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About sarcanon

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  • Location
    Los Angeles
  • About
    Just starting out with making a career in location audio,
  • Interested in Sound for Picture

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  1. I don't need to read Dr. Greer's works to know it's bullocks for the same reason I don't need to read the Bible to know that Judaeo-Christian theology is a fairy tale, nor the arguments of climate change deniers to know they're wholly detached from reality. The human mind is capable of all sorts of amazing things, including completely deluding itself into the most fantastical of notions. I don't claim that there is no such thing as extraterrestrial life (in fact, the Drake Equation makes its existence a virtual certainty). I just think the idea they've visited us is risible in the
  2. I imagine some folks around here might be interested in this new KickStarter project:
  3. Gone With the Wind...pshaw. Culver Studios (in its incarnation as Desilu) was home to Stalag 13 from Hogan's Heroes! That place has had as many owners as Elizabeth Taylor had husbands.
  4. Of course, it's entirely possible their opinions could be completely genuine (if inarticulately stated), borne from many hours of listening to a wide variety of mics and recorders with that "sound" feeling. But, frankly, to me, it seemed like a couple of retrophiliac hipsters talking out their asses, more in love with the romantic ideal of vintage audio gear than any rational assessment based on personal experience. I wonder how well they would do in a blind test. Which is not to denigrate their film-making abilities one bit. I intend to go see 'Good Time' and expect to
  5. A couple of young co-directors, the Safdie Brothers (Josh and Benny), just released a film called "Good Time" which by many accounts is pretty good. They just did an, uh... interesting, interview for No Film School (read it here) where they discuss the audio for the film and do a bit of seemingly random name-checking. Portions related to audio excerpted without further comment: Josh: ... But if I'm obsessed with the image, Benny also obsesses over the microphones and the acoustics. Benny: When you hook up with somebody who's doing sound, they have their own kit. O
  6. Sounds good. Where did you mount the 4061?
  7. Try looking under Timeline Display Settings (wrench icon on Timeline) and select Show Audio Names menu option.
  8. Tentacle Sync are showing a prototype of their timecode device that is slimmer, has an improved mic, and Bluetooth support and new app that allows remote configuration and control of multiple units.
  9. If you're interested in viewing "A Face of War", it's available on YouTube in a series of ten segments, here. Talk about being embedded, these guys were in the s**t. And, in case it's not perfectly obvious, the sound IS the story.
  10. May I suggest we qualify that with a "sometimes..."? When the production on a narrative feature is too cheap to hire a boom operator, schedules 8-9 pages a day, shoots two cameras with timecode and wireless hops on both, and wants every actor lavved in every scene (often as many as six), I'm sorry but they can expect bugger all in the reports. I did a show like that once when I first started out, and it almost killed me. Life is too short. That being said, I make every effort to make my reports as detailed as time and circumstances permit. Having started to do some sound editing and
  11. It was a loaner from Panasonic to the DP, who has something of a social media following. A BTS video has been posted to his site, but it would likely only be of interest to camera gearheads.
  12. I got a chance to work with the Panasonic Varicam LT last week, and saw that no one has yet posted any information about it. So I thought I would pass along a report of my experiences. All in all, no surprises with this well appointed cinema camera. I don't know how similar to or different from its bigger brother (Varicam) it is, not having worked with one. It support four channels of audio input. It has an XLR-5F for a stereo mic in on Inputs 1 & 2. It has two more mono XLR jacks for inputs 3 and 4. All four inputs can be recorded simultaneously, with 48V phantom power
  13. Unless I'm mistaken, the field recorder workflow is a feature of Pro Tools HD, and not the standard Pro Tools. Also, there are third party software applications that streamline the production audio conforming process, of which EdiLoad is probably the most well known. But as Phil suggests, it's far simpler if you can get picture editorial department to take this on. That's not always possible, unfortunately.
  14. Correct. That accessory cannot be used with the FS5. So no TC in (or genlock), unless you want to record LTC to one of the audio channels, e.g., with a Tentacle. While it's true that it will only internally record 4:2:0 8-bit in "4K" (technically, QFHD, not true 4K), you can record 4:2:2 8-bit out the HDMI port into, say, a Video Devices PIX-E recorder or an Atomos Shogun. But, 10-bit 4K sure would have been nice. All the same, I like mine a lot. Just don't assume it's a cinema camera, and you'll get along fine.
  15. Very nice indeed. Did you go to a seamstress to fasten the bits of canvas to the blankets, or did you do this yourself? I'd like to hear a bit more about this part was achieved. Cheers!
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