RX6 out: http://www.newsshooter.com/2017/05/03/isotope-rx6-audio-editor-aims-clean-impossible-nab-2017/
Last reply by JWBaudio, -
- 2 followers
- 21 replies
- 9.7k views
Remember that Blackmagic Design bought (at least part of) Fairlight last year? So now in Resolve 14, they've rolled at least some of Fairlight's audio tools into Resolve 14. Here's one picture from BMD's website: Details and more pix: https://www.blackmagicdesign.com/products/davinciresolve/fairlight And BMD says they will offer four mixing consoles. Here's a smaller one: A little more info (and a few more pix) on those here: https://www.blackmagicdesign.com/products/davinciresolve So the Resolve 14 software is in a public beta right now. There's a free version with "Revolutionary new tools for editing, color correction and professi…
Last reply by Jim Feeley, -
- 1 follower
- 6 replies
- 1.9k views
Recently I was working on a little commercial video and one of the wild lines was recorded too far away from the subject. The reflections/reverb in the room are pretty bad and hard to match with everything else. I tried to use rx4s dereverb but I haven't gotten any results I really like. What makes it worse is they rerecorded the line but sent back something pretty similar and unusable. Just wondering if any one has used Zynaptic Unveil and if anyone preferred one or the other.
Last reply by katrinafairlee, -
- 7 replies
- 2.3k views
Any good resources online to learn post? Sent from my iPhone using Tapatalk
Last reply by Marc Wielage, -
- 2 followers
- 5 replies
- 2.3k views
I have a question concerning the Surroundzone 2 plug in in ProTools 12HD. I would like to convert my A format recordings (SPS200) to B format using the Surround Zone 2 plug in. But unfortunately the surround zone plug in is not available as an Audio Suite version in ProTools. Are there any suggestions what batch convert software I can use (preferably within Pro Tools) to batch convert SPS200 A Format material to B format. I tried Sennheisers Ambeo software, but the result wasn't at all satisfying, presumably because of some proprietary format? Any suggestions some of the users on this board use? I'm using Harpex software to unpack B format to 5.1, so I'm not to keen …
Last reply by wescwave, -
- 3 followers
- 31 replies
- 6.4k views
I couldnt see a specific thread about Pluraleyes but I could see a lot of very sceptical posts about the softwares ability from around 2111/2012. I have worked with a lot of people (editors) who absolutely swear by it and when I do 5D work I can just give them the audio files and nothing else (it helps if times of day matches a bit) and I've not had wines or gripes. I did do one job here in ZA for an American company who insisted I got a big ass SD mixer (as well as top of the range everything which was hired at great expense) and we shot on some bigger Cannon cameras and the time code kept drifting and there is always the framerate issue. Now enough time has gone by for…
Last reply by chrismedr, -
- 0 replies
- 1.1k views
Izoptope are having assorted sales until the end of the year and one of the items on deep sale is the Advanced version of Izotope RX 5, which is down to $749. Weirdly, if you already own RX 5 standard, the upgrade price to Advanced is $849 with no sale discount available, so it's currently $100 cheaper to buy Advanced outright than to upgrade from standard. No idea why this should be, but the same applies to the RX Post Production Suite, currently down to $999 for the full program, while the upgrade from RX 5 standard is still at $1,149. I've had this confirmed by Izotope; see below. Hi John, Thanks for reaching out. You’re right, the current promoti…
Last reply by soundmanjohn, -
- 5 followers
- 45 replies
- 6.3k views
Hi everybody, the dialogue editor which is working in a movie I recorded using the Schoeps SCMIT (Output 1, Preset 1 non aggressive one) told me that it's impossible to phase it to wireless mics (Zaxcom + DPA4071). Has anybody else noticed same issues? I'm asking cause I'm trying to figure out if I got to service it. Thanx, Angelo.
