Jump to content


  • Posts

  • Joined

  • Last visited

About jozzafunk

  • Birthday 11/09/1975

Contact Methods

  • AIM
  • Website URL

Profile Information

  • Location
  • Interests
    Recording Sound
    Swinging Boom
    Sound Editing and sound mixing stuff
  • About
    Love recording good sound - Especially doco in unusual locations - also love sound editing
  • Interested in Sound for Picture

Recent Profile Visitors

2,931 profile views
  1. Ive got a CS3e - picks it out but I rarely enjoy the sound of it - the cs-m1 sounds much nicer in this video to me
  2. I would hope not. 2.4 is becoming a swamp on set with all the other depts running gear on it
  3. Yep, considerably better - to the point where Im happy to go wireless boom all the time
  4. Not 100% if it’s the question but using MM into HMA and a straight HM on the daily - difference is night and day
  5. While we’re here. I need a new mount for my 8050, older cinela seems bent out of shape, not good at all Recommends?
  6. That sounds awesome but will last exactly around 15-30 seconds from switching it on on a set running wireless camera and lighting
  7. Don’t go Zax until you’ve done at least a few gigs with a borrowed / rented one
  8. Hi John 1st priority was sorting as much leakage as possible, taming the room comes next. PA is QSC K12s left and right and a KS118 sub Doing some Room acoustics engineering would be ideal, initial queries showed it to be too expensive - they’re working with a budget of a couple grand - this is a smallish but popular centre run by volunteers that mostly runs in the red. Do you have access to acoustic design software or point me to where to access it ? Ill go and measure It up if so regards
  9. Thank you both. Yes helping to affirm current plan - clarify couple things Thanks John. Yes diffusion and trapping is stage 2. This is rough design I did - scale is bit out
  10. Thanks Peter Yes, it all needs to be removable on the daily To clarify on my post - I’m trying to optimise what we’ve got - cheers
  11. I’m helping out some friends that have a worship space - They recently converted the big rear room into a yoga studio / devotional music space which gets loud - There used to be a big shrine type arrangement blocking the rear windows but that has moved and the neighbours are complaining. we need to build some plugs to go into the 2 large window cavities. They can be 200mm deep ( not ideal ) but this also will make them more manageable. The plan is 3 plugs - 1200mm wide by 1200 high that fit in each window space . I’m looking for advice on the composition Currently looking at ( with materials to hand ) From inside room to window. 18mm ply to 70mm Audex foam Then airgap then foam then another layer ply, to make them 200mm deep, and boxing around outside to hold together. Do folk think this is best layering for sound proofing? Was considering long thin slots in front ply to help act as traps / diffusers. Any opinions on whether slots would compromise proofing over benefits it may provide? thanks for your time and help will also be building baffles and getting some carpet but the plugs are needed asap there is a pretty limited budget but some handy folk there JAS
  12. Bide your time. Most holographic pres’ I’ve ever heard
  • Create New...