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INARI

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Posts posted by INARI

  1. I got that.
    So wonderful quality.

    Back is full of male like 80's SF convention.This is easy to clean.

    It cannot bypass AD/DA , cannot send balanced line signal.
    but seems to be a trivial matter.

     

    2020-02-15 10.53.32.jpg

    2020-02-15 10.58.25.jpg

  2. hmm...

    actually 32bitf have 1528dB of DR.
    however, it have noisefloor below 150dB from peak.

    https://forum.juce.com/t/vst-2-4-double-floats/3985/7

     

    So actual dynamic range seems to be about 150.5dB to read this

    https://dsp.stackexchange.com/questions/38832/more-simultaneous-dynamic-range-with-fixed-point-or-floating-point

     

    Of course there is no problem in practical use,

    I love SoundDevices, but it is a somewhat exaggerated catchword, I think.

  3. I got this expensive one, and using 1 week.

    My impressions in a bulleted list.

    IMG_0018.JPG


    😀good point

    ・ADC,DAC,Mic, Headphone amp...Quite transparent and good sound quality.

    ・139dB dynamic range by Dual ADC.(maybe technology like Sonosax and Zaxcom )

    ・Compact as RME Babyface Pro.

    ・Frexible routing in AES67

    ・Web-based monitor controller and configulator.(You can access with browser.)

    ・It can control from iOS and Android.

    ・Locking AC adapter and PoE Powering.

     

    I liked Anubis monitor control very much.
    Because I don't have to call a huge software mixer.

     

    😫not good point

    ・Hot chassis (force shutdown in 66 °C/150.8°F but it have 44°C / in room temperature.)

    ・Firmware is under construction yet.(it did not support DSD yet)

    ・Slow switching sampling rate.(Annoying when cleaning up many footage with iZotope RX7)

    ・bugs(sometime appears)


    Many of the problems should disappear with a firmware update probably.

     

    Currently, Egyptian god of the underworld sits at my desk and controls the monitoring.

     

     

  4. On 8/10/2018 at 1:04 PM, Johnny Karlsson said:

    Picked up this at the tax free shop at the airport in Stockholm on my way back to LA the other day. Just cracked it open, and it tastes quite lovely. Great smokiness!

    D044BAE4-EBE9-420F-A471-44CF410E3C3D.jpeg

     

    Saw it for the first time.
    Seems tasty(๑´ڡ`๑)

  5. thank you.
    "We will not be too strict to preamp gain at field recording" It only works for that degree.

     

    And all of condenser microphones cannot escape brown noise in the air,

    and resistor that equipped in your machine has Johnson noise.

    So, our ears and equipments can not be used up even with 24 bit int.

     

    But I think it is a very good product considering the price.

  6. 18 minutes ago, engaudio said:

     

    The SXR4+ already uses dual A/D's and CAN record at either 24 or 32Bit. That is why there is a US version, because of the "Zaxcom dual A/D patent issue"..  See here: https://www.sonosax.ch/wp-content/uploads/2016/12/AUDIO_PATENTS.pdf 

    I suppose the next question is, what will Zaxcoms response be to this Zoom dual A/D recorder?  

     


    Probably there will be no response forever.

    if it works with the scheme different from NeverClip.

     

    There have been some models with dual ADCs that for increase dynamic range in the past.
    https://www.merging.com/products/interfaces/merging+anubis

    https://www.sony.jp/ic-recorder/products/PCM-D100/

     

  7. On 4/5/2019 at 12:25 AM, manuelchk said:

    What preamps? Not Kashmir right?

    looks like kashmir. same gain same THD.

    However, it has 1 dBu less noise.

    please see user guide.

    2019-04-10_00-12-32.png

  8. interest!

    Dual ADC will probably work like ZAXCOM recorders. maybe it comes 135 and higher dynamic range.

    By the way, is this 32 bit floating point or integer?

    There is no doubt that either can handle huge or tiny input.

     

    And how much is it?

    if it is 1500USD or lower,it is fuss as apocalypse!

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