Last reply by RadoStefanov, -
- 1 follower
- 3 replies
- 2.5k views
Hi I´m having some difficulties conforming original audio from an EDL made by Premier Pro CC 2017. I´m not to familiar with Premier so this is really a question; When exporting a EDL in pp what is the difference between ticking in the "use sound roll/sound timecode" box and not ticking? I know that I get the sound rolls into the EDL, but the source timecode is not the same between the two options, and the edit is made from a proxy, so the timecode of the proxy audio and the proxy video should be the same? The point is that I do get correct source TC i/o times when I uncheck the "use sound roll/sound timecode" box, but then I don´t…
Last reply by Bubu, -
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- 1.4k views
Hey! The JBL LSR305 is on sale for US$100/each at a bunch of places. That's $50 off the regular price, and $100 off for a pair (<== For the mathematically challenged). Out of the low-cost monitors I've heard (and occasionally suffered through), these are my fave. Looks like this is a Black Friday sale (and I don't know if the discount is available outside the US), but it could be that JBL will soon announce an update/replacement speaker coming out soon (what with NAMM not that far away). But even if there is an updated model coming out, this is a great deal. One of many vendors offering this price: http://www.sweetwater.com/store/detail/LSR305
Last reply by Jim Feeley, -
- 16 replies
- 2.4k views
Wondering if anyone has any input of the Waves products offered for post work, compared to iZotopes RX5. Thanks for your time in advance.
Last reply by Johnny Karlsson, -
- 1 reply
- 1.2k views
Apologies in advance, I'm sure this is covered here on this group but I can't find it anywhere (yes I've tried various searches). I'm trying to import a polyphonic BWF file (8 tracks, recorded on Zoom F8) into Logic Pro X while preserving the track names that I have saved in the metadata. Is that possible? Seems like it should be a no-brainer but I can't make it work. I can do it by splitting the tracks into separate mono tracks via Wave Agent and then importing them separately into the DAW but then I lose my track name information, not to mention the annoyance of having to import each track separately. If you could help point me to some info on how to do this it would be…
Last reply by Mark Vesterskov, -
Apologies in advance, I'm sure this is covered here on this group but I can't find it anywhere (yes I've tried various searches). I'm trying to import a polyphonic BWF file (8 tracks, recorded on Zoom F8) into Logic Pro X while preserving the track names that I have saved in the metadata. Is that possible? Seems like it should be a no-brainer but I can't make it work. I can do it by splitting the tracks into separate mono tracks via Wave Agent and then importing them separately into the DAW but then I lose my track name information, not to mention the annoyance of having to import each track separately. If you could help point me to some info on how to do this it would be…
Last reply by ProgressiveDrum, -
- 16 replies
- 2k views
Here's a bit of a dumb question regarding post sync. The editor for an upcoming shoot refuses to sync audio in post by TC, saying it's "too much work", instead he asks for audio to be cabled or sent by wireless direct to cam. I've never sat in post when they synced but always thought it's like one click to sync audio and video files by TC. Have I been wrong on this? Do they have to sync audio and video for each take or can it be done for batches of files?
Last reply by Christian Spaeth, -
- 8 replies
- 2.9k views
Hi all, I'm currently helping a friend out editing sound for his short film and there is a couple of scenes shot on and around a beach, we are struggling as one of the actresses speaks quite quietly and is conflicting with the sound of the rough sea and waves, just wondering if anyone knows a fixable solution to either lower the background noise of the sea, effects in audition or premiere that might be helpful or how to raise her voice without raising the full track so it doesn't conflict as much, ADR isn't an option really so it's got to be something we can fix In the edit if we can. Thanks in advance
Last reply by al mcguire, -
- 1 reply
- 1.1k views
I was scanning the FB Production & Post-Production Sound for Film/Video group and found a discussion on Aligning phase in the polyphoninc dialog tracks. A lot of it was a rehash of a jwsound posting, but part of this reply popped out at me. I use Premiere/Audition, and when you Merge Clips (audio waveform matching just like PluralEyes), the waveforms are automatically time aligned to the best of the computer's ability. For mics that don't move a lot, that means you can blend them, no problem. I often throw down a plant mic for the purpose of giving me a 'reverb/room' track that I can blend into the lavs, which I find can often help match to the boom. If you …
Last reply by rich, -
- 0 replies
- 750 views
I'm sure a lot of people saw this. Pretty interesting acquisition. I'm wondering what the direction they will be going with this... https://www.blackmagicdesign.com/media/release/20160909-02 Sent from my iPhone using Tapatalk Pro
Last reply by myke2241, -
- 2 followers
- 20 replies
- 2.6k views
I have a friend that I'm working with next week shooting on a 5d mk3 doing double system. When we import my audio, recorded on a 633 at 0db, he has severely low levels in Adobe. Any clues?
