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Storyhub

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  • Location
    Central Florida
  • About
    A Cinematographer, DP, Sound Mixer, Executive Producer, and internet developer focused on producing Wholesome Family Entertainment. Currently helping to produce 3 short films titled "Heart of the Matter", "Birthday Girl", and "Peace". Some of the past projects can be seen at Storyhub.TV

    Formal training includes a BSEE, MBA with concentration in management information systems, and photography with the School of Modern Photography. Began doing model and fashion photography in 1973. Taught photographic modeling and commercial acting for 4 years.

    Recently began work in motion picture and television in 2000.

    Owner of the business Storyhub®, which is focused on storytelling orally, printed, and visually.
  • Interested in Sound for Picture
    Yes

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  1. I have done 3 features with multiple REDs on set. I simply send guide track to all the cameras via wireless. The camera audio is used to sync the multiple cameras. One camera audio is then used to sync the multiple tracks of audio from the recorder (manual mode) or just use pluraleyes to auto sync everything. Never had any picture or audio sync issues. Never used or needed to use TC or a TC slate because the guide track is more accurate than timecode since both are sampling at 48,000 times per sec and there internal clocks are very accurate. I have done 2 hour events (continuous record on cameras and recorder) without any issues. TC was invented for a system that uses a time base corrector that generates a master TC which then sends that TC to the camera (gen lock) to permit switching cameras (it is no longer required in switches because of other techniques). The cameras then sync to the master and all cameras snap a frame at exactly the same time so switching doesn't occur in the middle of a frame. WIthout gen lock TC running from the internal clock on each camera will be off by design.
  2. I have used a UCR401 receiver with the freqs written on white gaff tape on the receiver for each talents transmitter. Headphones can plug directly to the receiver by using a TRS F to XLR F adapter plugged directly to the receiver or with an XLR mic cable. I often use this instead of an R1a for IFB on remote radio broadcasts. I often use UCR401s to feed guide track to cameras directly from a talent mic in a similar fashion.
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