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Mike Mulcahy

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About Mike Mulcahy

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    Hero Member

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  • Location
    Tucson, AZ
  • Interested in Sound for Picture
  • About
    filmmaker, teacher, aspiring prod & post sound professional

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  1. aha... This looks like a similar design/function to the Rycote. I had seen this but was concerned that there might be "slippage" between the XLR and the device. Thank you for the info.
  2. Hi, I currently run a short XLR from my boom mic, out of the zeppelin, to a lectro UH400A, which I tape to the mic pistol grip. I like having it out of the Zeppelin for ease in off/on and battery swap. I want to replace using tape with either of the items listed above. Does anyone have experience with either of these low cost but (seemingly) high value items? Thank you, Mike
  3. Indeed; one more reason JWSound is such a resource...I'm working my way up the prod snd chain, one post at a time!
  4. Hi, Thx Bernie, Senator, Larry, Marc et al for this thread; very helpful. The link to the 66-page wireless guide returns a 404, and I couldn't locate it on lectrosonic.com; any help locating a copy appreciated. mike
  5. Hi, I'm trying to ascertain if COS-11d mics (Ta5 connectors) will work with Tram 79 capsules. I spoke with a tech from Plus24 (the dealer that Sanken Japan directed me to) and his response was "yes...most probably." But they've never tested directly. I have several tram 50s I use, wired via the 79 capsule and wireless via lectrosonic tx. I am trying to move into COS11s and hope not to have to buy separate power capsules when I want to go wired. Thx in advance, Mike
  6. Hi, Righto...that makes sense. Thank you for the help. best, Mike
  7. Hi, Thanks for the prompt replies. I have a question in to production re: scratch or a proper track, but haven't heard back yet. re: sync: I will follow your advice and slave the F8 and Arri to the master tentacle unit best, Mike
  8. Hi, I'm building up my prod sound experience and have a one-day doc shoot tomorrow in which I am doing two things new to me: - providing TC to the camera - sending a mix output from the recorder to the camera I'm feeding 3 lectro radio mics and a boom into a SD442, and then iso'd mics and a mix into a zoom F8. I've checked the JW posts and have gotten useful info; this is what I plan to do: 1. I'm renting a tentacle sync and plan to jam sync the F8, and the Amira via BNC in 2. I'm renting a lectro SRC receiver with two LT transmitters, outputting from the f8 to the Amira ch. 1 and 2, mic level in Any info re: unintended results appreciated. Thx, Mike
  9. All this info is very helpful; thx much. Mike
  10. Hi, I discovered jwsound this year and have gained a tremendous amount of help from reading the posts and the experience and info contained within. Thanks very much to Jeff Wexler and all the contributors to this site. Mike M.
  11. Hi, Righto. I've been looking carefully at a film I am working on that incorporates interview footage, with a lav and a boom for the talent. The boom track seems to be about 5 subframes (in pro tools) later than the lav track. I'm not "sure" I can hear that difference - soloing each track and then listening to them both - but I've been moving the boom track to align with the lav (as much for practice as for effect). Thx, M
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