Last reply by Rick Reineke, -
- 1 reply
- 1.1k views
Hello, Working on a doc that is partially set in rural Iraq / Afghanistan. As a lot of it is shot in 3D, I thought it would be nice to include some Ambisonic backgrounds as a layer in the mix. Thought I would see if anyone had any they would be willing to share!
Last reply by t2audio, -
- 1 follower
- 22 replies
- 2.9k views
Howdy everyone, Soooo, I'm still working on that WWII movie and am pretty close to completing. however, I just hit a scene with some extreme closeups and I can hear the camera's motor/film sound pretty well. I seem to remember back in film school they used a blimp/barney to dampen the sound but I'm pretty sure they didn't use one on the shoot. I've created (more like hacked together) some Room Tone so I can cut in and out between dialog bits, but it feels clunky. Then I got thinking about it more and was wondering what the big post guys do when they want to remove the camera's mechanical sound? Short of ADR which I suspect the director would probably no…
Last reply by Jesse Flaitz, -
- 12 replies
- 1.8k views
i have got a job where production is asked to assign members of cast to certain tracks, no problem then it reads " Channel 6- Float 1 Channel 7 - Float 2 " Could someone please enlighten me on floating Thanks Tom
Last reply by John Blankenship, -
- 3 replies
- 1.1k views
A question for the gurus who know more than I. 1. A client sends me an OMF of a 30 second commercial and asks me to sweeten the audio and give him a mix. Not a problem....done this many times before. 2. He edited his mix in Premier and sent an OMF to me for audio work. I asked and received a reference video as well. I use ProTools. 3. One of his clips in the timeline was speeded up in Premier to account for some guy talking too slowly during filming. Nothing terrible and if he hadn't told me, I may not have known. 4. However...he included the original audio clip (sans video) and wanted me to use that audio instead of the one he speeded u…
Last reply by Mobilemike, -
- 1 follower
- 8 replies
- 2.1k views
Hi Everybody! I'm working on an indie WWII short movie (40 minutes) post mix and have quite a few gun, rifle, and munitions SFX involved. I was hoping to create a rear channel slap back echo to mimic what you'd hear if you were in a canyon say and the sound trails off into the distance. I tried simply running it through Altiverb and editing out the beginning of the clip, then mapping the reverb tail to the back channel, and it worked (sort of). It sounded okay, but I'm pretty sure it could be better. Then I tried switching it up and tried used Space, then ReVibe (which did get it closer but still not satisfying) Does anyone have any suggestions/ideas…
Last reply by jgbsound, -
- 4 replies
- 1.1k views
I have a bunch of polyphonic wavs from production with 8 tracks for a 2 person stationary scene. Some mics sound inferior than others ( I do want to keep all the tracks in the end) just for the offline edit that amount of tracks per clip makes it really cumbersome. I'd like to reduce the number of tracks to the strongest/cleanest ones (which seem to be the first 3), then sync....or I could sync first, then reduce. I just want to make sure that by working this way, post sound will still be able to conform to the 8 track original wav file. Has anyone done this with Wave Agent or some other program? Are there issues conforming to all tracks in the original f…
Last reply by conleec,
