Allen Rowand

6.0.7 still isn't working for me on any of my clips. My main machine is a Hackintosh but I get the same result on my MacBook Air. It definitely seems like the Hero 7 is doing some sort of jiggery-pokery with the audio in the video file that can't be defeated. This isn't critical; I was scheduled (and will hopefully be rescheduled) to do a two camera shoot and wanted to drop a GoPro onstage just to have another angle. If the client wants a third angle they can pay enough for me to warrant getting another camera or a SyncBac Pro, or I can shoot with my Hero 3. I appreciate you trying to get this to work. I'd be happy to continue if you'd find it helpful for your software, or to say "enough" and just not use the Hero 7.

6.0.6 isn't working on either of the video clips I sent.

Hi @Bouke, Version 6.0.6 still isn't working on my video files. Audio works as before, but reports 25 FPS: Here's a link to the new files that haven't been touched other than to copy them from the SD card: https://www.dropbox.com/s/3sw2iki4hlwai2v/Hero 7 test 2.zip?dl=0 I'm working in Mac 10.15.3.

LTC only, I've tried every processing level with mode set to stereo.

Has anyone successfully run LTC into a GoPro Hero 7? It works with no issues on a Hero 3, but I can't get usable LTC to timecode on the 7. I've tried with Davinci Resolve as well as the demo of LTConvert. If I record raw audio on the Hero 7 LTConvert finds the correct timecode in the audio file, but not in the video file. I know about the Syncbac Pro, but I don't want to buy one because: I already have a couple UltraSync Ones. I don't need to shoot with a GoPro enough to warrant the expense. The Syncbac for the H7 only works with the H7; there's some issue why it won't work with the H8 and who knows if that will be resolved. It's not a huge deal, GoPro footage isn't really a thing for me. I was going to drop it on stage as a third shot for a job that didn't happen, and now I'm trying to spend some time prepping for when it gets rescheduled… someday.

lPhone and lPod, running winkOs?

Better safe than sorry. I found out last night that a shoot I've been planning for months has been cancelled; ironically, it's a panel discussion about healthcare and small businesses.

Phantom power block? Edit: ninja'd by nickreich!

It's toward the bottom of Solution-D mic pages. For example: https://en-de.neumann.com/kk-185-km-d

Back with v3! I decided to go for a one piece design for simplicity and to free up space in my bag. Circuit design changes are: - Individual self-resetting polyfuses per output instead of a single master fuse - Switchable outputs so I can kill power to devices that automatically power on and eliminate vampire drain - One always on output for my recorder I could have made it a bit smaller, but I don't want it to be in "ship in a bottle" territory if I need to make changes. Thanks again to @henrirapp for the original inspiration!

And… done: I have a shoot next month where I'll be pulling direct outs from the house console, this snake will come in handy.

For what it's worth I've been using the SanDisk Extreme PRO SDXC UHS-I cards with no problems, in 32 and 64 GB sizes.

I'm thinking about it, should have thought about it when I put in the first parts order!

I've got a gig coming up where I'm going to use my NT-SF1 to record a music performance in surround and want to get some more distance between the mic and my bag. I reached out to Rode technical support and they were kind enough to give me the mic pinout, which is on a Neutrik 10 pin XLR. Much easier than beeping out the breakout cable I got my box o' parts from Redco today. 10 pin XLRs and a hunk of TGS-04: Done an hour later, checked out fine. Not the most difficult connectors I've worked on but took some planning to figure out the best connection order. Tested perfectly with the mic, now I have a nice 25' extension!

Sebastian made it into the Gotham Hound calendar! Silly? Yes. Also fun. I used an outtake from the photo session as the base for my avatar here and site logo.

I should have used the <sarcasm> tag instead of a smiley… I think the placement is more than a bit absurd.

Maybe SD could stack them 😀

A couple things: - Did you install the Mono package? Just checking… - The adduser command should contain your user name without brackets. Assuming you installed Ubuntu, when you're in the terminal your prompt should be "username@ubuntu:~$" or something close. Make sure you enter the username in the adduser command exactly as it appears in your terminal prompt. - "mono RFETouchLinux.exe" is a terminal command. Mono is a framework to let Linux run applications written for Microsoft .NET; the command is telling Mono to run RFETouchLinux.exe. Sorry if this is treading ground you've already covered.

While I haven't seen a ton, I like the look of @Ze Frias's site: http://josefrias.com

If you want to go G4, consider getting the EW512 set. They cover more frequencies than the EW100, come with the MKE-2 mic which is way better than what you get with the EW100, and the receiver has a headphone jack so that you can use it for a director feed in a pinch. Lots of people also like the Sony radios, which also have headphone outputs and better diversity. But if you can swing the money Lectros are great.

I'd rather have a Bollinger:

I use Redco TGS-1 inside the bag and quad outside. No issues yet…

I'm hoping that Timecode Systems offering a free SDK will encourage more adoption by other manufacturers.

Not sure what I think yet… https://www.timecodesystems.com/atomos-acquires-timecode-systems/

At first glance I thought this was an Ursa!