PaulLosada

Helpful to know. Thanks David!

Has anyone experienced differing performance results in their wireless setups using RG405 coax cable VS. RG174? I'm currently using a PSC RF Multi SMA with a few Lectrosonics SRB receivers in my bag using the stiffer, thicker gauge RG405. But I wonder if I would be experiencing any better performance from my wireless using the RG174 coax that PSC sells and encourages for use with the Multi SMA. Both my cables and the ones PSC sells are rated at 50 ohm, but I can't find any more info regarding spec differences. Thanks!

Hi all... I've been re-visiting the Halloween series after the new 15-disc Blu Ray set came out recently, and now after watching some of these films for the first time in years (and probably the first since I became a professional filmmaker) I'm struck by the excellence of much of the original production sound. I see Thomas Causey (mixer) and Joseph Brennan (boom) worked on the first three films of the series and are retired now. Does anyone here know them? Related with them much around the time these films were produced, and can shed some light on their work habits? I was particularly impressed with a deleted scene from the first Halloween in which Jamie Lee Curtis and P.J. Soles exchange dialogue while looking out a window. Both actresses are facing the window, which means their mouths are just inches away from a flat wall, and the shot (like many in the first Halloween) is very wide to the point where some of the ceiling is visible. Both actresses sound spot on in the pattern of the microphone, and it doesn't appear to be ADR. I imagine radio mics at this time were sketchy at best and probably mostly utilized for complex walk + talks, but it looks like a very difficult scene to boom. Apparently it was a practical location where flying in over a wall wasn't possible either. If anyone has some stories about this sound team I'd love to read them!