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JWSOUND Gallery


Albums

  1. Gallery of Sound Carts

    • Album created by Jeff Wexler
    • Updated
    • 201 images
    • 8 image comments
    • 201 images
    • 8 image comments
  2. Show Me Your Bag

    • Album created by Jeff Wexler
    • Updated
    • 92 images
    • 13 image comments
    • 92 images
    • 13 image comments
  3. Zaxcom Camera Hop Settings

    A step by step guide for using a QRX-100, a TRX-900 w/stereo adapter and a nomad as a camera hop.
    • Album created by paulrusnak
    • Updated
    • 85 images
    • 85 images
  4. RAMPS/JWSOUND NAB - 2019

    RAMPS/JWSOUND Party at NAB - 2019
    • Album created by Jeff Wexler
    • Updated
    • 57 images
    • 57 images
  5. Some work stuff

    • Album created by Symbioth
    • Updated
    • 38 images
    • 38 images
  6. SeaWatch SharkBoat

    SkarkBoat is a Research and Diving Vessel on a mission to Costa Rica to help save Sharks with in the Isla de Cocos.
    • Album created by dacooksey
    • Updated
    • 31 images
    • 31 images
  7. Field Recordings

    Pictures of my various field recording adventures.
    • Album created by watsonwu
    • Updated
    • 18 images
    • 18 images
  8. Nelson Stoll Mix Cart August 2012

    This is the Production Mix cart I used on the Woody Allen San Francisco Film 2012. It was my first time recording a film on a computer. Boom Recorder v8, using a RME Fireface800 interface into a MacMini i7 with SSD boot drive and a 7200 Baracuda media drive.

    Boom Recorder was stable and I had no serious issues. The recording and patchbay interface were very easy to use, clever and laid out logically. Playback is limited, but Take, the developer, is working on that. This is practical, efficient recording software that I can recommend.

    The cart has a gigabit Ethernet switch, firewire 800 hub and USB-2 hub to allow flexible I/O. I used a thunderbolt adapter so I could Image/Backup the MacMini drives as needed. Connecting to another computer via the GBE provides very fast transfers as well.

    On the Woody Allen film we delivered on Compact Flash cards, using a permanently mounted FW800 CF reader. We didn't mirror in real time, since the CF transfers are fast, about 1GB/Minute. Having used Nagras running NagraMaster and changing with every camera roll for many years, this was, of course, very much easier.

    The front end is the same as I have been using for many years. Modified Neve 5422 console with custom direct outs built by Stephen Balliet of Reflection Audio, feeding Waves L2 hardware maximizers for ADC and the fantastic limiters.

    AES out to an RME ADI-4DD to convert AES digital to Toslink to feed the FF800.

    I use a studio Rosendahl Nanosyncs word clock to feed everything needing WC. And a Denecke GR-1 to feed TimeCode to one of the channels of Boom Recorder, which embeds the TC in the metadata of the BWF perfectly. On the show we used a sample rate of 48048, being fed by the word clock. Time Code was 30 FPS. This was all coordinated with post WAY before production started.

    Denecke T-1 and T-2 transmitters for wireless monitoring.

    This is the first show I have not used my Audio Ltd. radios for the wireless booms. These have been fantastic, but illegal in the US (780mHz). The quad box is up for sale and would be great for the UK and Asia.

    Anticipating having to sell my AL radios, a few years ago I did comparative tests of Lectros, AL and Shure UHF-R radios comparing DPA 4060 lavs against a hard wire. Surprisingly, the Shure radios were essentially equal to the AL and these were closer to a hard wire than the Lectros, which did not have the same low level detail or overall fidelity. The Shure receivers are not that practical for a portable cart, being only rack mount AC and having internal fans that needed to be addressed! But they sound VERY good and have good RF capability. They are a good value as well. I use an ethernet switch to connect the receivers together for integrated RF analysis and auto-setup. Now that I have a computer on the cart, I have installed Wireless Workbench which will allow me to save Frequency stack presets for different locations. A Shure RF distro feeds all the receivers from a pair of active antennas.

    The cart is AC only, usually not a problem. But I have a Honda EU2000 when needed. FYI...this is very clean power and pretty quiet. 100 feet away and behind something usually does it most of the time. The cart uses a Cyberpower PR1500LCDRT2U pure sine wave power conditioner and UPS.

    All this new stuff added some weight to the cart and I had to make some mods for the additional equipment. I do my own design and AutoCad work. My son Gustavo Stoll did the latest TIG welding. Most of the other fab work was done in my shop. The extensive wiring work was done this time by Dalton Patterson, including all RF, audio and power. We do some custom design/fab work for others when needed as well.

    Probably due mostly to the playback DACs in the Fireface800, the overall sound quality at the cart was improved over what it was using the Fostex DV824, which had served me well since THE KITE RUNNER in 2006. Input and output sound are essentially identical, at least in mono :-)

    This is basicly a small studio on wheels and obviously won't work when AC is not available or having to go up a mountain path very far. The whole top section of the cart hinges down so I can get it in my Eurovan and makes for a compact package.

    Nelson Stoll
    nelson@stollaudio.com




    • Album created by soundidea
    • Updated
    • 16 images
    • 16 images
  9. The gear

    • Album created by patoggt
    • Updated
    • 16 images
    • 16 images
  10. FILM SHOOT

    • Album created by soundwiz
    • Updated
    • 14 images
    • 14 images
  11. David Kelson Sound Inc.

    Some From the Vault
    • Album created by David Kelson
    • Updated
    • 14 images
    • 14 images
  12. Film Sound Stuff

    • Album created by Ryan Farber
    • Updated
    • 12 images
    • 12 images
  13. Gergely Hornos

    Hang Autó-PRESONUS









    • Album created by nullsound
    • Updated
    • 12 images
    • 12 images
  14. Cantar in Bag

    some pics for those who claim a Cantar is not made for bag use

    • Album created by axel
    • Updated
    • 11 images
    • 11 images
  15. Gergely Hornos





















    • Album created by nullsound
    • Updated
    • 11 images
    • 11 images
  16. Steve Miller photos

    Various Photos from Steve Miller
    • Album created by Steve Miller
    • Updated
    • 10 images
    • 1 image comment
    • 10 images
    • 1 image comment
  17. SD 664 Carbon Fiber Setup

    My new carbon fiber setup for the SD 664.

    For more info: info@soluson.nl
    • Album created by SoluSon
    • Updated
    • 10 images
    • 4 image comments
    • 10 images
    • 4 image comments
  18. folding zuca cart

    • Album created by Pete D
    • Updated
    • 10 images
    • 10 images
  19. Spanish sound fun

    • Album created by CHULESPADA
    • Updated
    • 9 images
    • 9 images
  20. EAA Micromix

    Little known, but still great device
    • Album created by Dejan Ceko
    • Updated
    • 9 images
    • 9 images
  21. 416 for sale

    • Album created by Mark Orusa
    • Updated
    • 9 images
    • 9 images
  22. 664 sell pics

    • Album created by cory
    • Updated
    • 9 images
    • 9 images
  23. Nick Flowers

    • Album created by Nick Flowers
    • Updated
    • 8 images
    • 8 images
  24. RAMPS 2013

    Pictures taken by Bruce at RAMPS 2013 at Satay Grille in Las Vegas
    • Album created by LarryF
    • Updated
    • 8 images
    • 8 images
  25. Konstantin sound mixer, Kazakhstan, AATON Cantar x158

    • Album created by Konstantin
    • Updated
    • 8 images
    • 8 images

189 images

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