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AnuarYahya

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About AnuarYahya

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  • Location
    Mexico City
  • About
    Production Sound
  • Interested in Sound for Picture
    Yes

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  1. the sony MDR7506 are not perfect, but they are the best for me. They fold into a little ball so its easy to transport them, they have the perfect headband for resting a boom pole on the top of your head, if you change the cushions to thicker ones they are the suuuper comfortable, and they are not to expensive. Because with the craziness of location sound work headphones get mistreated more than they should. Also fixing them or getting parts for them is easy and cheap. Also they sound good enough or bad enough so that I can identify problems. I also am a fan of the curly cable, but I know that is a personal preference.
  2. Thank you for explaining, I guess some people will surely like and find dante useful in the 888. It seem to me it is more for cart based work even tho i have seen big bags with DSQD receivers so that is definitely an option (albeit an expensive one). It would make sense if sound devices is planning on making their own super slot receivers that work with dante and integrate into their recorders. They have to find a way to compete with zaxcom in my opinion.. It is also a nice feature of dante that you can daisy chain two recorders and make them behave as one. Still a bummer for me that there is minimal AES built in.
  3. you can make your own or have somebody make it for you. The schematics are on the manual of the nomad. Also gotham sound or trew audio can make them for you. Surely somebody in hong kong can make it for you tho.
  4. AES makes more sense in a recorder with the 888 size and track count in my opinion. How does one even work with dante in a sound bag?? And the fact that you need to buy an aes expansion thing to have aes on a 7000 dollar machine is cray cray.
  5. seven thousand dollars!!!
  6. Wow thats a lot of bang for your buck. Could be a good back up mic. I might get one of these just for shits and giggles.
  7. Could not agree more. I had not noticed it has no mono-tape or hp 2.. maybe there was no space left in there? Also the keyboard thing is such a bummer. To be expected to name 8 plus channels with the onscreen keyboard is crazy. And I do not care for cell phone apps, I hate relying on my cel phone to work so I hope they don't bring that as a solution. Not having a keyboard slows down the other wise insanely fast workflow you can achieve with the nova.. I know it has track name presets but still. either way im going to get one as soon as i can. Man its crazy how far we have come, this technology seems like it is literally from the future.. maybe it is from the future? Geniuses at work no doubt. Congratulations to zaxcom.
  8. You are right this is true. Ultimately I guess I just like being on set, and I enjoy booming a lot, so that is why I say that. Also, unfortunately it is hard to get producers to pay for a second boom op now a days. That is why many times I opt for being the second or main boom just to maintain the two booms sound. But yes it is cutting corners.. I agree it is nice to have linear faders, and a nice seat and monitors where you can focus on just the act of listening. I do find that it is easier to fix things when you are on set instead of in another room at your cart, but that is just personal preference. And a good boom op makes a big difference off course. I guess the nova is just another tool that gives us more options. And at that price point it really is not going to cut that many corners because you can charge good equipment rental fees. (in theory) I think regardless whether you want to give up your cart or not, the nova helps reducing weight overall. Sound carts can be redesigned to be a fraction of the size and weight, which is always a good thing. Unless it is a studio production where it is all shot in a sound stage you can always benefit from a lighter sound cart. And honestly for those type of productions youd probably prefer a deva 24 and mix 16 anyways. The nova also helps streamline all your workflow because having such tight integration makes everything easier and faster. It just makes a lot of sense to me. The pace of productions is not what it used to be before. Directors are getting used to working faster and faster as technology improves. Now you barley need light for cameras and that speeds up things a lot. The sound department is also expected to keep up and that is where integration and lightness really make a difference in my opinion.
  9. Zaxcom did it again. They killed it and there is nothing out there that even comes remotely close. Yes, it is putting all your eggs in one basket but the benefits are huge. It is a no brainer for me. Also there are many ways of having redundancy in an all zaxcom system. And you can always buy two novas.. lol. I know thats an expensive proposition but its not that much more expensive than what sound mixers spend on their primary and their back up rigs. The zaxcom system gives me so many advantages over other sound mixers that it feels like im outright cheating. It makes my life easy and makes location sound work just a joy. I cant count how many times zaxcom has saved my ass. And now with the nova it opens a new world of possibilities for me. Personally it is making the need of a sound cart more and more outdated. A sound cart can just be a stand now, or better yet you are the sound cart. You can get closer to the action, and be in the set booming if you so desire easier than ever before. Not carrying many pounds of equipment destroying your back. Just that alone is priceless. We all have different approaches to location sound but the nova is just undeniable at this point. All it needs is keyboard support! I use my wireless keyboard so much in my nomad 12. I cant imagine not having that. But like I said, it is just undeniable.
  10. AnuarYahya

    nova!

    will it work with a usb keyboard?
  11. AnuarYahya

    nova!

    Zaxcom again kills it in the innovation department. Truly genius work. The nova is on a legue of its own.
  12. External cable hands down for me, specially in long poles. You need to get a hang of it, and learn to manage your cable. But once you do it is way better in my opinion. You are much quieter because you can hold the cable tought with your hand. Also you are not forced to have the cable exit at the back of the pole. And if you are going wireless you wont have any cables to deal with inside your boom. Its also lighter, cheaper, and more reliable. forget all about straps, velcro or clamps just wrap your cable around the pole avoiding twisting the cable so it stays neat.
  13. I think it looks interesting, and the price point is very impressive.. I dont like the internal battery, but I guess one could adapt a workflow to make it work. However, jury is still out on how they hold up in real life. I also wonder how they sound? how stable the signal is? how relaiable they are in the field? and what their costumer service and support is like? I am also very skeptical of it being 2.4ghz and dont like that the outputs are 3.5mm jacks. Also it looks like its made out of cheap plastic. It might be a good option over the rode link, but thats not saying much in my opinion. We will have to wait and see. Eather way its unfair to compare them with pro gear since I doubt their target market is professional sound mixers.. so its probably fine for most people.
  14. I had this happen to four of my 4063s. I wrote to dpa and they said its likley because i cleaned them too much! I used to clean them every once in a while with olive oil but now I feel it was the olive oil that made them crazy stiff. I have since bought new ones to replace the older stiff ones and have refrained from cleaning them with anything but my fingers.
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